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"It's talent show time on the farm, and the roosters and chickens are banding together in hopes of beating out their rivals, the sheep. Meanwhile, Shirley, a sheep whose flair for singing is as large as her frame, has a big problem: a massive case of stage fright. Can Shaun the Sheep convince his jittery friend to wow the mole judges and take home the prize?"--Amazon.com.
It's talent-show time on the farm, and all the roosters and chickens are flocking together in hopes of beating their rivals, the sheep. Meanwhile, Shirley, a sheep whose flair for singing is as large as her frame, has a big problem - a massive case of stage fright. Can Shaun the sheep convince his jittery friend to wow the vole judges and take home the prize?
Characters from the CBBC and Aardman series Shaun the Sheep step from screen to page in the 2nd book in illustrated fiction series Tales from Mossy Bottom FarmFans of CBBC's Shaun the Sheep will adore the 2nd novel in the Tales from Mossy Bottom Farm series, which is based on characters from the top-rated TV show by Aardman (the creators of Wallace and Gromit). There are black-and-white illustrations throughout, plus comic strips and activity pages. AAARRROOOooo! What's that howl? Is it Shaun the Sheep playing one of his pranks? The Farmer practising his trombone? Or is it a ... beast? Can Shaun and Bitzer come up with a plan to catch the monster - or are they all doomed?
An original novel based on the screenplay includes an eight-page color insert of stills from the film. When Shaun decides to take a day off to have some fun, he gets more adventure than he baa-gained for! Shaun’s mischief accidentally leads to the Farmer’s absence from the farm, so it’s up to Shaun and the Flock to travel to the Big City to find him.
Who will rock the talent show, chickens or sheep? Characters from Shaun the Sheep step from screen to page in the first of an original illustrated fiction series. It’s talent-show time on the farm, and the roosters and chickens are banding together in hopes of beating out their rivals, the sheep. Meanwhile, Shirley, a sheep whose flair for singing is as large as her frame, has a big problem — a massive case of stage fright. Can Shaun the sheep convince his jittery friend to wow the mole judges and take home the prize? Shaun the Sheep fans both old and new will flock to this funny, original story inspired by the internationally popular animated TV show.
"DLP, Developmental Leadership Program; Australian Aid; Oxfam."
Twenty years ago, when authors Shawn and Beth Dougherty purchased the land they would come to name the Sow's Ear, the state of Ohio designated it "not suitable for agriculture." Today, their family raises and grows 90% of their own food. Such self-sufficiency is largely the result of basing their farming practices around intensive pasture management. Pioneered by such luminaries as Allan Savory, Greg Judy, and Joel Salatin, the tenets of holistic grazing -- employed mostly by larger-scale commercial operations -- have been adapted by the Doughertys to fit their family's needs. In The Independent Farmstead, The Sow's Ear model for regenerating the land and growing food --“the best you ever tasted” -- is elucidated for others to use and build upon. In witty and welcoming style, The Independent Farmstead covers everything from choosing a species of ruminant and incorporating it into a grass-based system to innovative electric fencing and watering systems, to what to do with all of the milk, meat, and, yes, manure that the self-sustaining farm produces.--COVER.
When the Flock's go-kart spins out of control and crashes, Mossy Bottom Farm has changed. The Farmer is much younger, the pigs are wearing nappies, and the cockerel is just a baby. It's clear to Shaun the Sheep that Bitzer and the Flock have travelled back in time! The young Farmer doesn't know much about farming, and the farm is a mess. Can the animals teach the Farmer his job and then find a way to return to their own time?
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
The 1993 government assault on the Branch Davidian compound near Waco, Texas, resulted in the deaths of four federal agents and eighty Branch Davidians, including seventeen children. Whether these tragic deaths could have been avoided is still debatable, but what seems clear is that the events in Texas have broad implications for religious freedom in America. James Tabor and Eugene Gallagher's bold examination of the Waco story offers the first balanced account of the siege. They try to understand what really happened in Waco: What brought the Branch Davidians to Mount Carmel? Why did the government attack? How did the media affect events? The authors address the accusations of illegal weapons possession, strange sexual practices, and child abuse that were made against David Koresh and his followers. Without attempting to excuse such actions, they point out that the public has not heard the complete story and that many media reports were distorted. The authors have carefully studied the Davidian movement, analyzing the theology and biblical interpretation that were so central to the group's functioning. They also consider how two decades of intense activity against so-called cults have influenced public perceptions of unorthodox religions. In exploring our fear of unconventional religious groups and how such fear curtails our ability to tolerate religious differences, Why Waco? is an unsettling wake-up call. Using the events at Mount Carmel as a cautionary tale, the authors challenge all Americans, including government officials and media representatives, to closely examine our national commitment to religious freedom.