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Shankar, Cartoonist, The Man Behind The International Competition For Writing And Painting For Children. A Multi-Faced Personality.
Motilal Ghose, G.Subramania Iyer, B.G.Horniman,C.Y.Chintamani, S.A.Brelvi, Pothan JosephK. Shakar Pillai, Satyajit Ray
J.B.S. Haldane (1892-1964) is widely appreciated as one of the greatest and most influential British scientists of the 20th century, making significant contributions to genetics, physiology, biochemistry, biometry, cosmology, and other sciences. More remarkable, then, is the fact that Haldane had no formal qualification in science. He made frequent appearances in the media, making pronouncements on a variety of poignant topics including mining disasters, meteorites, politics, and the economy, and was a popular scientific essay writer. Haldane also was famed for conducting painful experiments on himself, including several instances in which he permanently injured himself. A staunch Marxist and convert to Hinduism, Haldane lived a diverse, lively and interesting life that is still revered by today's science community. A biography of Haldane has not been attempted since 1968, and that book provided an incomplete account of the man's scientific achievement. "The Life and Works of J.B.S. Haldane" serves to fix this glaring omission, providing a complete biographical sketch written by Krishna Dronamraju, one of the last living men to have worked personally with Haldane. A new genre of biographies of 20th-century scientists has come into being, and thus far works have been written about men like Einstein, Oppenheimer, Bernal, Galton, and many more; the inclusion of Haldane within this genre is an absolute necessity. Dronamraju evaluates Haldane's social and political background, as well as his scientific creativity and accomplishments. Haldane embodies a generation of intellectuals who believed and promoted knowledge for its own sake, and that spirit of scientific curiosity and passion is captured in this biography.
Independent India's struggle to overcome famine, hunger, and malnutrition, as told through the voices of politicians, planners, and citizens alike.
This book aims to expand our understanding of the role of institutions, norms, and key players in shaping the evolution of child rights in India. It traces the evolution of the child rights discourse in post-Independence India, suggesting that there are different and political ways of thinking about childhoods. Divided into three parts, the book begins with analyses of the effects of Partition, which while creating new political and cultural identities framed the child–State relationship. The second part further examines the ways in which the multiplicity of discourses during the nationalist struggle gave way to a singular view, seen in later public conversations on children and their rights. The third part explores the narratives of continuity and change, and maps the departures of memory, history, and identity. The book emphasizes the point that more than any other event or process, the violence and fears aroused by Partition have influenced the course of modern child development related policymaking. The relationship between the political and cultural identities of all the actors, who influenced the experience of childhoods, had also been deeply affected by these events.
In the Indian context.
This book develops a model to examine the language of humour, which is multimodal and accounts for the possibility of transmutation of humour as it is performed through editorial cartoons. By transmutation is meant the transition in the language of humour when it crosses its own boundaries to provoke unprecedented reactions resulting in offensiveness, disappointment or hurt sentiment. The transmutability about the language of humour points to its inherently diabolical nature which manifests in the performance of controversial cartoons. The model is built by borrowing theoretical cues from Roman Jakobson, Roland Barthes, George Lakoff and Mark Johnson. The integrated model, then, is developed to examine the cartoons which were recommended for deletion by the Thorat Committee, following a cartoon controversy in India. Through the cartoon analysis, the model discerns the significance of context and temporality in determining the impact of humour. It also examines how the ethics of humour; the blurred lines of political correctness and incorrectness are dictated by the political atmosphere and the power dynamics.
Picking up the pen is, sometimes, like playing with fire, especially in the business of political cartooning. In a profession of stroke-and-tell, where less is more, the brooding cartoonist turns everyday events into spaces for engagement. They draw the line between concern and apathy to bring issues into public view, invariably, shaking us out of our inattentional blindness. After all, they are a tribe––an endangered one––with the silly belief that the funny bone must be tickled. Cartooning in India––a Raj legacy––has come a long way from its colonial beginnings and Punch-imitations. Since Independence, newspapers have hosted the bold and often audacious irreverence of the likes of Shankar and R. K. Laxman. Their laconic lines gave the “Common Man” the voice of an honest opinion. This volume presents conversations with India’s leading political cartoonists which take us into that recondite art of political commentating.
The Routledge Companion to Art and Politics offers a thorough examination of the complex relationship between art and politics, and the many forms and approaches the engagement between them can take. The contributors - a diverse assembly of artists, activists, scholars from around the world – discuss and demonstrate ways of making art and politics legible and salient in the world. As such the 32 chapters in this volume reflect on performing and visual arts; music, film and new media; as well as covering social practice, community-based work, conceptual, interventionist and movement affiliated forms. The Companion is divided into four distinct parts: Conceptual Cartographies Institutional Materialities Modalities of Practice Making Publics Randy Martin has assembled a collection that ensures that readers will come away with a wider view of what can count as art and politics; where they might find it; and how it moves in the world. The diversity of perspectives is at once challenging and fortifying to those who might dismiss political art on the one hand as not making sufficient difference and on the other to those embracing it but seeking a means to elaborate the significance that it can make in the world. The Routledge Companion to Art and Politics brings together a range of issues and approaches and encourages critical and creative thinking about how art is produced, perceived, and received.