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How the creation of the universe was imagined and transmitted for millennia in different places on Earth long before the myth of Adam and Eve, and how it still speaks to our present. A collection of extraordinary creation lore stretching from Asia to Oceania, from Africa to America, from the Mediterranean to India, where the origin of the cosmos is referred as female. The Mother/Goddess was She who gave Life and Form, that is the Rules and Teachings necessary to the never-ending renewing of Creation. Before the rise of patriarchy, in the golden Ages of earthly Paradises, the daughters and sons of the Mother lived following the Path of Balance and Harmony between nature and human societies.
The novel contains imagined lives that achieve a kind of meaning and intensity our own lives do not. Out of the novelist's moral imagination--the breadth and depth of his awareness of human motivations, tensions, and complexities--emerge fictional persons through whom we learn to read ourselves. This eloquent book, exploring fictional lives in crucial moments of choice and change, stresses both their difference from and their deep connections with life. Martin Price writes here about ways in which character has been conceived and presented in the novels of the nineteenth and early twentieth centuries. Beginning with chapters that cogently argue the artistic value of character, Price then deals with the different forms character has taken in individual novels. His first discussions center on authors--Jane Austen, Stendhal, Charles Dickens, George Eliot, and Leo Tolstoy--who define individuals by their adherence or opposition to social norms. The next chapters deal with novelists for whom the moral world is largely internalized. The characters of Henry James, Joseph Conrad, D.H. Lawrence, and E.M. Forster live in society and act upon it, but the authors are particularly concerned with the confusions, terrors, and heroism that lie within consciousness. The last chapter uses novels about the artist by James Joyce, Virginia Woolf, and Thomas Mann in order to apprehend the process by which experience is transformed into art. Avoiding both formalistic and moralistic extremes, this new book by a distinguished critic helps us recover a fuller sense of literary form and the forms of life from which it emerges.
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. The 2008 financial crisis prompted the most significant social protests since 1968 in the Middle East, Europe, and the United States. These protests generated not only social reform but also collaborative and affective affiliations, often seen through artistic and cultural materials. Taking Spain as a focal point, this book examines film production at both points in time, showing how it emerges from simultaneously divergent and comparable economic and political milieux. The book aims to recognize and celebrate the political responsibility exercised and expressed by a new generation of Spaniards deeply immersed in those protests. Through the convergences of two markedly significant periods in two separate centuries, filmmakers expose the deficiencies of Spain’s democracy in 2008—the D€MOCRAZY in the title, a slogan seen on a banner carried by the protesters—while creating a new sensibility and forms of social life that bring back the notions of community and the common good that had been forgotten in the midst of such a brittle environment.
This is the first collection of essays to be published on Durkheim's masterpiece The Elementary Forms of Religious Life. It represents the work of the most important international Durkheim scholars from the fields of anthropology, philosophy and sociology. The essays focus on key topics including: * the method Durkheim adopted in his study * the role of ritual and belief in society * the nature of contemporary religion The contributors also explore cutting-edge debates about the notion of the soul and collective rituals.
Philosopher Terry Pinkard revisits Sartre’s later work, illuminating a pivotal stance in Sartre’s understanding of freedom and communal action. Jean-Paul Sartre’s Critique of Dialectical Reason, released to great fanfare in 1960, has since then receded in philosophical visibility. As Sartre’s reputation is now making a comeback, it is time for a reappraisal of his later work. In Practice, Power, and Forms of Life, philosopher Terry Pinkard interprets Sartre’s late work as a fundamental reworking of his earlier ideas, especially in terms of his understanding of the possibility of communal action as genuinely free, which the French philosopher had previously argued was impossible. Pinkard reveals how Sartre was drawn back to Hegel, a move that was itself incited by Sartre’s newfound interest in Marxism. Pinkard argues that Sartre constructed a novel position on freedom that has yet to be adequately taken up and analyzed within philosophy and political theory. Through Sartre, Pinkard advances an argument that contributes to the history of philosophy as well as key debates on action and freedom.
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