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"Examines various conceptions of hayâ, or feelings of shame, modesty and honor in Islam, and the practices associated with this concept in both Muslim majority and minority contexts"--
With a particular emphasis on definitions, continuities, and change, this edited volume examines the historical role and function of haya' – or feelings of shame, modesty, and honor – in Islamic theology and law, and explores contemporary Muslims' engagements with the concept. The book explores various conceptions of haya' and the practices associated with the concept in both Muslim majority and minority contexts. The empirically rich contributions reveal how haya' is socially constructed in varying social and cultural environments across the globe. From medieval Islam to the modern day, this book demonstrates the importance of haya' and its temporal and spatial transformations.
This book overturns Western notions of the veil as a symbol of women's oppression in Islamic societies. The author reveals how the veil, which has enjoyed a resurgence in popularity since the 1970s, de-marginalizes women in society and is an expression of liberation from colonial legacies as well as a symbol of resistance. She also shows how the veil has multiple and nuanced meanings which extend far beyond the narrow view that it is merely a special form of women's clothing.
Salafism, often called "Wahhabism," is widely seen as a fundamentalist interpretation of Islam that subjugates women, yet growing numbers of young British women, many of them converts or from less conservative Muslim backgrounds, are actively embracing it. With unprecedented access to Salafi women's groups in the UK, Anabel Inge provides the first in-depth account of their lives, probing the reasons for their conversion and their subsequent dilemmas and difficulties.
The first comprehensive summary of psychological studies of Arab-Muslim societies, this book examines psychological development through the life-span, describing how traditional patterns appear to be changing in both "modernizing" and "underdeveloping" sectors of Middle Eastern societies. It provides a scholarly account of the region's cultural psychology, and also offers insight into the daily lives of parents, children, and families as they struggle behind and sometimes in the headlines to modernize while conserving valued traditions.
The central aim of this encyclopedia is to give the reader a comparative perspective on issues involving conceptions of gender, gender differences, gender roles, relationships between the genders, and sexuality. The encyclopedia is divided into two volumes: Topics and Cultures. The combination of topical overviews and varying cultural portraits is what makes this encyclopedia a unique reference work for students, researchers and teachers interested in gender studies and cross-cultural variation in sex and gender. It deserves a place in the library of every university and every social science and health department. Contents:- Glossary. Cultural Conceptions of Gender. Gender Roles, Status, and Institutions. Sexuality and Male-Female Interaction. Sex and Gender in the World's Cultures. Culture Name Index. Subject Index.
At first sight, tattoos, nudity, and veils do not seem to have much in common except for the fact that all three have become more frequent, more visible, and more dominant in connection with aesthetic presentations of women over the past thirty years. No longer restricted to biker and sailor culture, tattoos have been sanctioned by the mainstream of liberal societies. Nudity has become more visible than ever on European beaches or on the internet. The increased use of the veil by women in Muslim and non-Muslim countries has developed in parallel with the aforementioned phenomena and is just as striking. Through the means of conceptual analysis, Veils, Nudity, and Tattoos: The New Feminine Aesthetics reveals that these three phenomena can be both private and public, humiliating and empowering, and backward and progressive. This unorthodox approach is traced by the three’s similar social and psychological patterns, and by doing so, Veils, Nudity, and Tattoos hopes to sketch the image of a woman who is not only sexually emancipated and confident, but also more and more aware of her cultural heritage.
These essays in this book are pastoral and scholarly, to encourage parents to nurture and foster Christian family life by learning from scripture and history. The Bible, in both testaments, offers us stories that provide moral and spiritual substance to the nurture of the child and the family. Beginning with the mythopoetic story of Adam and Eve, and the fratricide of Abel by the envy of Cain, the stories of the sacrifices parents made, then moving on to the stories of Abraham and Isaac, Ruth and her mother-in-law, Hannah and her son Samuel, Jeremiah the child prophet, these stories form our moral imaginations. Further, for Christians, they all augur the promise of the Incarnation, with the birth of Jesus to Mary and Joseph. Then through the history of the Church the role of the Child is further unfolded. It begins with Jesus teaching that to be as one of his disciples is to be a child. This is so radical that the subsequent churches have found it hard to follow. Perhaps one symbolic attempt was that of the monks' cowl which is a child's garment, and still worn in their monasteries. The book even explores the way that Christian maturity is one of childlikeness.
A Table Set for All Nations: Food, Faith, and the Theology of Cultural Diversity explores the rich intersection of theology, culture, and cuisine, revealing how food can be a powerful tool for spiritual unity, reconciliation, and community building. In an increasingly globalized world, where migration and cultural exchange have reshaped the way we eat, this book offers a fresh perspective on how third culture cuisine—the blending of ingredients and traditions from different cultures—mirrors God’s mission to unite people from all backgrounds into one diverse and harmonious body. Through engaging theological reflections, stories of cross-cultural meals, and the exploration of fusion cuisine, A Table Set for All Nations invites readers to see food as a profound metaphor for the Christian calling to embrace diversity and practice radical hospitality. From the significance of feasting and fasting in the Christian tradition to the role of food in addressing colonial histories and promoting racial reconciliation, this book reveals how the act of sharing meals transcends physical nourishment, becoming a sacred expression of love, justice, and inclusivity. Whether you’re a theologian, a food enthusiast, or someone seeking to deepen your understanding of how faith and culture intersect, A Table Set for All Nations offers a compelling vision of how the simple act of sharing food can reflect the richness of God’s global mission and the beauty of unity in diversity. Perfect for individual reflection or group study, this book also includes recipes for cultural and theological reflection, further reading suggestions, and discussion questions to help readers explore the deeper meaning of meals in their own communities. Vincent is a theologian, writer, and cultural commentator with a passion for exploring the intersections of faith, culture, and everyday life. With advanced degrees in theology and religious studies, Vincent has spent years researching and reflecting on the ways in which spirituality informs not only personal belief but also the communal aspects of life, including food, culture, and diversity. A sought-after speaker and educator, Vincent is known for their ability to bring complex theological ideas to life through relatable, real-world examples. Their work emphasizes inclusivity, justice, and the beauty of cultural exchange, especially as seen through the lens of food and hospitality. Whether through essays, sermons, or academic writing, Vincent engages with the idea that God’s love transcends boundaries—of culture, race, and geography—and is best understood when we gather at the table together. In addition to writing, Vincent is active in local community initiatives focused on food justice, sustainability, and intercultural dialogue. Their work and ministry invite people to embrace the richness of culinary diversity as a reflection of God’s creative and inclusive nature. When not writing or teaching, Vincent enjoys experimenting with fusion recipes, traveling to explore global culinary traditions, and hosting communal meals that bring people together from all walks of life.
Introduction. 1. Theory. A Model of Identity. Moroccan Culture, Personality, and Identity. 2. A Cultural Geography. 3. Mohammed. 4. Hussein. 5. Rachida. 6. Khadija. 7. Conclusions. Personality Organization. Self Representation. Personality in Middle Eastern Societies. Cultures and Selves. Epilogue. References.