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Finally, the Prince of Aryavrat and Princess of Dravidanchal have had to born with their maximum human attributes to protect humanity. Where there is ambiguity, there is always luminosity. This book takes you on a tour of a million years ago in the utopian period where lives on earth were just sprouting. Selfishness, Jealousy, Lust and Ego, like ethos, were yet to develop in the minds of humans, but the constant fight between Gods and Demons was a matter of great concern for Almighty Supreme Creator. The consequences resulted in the suffering of innocent humans. From that remarkable event, humanity’s horrific aftermath began. The Ancient, Culturally rich, Land of Great Warriors, Full of Repositories and Mysteries, ‘Aryavrat,’ once had become dystopian in the stain of bloodshed. The Almighty Supreme Creator had become so concerned with the delicate future of Humans that without God’s interference, humans could not have stood between the frightening God and Demon wars. The Prince of Aryavrat is a learning experience for readers as it beautifully answers their most intriguing questions. "Generosity in every heart is inevitable to sustain and nurture Mother Earth; otherwise, mankind will perish – Almighty Lord Rudra."
Presents the mystery of the Divine Mother in all her manifold aspects • Explores more than 30 different goddess aspects of the Shakti force, both beneficial and malefic • Includes Sanskrit hymns and classic verses by Sri Auribindo for each of the goddesses Shakti is synonymous with the Devi, the Divine Mother or divine power that manifests, sustains, and transforms the universe. She is the womb of all creatures, and it is through her that the One becomes the many. Our first and primary relationship to the world is through the mother, the source of love, security, and nourishment. Extending this relationship to worship of a cosmic being as mother was a natural step found not only in the Shakti cult of Hinduism but also in ancient Greek, Egyptian, and Babylonian cultures. Shakti presents more than 30 goddess incarnations of the Divine Mother that represent both the beneficial and malefic aspects of the Shakti force. From Lakshmi, Parvati, and Saraswati to Durga, Chandika, and Kali--each of the different functions of the female goddesses in the Hindu pantheon is revealed, accompanied by traditional Sanskrit hymns, classic verses by Sri Auribindo, and discussions of tantric philosophy. The author draws from the Devi Bhagavatham, which describes all the stories of Shakti, and the Devi Mahatmyam, the most powerful scriptural text that glorifies Shakti in her form as Durga. Using these texts she shows that through the power and grace of the Divine Mother we may be released from the darkness of ignorance and taken to the abode of knowledge, immortality, and bliss--the source from which we have come.
The authors of the Devī-Bhāgavata Purāna endeavored to demonstrate the superiority of the Devī over competing masculine deities, and to articulate in new ways the manifold nature of the Goddess. Brown's book sets out to examine how the Purana pursues these ends. The Devī-Bhāgavata employs many ancient myths and motifs from older masculine theologies, incorporating them into a thoroughly "feminized" theological framework. The text also seeks to supplant older "masculine" canonical authorities. Part I of Brown's study explores these strategies by focusing on the Purana's self-conscious endeavor to supersede the famous VaisBhagavata Purana. The Devī-Bhāgavata also re-envisions older mythological traditions about the Goddess, especially those in the first great Sanskritic glorification of the Goddess, the Devi-Mahatmya. Brown shows in Part II how this re-envisioning process transforms the Devī from a primarily martial and erotic goddess into the World-Mother of infinite compassion. Part III examines the Devi Gita, the philosophical climax of the Purana modeled upon the Bhagavad Gita. The Devi Gita, while affirming that ultimate reality is the divine Mother, avows that her highest form as consciousness encompasses all gender, thereby suggesting the final triumph of the Goddess. It is not simply that She is superior to the male gods, but rather that She transcends Her own sexuality without denying it.
Reflections On The White Elephant Is A Unique Novel By Mulk Raj Anand Which Shows Militant Hindutva On The Offensive Against Exalted Faith Of Sri Aurobindo. Author Suggests Reaffirmation Of Hinduism Other Than Idolatery As Way Towards Self-Realisation.
It's all about forgiveness: "There are very few principles which you have to accept in Sahaja Yoga," Shri Mataji tells us. "One of them is to forgive everyone." In this magazine Shri Mataji also tells us about our responsibility and the power of just sitting down and letting it happen.
Srimad Devi Bhagavatam, also known as Devi Purana, is one of the many works of Maharishi Veda Vyasa. Consisting of 18,000 verses, it is divided into 12 chapters and numerous sections. Though classified as an upapurana (sub-Purana), it is the only Purana that Veda Vyasa terms 'Mahapurana', or the great Purana, at the end of each chapter. Vyasa's narration reiterates that the Supreme Goddess or the Divine Mother, as described in all scriptures, is the one beyond and above the Trinity of Gods and all Devas. The stories in the book not only establish this but also describe various manifestations of the Devi. All the Puranas are essentially collections of stories, through a narrator called Suta, who heard these from his guru, Vyasa. These, in their original form, are woven like a web and are not easy to comprehend since there is no defined order, be it chronological or otherwise. Dinesh Bhatia segregates and simplifies the stories as well as their underlying philosophies in order to present them in a simple and comprehensible way. He also reorganises the flow of stories as a direct narration by Vyasa to King Janamejaya, the grandson of Abhimanyu, while retaining the essence of the original work.
