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Working to form allegiances with new star systems in spite of the toxic legacy of Syndicate rule, President Iceni and General Drakon must also confront threats from invading alien warships and a once-trusted advisor who has turned saboteur.
The New York Times bestselling author of The Lost Fleet series returns to the epic space saga of a rebellion against a totalitarian regime, and the determination of two people to create a better future in the farthest reaches of the colonized galaxy... The Syndicate Worlds continues to splinter as more star systems pledge allegiance to President Gwen Iceni’s and General Artur Drakon’s new government at Midway. But the rebels fleeing the toxic legacy of Syndicate rule have difficulty trusting one another and believing their new leaders’ promises of freedom from tyranny. Before Iceni and Drakon can put their house in order, they must deal with another threat. An enigma warship has appeared and vanished near a Syndic colony. If the aliens are capable of jumping into other human-occupied star systems, then billions of people could be vulnerable to a hostile invasion fleet anywhere it chooses to strike. But an even greater liability lies with Iceni and Drakon as a once-trusted adviser turned saboteur plans revenge...
The path to becoming an immortal, reversing to becoming a devil, that would only take a flick of a finger from time to time. Trampling through the cycle of reincarnation with blood, breaking through life and death on the Vast Expanse Society. Buried love reverses the Road to River Styx, the sword aura shook the nine universe. Wrong me now to create eternal tribulation, who to me read the red candle.
DigiCat Publishing presents to you this special edition of "Boomerang Hunter" by Jim Kjelgaard. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Rowan has lost the war, and while the Academy works to rebuild, outside its protected walls everything has changed. Astaroth, using the Book of Thoth, has created a world where demons rule, chaos reigns, and humans toil like slaves . . . and worse. Outraged by Rowan's seeming complacency with the new order and reeling from personal tragedy, Max McDaniels sets out on his own for escape, for information, and for revenge. In his travels, he will be forced to become many things: prisoner, gladiator, assassin. But can he become the one thing mankind needs most—a hero? The Tapestry series continues to weave threads of fantasy, mythology, science fiction, and mystery into a wholly original adventure with appeal to fans of everything from Harry Potter to Lord of the Rings to The X-Men. Genre-blending and fully illustrated, The Tapestry novels have caught the attention of middle-grade and young-adult readers alike.
Richard Wagner continues to be the most controversial artist in history, a perpetually troubling figure in our cultural consciousness. The unceasing debate over his works and their impact--for and against--is one reason why there has been no genuinely comprehensive modern account of his musical dramas until now. Dieter Borchmeyer's book is the first to present an overall picture of these musical dramas from the standpoint of literary and theatrical history. It extends from the composer's early works--still largely ignored--to the Ring Cycle and Parsifal, and includes Wagner's unfinished works and operas he never set to music. Through lively prose, we come to see Wagner as a librettist--and as a man of letters--rather than primarily as musical composer. Borchmeyer uncovers a vast field of cultural and historical cross-references in Wagner's works. In the first part of the book, he sets out in search of the various archetypal scenes, opening up the composer's dramatic workshop to the reader. He covers all of Wagner's operas, from early juvenilia to the canonical later works. The second part examines Wagner in relation to political figures including King Ludwig II and Bismarck, and, importantly, in light of critical reactions by literary giants--Thomas Mann, whom Borchmeyer calls "a guiding light in this exploration of the fields that Wagner tilled," and Nietzsche, whose appeal to "philology" is a key source of inspiration in attempts to grapple with Wagner's works. For more than twenty years, Borchmeyer has placed his scholarship at the service of the famed Bayreuth Festival. With this volume, he gives us a summation of decades of engagement with the phenomenon of Wagner and, at the same time, the result of an abiding critical passion for his works.
"Scrupulous . . . planned and executed with quite unusual care." —Opera There has long been a need for a modern English translation of Wagner's Ring—a version that is reliable and readable yet at the same time is a true reflection of the literary quality of the German libretto. This acclaimed translation, which follows the verse form of the original exactly, fills that niche. It reads smoothly and idiomatically, yet is the result of prolonged thought and deep background knowledge. The translation is accompanied by Stewart Spencer's introductory essay on the libretto and a series of specially commissioned texts by Barry Millington, Roger Hollinrake, Elizabeth Magee and Warren Darcy that discuss the cycle's musical structure, philosophical implications, medieval sources and Wagner's own changing attitude to its meaning. With a glossary of names, a review of audio and video recordings, and a select bibliography, the book is an essential complement to Wagner's great epic.