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Praised by H.P. Lovecraft as a “magnificent” debut, C.L. Moore’s first story is still one of the most famous and enduring tales in science fiction. Passing through the streets of Lakkdarol, the newest human colony on Mars, Northwest Smith witnesses a bizarre sight: a young woman, clad in scarlet, being chased by a mob chanting “Shambleau! Shambleau!” As beautiful as she is frightened, Northwest shields her from death at the hands of the mob, but alone in his quarters, she reveals how she intends to thank him and what lies inside the closely wrapped turban on her head... One of the strangest, and surely one of the most imaginative stories ever written, SHAMBLEAU was hailed by readers, authors, and editors as the debut of a truly gifted writer during the golden age of science fiction.
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The best single-volume anthology of science fiction available—includes online teacher's guide The Wesleyan Anthology of Science Fiction features over a 150 years' worth of the best science fiction ever collected in a single volume. The fifty-two stories and critical introductions are organized chronologically as well as thematically for classroom use. Filled with luminous ideas, otherworldly adventures, and startling futuristic speculations, these stories will appeal to all readers as they chart the emergence and evolution of science fiction as a modern literary genre. They also provide a fascinating look at how our Western technoculture has imaginatively expressed its hopes and fears from the Industrial Revolution of the nineteenth century to the digital age of today. A free online teacher's guide at http://sfanthology.site.wesleyan.edu/ accompanies the anthology and offers access to a host of pedagogical aids for using this book in an academic setting. The stories in this anthology have been selected and introduced by the editors of Science Fiction Studies, the world's most respected journal for the critical study of science fiction.
This book is the first detailed scholarly examination of women’s SF in the early magazine period before the Second World War. This is a sustained study of women writing in the genre before World War II, something that has never been done in a monograph. The author shows how women such as Margaret Cavendish and Mary Shelley drew critical attention to the colonial mindset of scientific masculinity which was attached to scientific institutions that excluded women.
Meet “the first lady of sword-and-sorcery, Jirel of Joiry . . . in all her ferocious mailed glory and defiance” in these classic tales from a sci-fi pioneer (Tor.com). Originally published in the legendary magazine Weird Tales in 1934, C. L. Moore’s Jirel of Joiry is fantasy’s first true strong female protagonist, as well as one of the most striking and memorable characters to come out of the golden age of science fiction and fantasy. Published alongside landmark stories by H. P. Lovecraft and Robert E. Howard, the six classic stories included in this volume prove that C. L. Moore’s Jirel is a rival to Conan the Barbarian and Elric of Melniboné, making Black God’s Kiss an essential addition to any fantasy library. “I was looking for tales of dire conflict, hot-blooded honor and impetuosity, leadership and courage—all the qualities that my culture told me were reserved for males . . . what a joy it was to run across Jirel, who at some levels of my soul I longed desperately to be.” —Suzy McKee Charnas, Hugo and Nebula Award–winning author
In Blood Thirst: One Hundred Years of Vampire Fiction, Leonard Wolf gathers thirty tales in which vampires of all varieties make their ghastly presence felt.
Dust storms. Flooding. The fear of nuclear fallout. While literary critics associate authors of the 1930s and ’40s with leftist political and economic thought, they often ignore concern in the period’s literary and cultural works with major environmental crises. To fill this gap in scholarship, author Matthew M. Lambert argues that depression-era authors contributed to the development of modern environmentalist thought in a variety of ways. Writers of the time provided a better understanding of the devastating effects that humans can have on the environment. They also depicted the ecological and cultural value of nonhuman nature, including animal “predators” and “pests.” Finally, they laid the groundwork for “environmental justice” by focusing on the social effects of environmental exploitation. To show the reach of environmentalist thought during the period, the first three chapters of The Green Depression: American Ecoliterature in the 1930s and 1940s focus on different geographical landscapes, including the wild, rural, and urban. The fourth and final chapter shifts to debates over the social and environmental effects of technology during the period. In identifying modern environmental ideas and concerns in American literary and cultural works of the 1930s and ’40s, The Green Depression highlights the importance of depression-era literature in understanding the development of environmentalist thought over the twentieth century. This book also builds upon a growing body of scholarship in ecocriticism that describes the unique contributions African American and other nonwhite authors have made to the environmental justice movement and to our understanding of the natural world.
Anthology of stories, essays, poems, and illustrations by the women of early science fiction For nearly half a century, feminist scholars, writers, and fans have successfully challenged the notion that science fiction is all about "boys and their toys," pointing to authors such as Mary Shelley, Clare Winger Harris, and Judith Merril as proof that women have always been part of the genre. Continuing this tradition, Sisters of Tomorrow: The First Women of Science Fiction offers readers a comprehensive selection of works by genre luminaries, including author C. L. Moore, artist Margaret Brundage, and others who were well known in their day, including poet Julia Boynton Green, science journalist L. Taylor Hansen, and editor Mary Gnaedinger. Providing insightful commentary and context, this anthology documents how women in the early twentieth century contributed to the pulp-magazine community and showcases the content they produced, including short stories, editorial work, illustrations, poetry, and science journalism. Yaszek and Sharp's critical annotation and author biographies link women's work in the early science fiction community to larger patterns of feminine literary and cultural production in turn-of-the-twentieth-century America. In a concluding essay, the award-winning author Kathleen Ann Goonan considers such work in relation to the history of women in science and engineering and to the contemporary science fiction community itself.
A selection of papers delivered at Chicon IV, including "Stephen King in Context," (Joseph F. Patrouch, Jr.); "Narcissism and Romance in McCaffrey's 'Restoree, '" (Mary T. Brizzi; "Harlan Ellison's Use of the Narrator's Voice" (Joseph F. Patrouch, Jr., more.