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Winner of the Louisville Grawemeyer Award in Religion, this classic text explains what feminist theology is and how we can rediscover the feminine God within the Christian tradition, offering a profound vision of Christian theology, women's experience, and emancipation. First published in 1992, it immediately caused a groundswell reaction for and against the concept of women's participation and role in the Christian church. It is both controversial and thought provoking. It served as the seminal text in the analysis of woman and Christianity. This 25th anniversary edition, with new content, will keep it in the forefront of the feminist theology conversation.
A Prayer book designed to be used by individual women, as well as by those who are leading group prayer services. For nearly two millennia, Christian women have learned to pray in the language of other people's souls. From worshiping God as father to envisioning a holy life as a military campaign, they've been taught to approach the Divine with the hearts and minds of men. She Who Prays: A Woman's Interfaith Prayer Book offers women a new way to pray. It draws on feminine images of God, as well as the language and experience of women, to help women tap into their own rich and unique spirituality. With material from new translations of ancient Christian hymns and prayers, as well as original prayers in the Christian and other faith traditions, She Who Prays will help women speak to God in their own voices. Arranged in roughly the same format as the Book of Common Prayer, She Who Prays contains a seven-day cycle of daily prayer services, prayers for special occasions, and a woman-oriented liturgical calendar that honors the lives of women of all faiths. The book also contains four rituals marking such themes as healing, reconciliation, and new beginnings, and a prayer to be used while walking a labyrinth. An appendix provides information on world religions and instructions for group services.
Can we re-imagine divine power as deeply related to the changing world? Can we re-imagine the creation of the world as an ongoing process of co-creation in which every individual from particles of atoms to human beings plays a part? Can we re-imagine Goddess/God as the most relational of all relational beings? Can we re-imagine the world as the body of Goddess/God? If we can, then we can understand the deeper meaning of female images of divine power, including Goddess, God-She, Sophia, and Shekhina. Many traditional understandings of divine power begin with thinly disguised rejections of the female body and connection to the natural world. Women theologians from Jewish, Christian, Goddess, and other traditions are re-imagining divine and human power as embodied, embedded in a changing world, and deeply related to all beings in the web of life. Drawing on the work of process philosopher Charles Hartshorne - whose insights deserve a wider hearing - Carol P. Christ offers intellectual foundations for deeply held feelings about the meanings of female images of divine power. Her gift is the ability to make complex ideas seem simple and radically new ideas seem familiar. This book is addressed to everyone who has ever wondered about the implications of re-imagining God as female.
Two-time British Fantasy Award Winner Astounding Award Winner Lambda Literary Award Finalist Hugo Award Finalist Locus Award Finalist Otherwise Award Finalist "Magnificent in every way."—Samantha Shannon, author of The Priory of the Orange Tree "A dazzling new world of fate, war, love and betrayal."—Zen Cho, author of Black Water Sister She Who Became the Sun reimagines the rise to power of the Ming Dynasty’s founding emperor. To possess the Mandate of Heaven, the female monk Zhu will do anything “I refuse to be nothing...” In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness... In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected. When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother's identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate. After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu takes the chance to claim another future altogether: her brother's abandoned greatness. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The idea and ideal of "beauty" has been used to oppress women of different ages, body types, skin color, and physical ability. The theoretical discussion of aesthetics has also been conditioned by these same dynamics of power and oppression. In She Who Imagines, a diverse set of scholars challenges the exclusion and false definitions while constructing capacious ideas that discover beauty in unexpected places. In these essays, the authors draw on a variety of arts media-painting, photography, portraiture, craftwork, poetry, and hip-hop music-thereby joining beauty to truth and, in a richly defining way, to the practice of justice. In a variety of ways all the essays link women's definitions of beauty with experiences of suffering and hence with the yearning for justice. All clearly prize resistance to degradation as an essential element of thought.
Eight-year-old Cathy Sherridan and four of her schoolmates find themselves floating in a boat one summer evening. Curiously, none of them remembers how they came to be there. Soon, the boat runs against land, and the children go exploring. Cathy falls into a lake where she comes upon an ominous lizard-like monster that means her harm. Lucky for Cathy her three friends jump in the lake to save her and end up fighting the lizard to the death. However, his death throes toss Cathy into the nearby cave, and when she awakens, she follows a new path that will lead her to the land of Ettria. She is safely recovered by The Free People-elves who believe she is one of the helpers predicted to stop the evil Saffron. Not long after her safe arrival, though, Cathy is kidnapped by a band of goblins-the sworn enemies of The Free People. She is sent to their capital to join girls from all over the country; the chief's grandson will choose one of them to be his wife. The Free People make plans to rescue Cathy, but what if, for some reason, she doesn't want to be rescued?
Weslee Dunster is one sister who has always been about the practical side, earning her way to Boston University through good, old-fashioned hard work. Who needs Prada when you've got brains, right? Wrong! With her GAP khakis and humble background, Weslee's no match for the wealthy New Englanders who seem to look at her like she's stepped out of a Sears catalog. The women in Wes's new sphere treat shopping like a contact sport, and they never met a friend they didn't want to trash as soon as her back was turned. And the brothers will snub you for having skin that's a shade past café au lait or an accent that's one generation from Jamaica. Now, caught up in a hectic lifestyle filled with designer clothes, expensive highlights, finger-aching bling, air kissing, fine-looking players, lies, betrayals, and other things her once-sensible life didn't demand, Wes is in for the ride of her life--one that could have her crashing and burning. . .unless she can figure out the rules of the game and how to break them. . . "Charming."--Kayla Perrin "Entertaining."--Nina Foxx "Engaging."--Karen V. Siplin Joanne Skerrett is an editor at The Boston Globe. She Who Shops is her first novel, and she's currently working on her second, soon to be published by Strapless.
Wanda Burch dreamt that she would die at a certain age; her dreams foretold her diagnosis of cancer, and they guided her toward treatment and wellness. Although she took advantage of all the medical resources available to her, Wanda believes she is alive today because of her intimate engagement with the dreamworld. This book is more than one woman's story, however. Wanda provides techniques such as questioning the dream and observing the surroundings of the dream to delve into the meaning behind the personal stories we tell ourselves in sleep. Through powerful prose and practical exercises, this book demonstrates that wisdom lives within each of us, and we can tap into that wisdom through dreamwork.
Fiction. The reader plugs herself into the death drive dream of SHE WHO IS ALIVE for a glide through the residual terror of the white part of the twentieth century. Imaginary. She asks herself along the way the disturbing question, 'Why do I love every minute of it?' Harris's novel is a thriller and a theory of a thriller, or of what thrills - subtle, elegant, ghostly writing -- Carla Harryman.
Stories of the Wishram chief Tsagaglalal and Coyote.