An Instant National Bestseller • One of the New York Times's 100 Notable Books of 2022 • An NPR Book We Loved in 2022 • Named a Best Fiction Book of 2022 by the Washington Post, Times (UK), Financial Times, and The Guardian. Winner of the 2022 Booker Prize, The Seven Moons of Maali Almeida is a searing satire set amid the mayhem of the Sri Lankan civil war. Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali. He has seven moons to contact the man and woman he loves most and lead them to the photos that will rock Sri Lanka. Ten years after his prize-winning novel Chinaman established him as one of Sri Lanka’s foremost authors, Shehan Karunatilaka is back with a “thrilling satire” (Economist) and rip-roaring state-of-the-nation epic that offers equal parts mordant wit and disturbing, profound truths.
Our Anthology "MOSAIC OF WORDS" contains marvellous literary work of various authors across the whole Bharat. It is a compiled to give a platform to the budding writers of our great nation and help them in coming forward and present their literary work in front of the whole world.
Recent forms of realism in continental philosophy that are habitually subsumed under the category of "speculative realism," a denomination referring to rather heterogeneous strands of philosophy, bringing together object-oriented ontology (OOO), non-standard philosophy (or non-philosophy), the speculative realist ideas of Quentin Meillassoux and Marxism, have provided grounds for the much needed critique of culturalism in gender theory, and the authority with which post-structuralism has dominated feminist theory for decades. This publication aims to bring forth some of the feminist debates prompted by the so-called "speculative turn," while demonstrating that there has never been a niche of "speculative realist feminism." Whereas most of the contributions featured in this collection provide a theoretical approach invoking the necessity of foregrounding new forms of realism for a "feminism beyond gender as culture," some of the essays tackle OOO only to invite a feminist critical challenge to its paradigm, while others refer to some extent to non-philosophy or the new materialisms but are not reducible to either of the two. We have invited essays from intellectual milieus outside the Anglo-Saxon academic center, bringing together authors from Serbia, Slovenia, France, Ireland, the UK, and Canada, aiming to promote feminist internationalism (rather than a "generous act of cultural inclusion"). CONTENTS Katerina Kolozova - Preface: After the "Speculative Turn" Nina Power - Philosophy, Sexism, Emotion, Rationalism Katherine Behar - The Other Woman Anne-Françoise Schmid - Libérer épistémologiquement le féminisme Patricia Ticineto Clough - Notes for "And They Were Dancing" Joan Copjec - No: Foucault Jelisaveta Blagojevic - Thinking WithOut Marina Grzinic - Rearticulating the Speculative Turn Frenchy Lunning - The Crush: The Firey Allure of the Jolted Puppet Nandita Biswas Mellamphy - (W)omen out/of Time: Metis, Medea, Mahakali Michael O'Rourke - "Girls Welcome!!!" Speculative Realism, Object-Oriented Ontology, and Queer Theory Katerina Kolozova, PhD, is the director of the Institute in Social Sciences and Humanities-Skopje, Macedonia and a professor of gender studies at the University American College-Skopje. She is also visiting professor at several universities in Former Yugoslavia and Bulgaria. In 2009, Kolozova was a visiting scholar in the Department of Rhetoric (Program of Critical Theory) at the University of California-Berkeley. She is the author of Cut of the Real: Subjectivity in Poststucturalist Philosophy (Columbia University Press, 2014) and Toward a Radical Metaphysics of Socialism: Marx and Laruelle (punctum books, 2015). Eileen A. Joy is the Director of punctum books and has published widely on medieval literature, cultural studies, intellectual and literary history, ethics, affects and embodiments, the post/human, and speculative realism. She is the co-editor of postmedieval: a journal of medieval cultural studies and the Lead Ingenitor of the BABEL Working Group. She is also the co-editor of The Postmodern Beowulf (West Virginia University Press, 2007), Cultural Studies of the Modern Middle Ages (Palgrave, 2007), Dark Chaucer: An Assortment (punctum, 2012), On Style: An Atelier (punctum, 2013), Speculative Medievalisms: Discography (punctum, 2013), Burn After Reading (punctum, 2014), and Fragments for a History of a Vanishing Humanism (Ohio State, 2016).
A renowned meditation master retells the stories and realization songs of Tibet's best-known and most-beloved religious figure—and reveals how they relate to our everyday lives He went from being the worst kind of malevolent sorcerer to a devoted and ascetic Buddhist practitioner to a completely enlightened being all in a single lifetime . . . The story of Milarepa (1040–1123) is a tale of such extreme and powerful transformation that it might be thought not to have much direct application to our own less dramatic lives—but Chögyam Trungpa shows otherwise. This collection of his teachings on the life and songs of the great Tibetan Buddhist poet-saint reveals how Milarepa’s difficulties can be a source of guidance and inspiration for anyone. His struggles, his awakening, and the teachings from his remarkable songs provide precious wisdom for all us practitioners and show what devoted and diligent practice can achieve.