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Winner of the Virginia Prize for Fiction A young American on a vacation trip around India with her boyfriend, steps down off the train for a bottle of water at Shambala Junction, only to find herself stranded at the town with no phone or money, she has to rely on the kindness of strangers... A journey into the heart of India, Iris is forced to question her beliefs and values and to learn what really counts. "... a refreshingly original viewpoint on the traditional ‘coming of age’ story, brimming with powerful women, a complex society and fundamental human truths laid out in all its gritty beauty.” -SkyLightRain “An enlightening and enjoyable read. As much a cultural exploration as it is a love story, the book is a remarkable webbing of different viewpoints. Mukherjee is able to translate captivating realities to a wide audience through pulsing characters, with a natural story-telling ability that is inviting and enlightening.” -Windy City Review “My hat is off to you for making Shambala Junction a compelling, suspenseful novel that illuminates the personal and social consequences of corrupt adoptions.” - Umberto Tosi author of Ophelia Rising and contributing editor of Chicago Quarterly Review “... fluid prose that takes firm hold of the plot to produce an invigorating, engaging, and dynamic story.” -World Literature Today “A truly engaging and lovely read, Shambala Junction is a book that tugs at the reader’s morality while at the same time telling a truly inspiring coming-of-age story.” -9/10 – Star2.com “Shambala Junction takes hold of you and leads you with absolute confidence into one of the most extraordinary journeys any of us ever embark on: the discovery of India.” -- Barney Norris, author of Five Rivers Met On A Wooded Plain About the author Dipika Mukherjee made her debut as a novelist with Thunder Demons (Gyaana Books, 2011), long-listed for the Man Asian Literary Prize. She won the Platform Flash Fiction competition in April 2009. She has edited two anthologies of Southeast Asian short stories: Silverfish New Writing 6 (Silverfish, 2006) and The Merlion and Hibiscus (Penguin, 2002). Her first poetry collection, The Palimpsest of Exile, was published by Rubicon Press in 2009. Her short stories and poems have appeared in publications around the world, including World Literature Today, Asia Literary Review, The South Asia Review, Del Sol Review and Postcolonial Text among others, and have been widely anthologised. She curates an Asian/American Reading Series for the Guild Literary Complex, Chicago. Dipika holds a doctorate in English (Sociolinguistics) from Texas A&M University. She has taught language and linguistic courses in China, India, the Netherlands, United States, Malaysia, and Singapore and now teaches Sociolinguistics at Northwestern University and is Faculty Affiliate at the Equality Development and Globalisation Studies (EDGS), Roberta Buffett Centre for International and Comparative Studies. She lives in Chicago with her husband and they have two sons. Reviews “This vividly written, courageous book... a refreshingly original viewpoint on the traditional ‘coming of age’ story, brimming with powerful women, a complex society and fundamental human truths laid out in all its gritty beauty.” --SkyLightRain “An enlightening and enjoyable read. As much a cultural exploration as it is a love story, the book is a remarkable webbing of different viewpoints. Mukherjee is able to translate captivating realities to a wide audience through pulsing characters, with a natural story-telling ability that is inviting and enlightening.” --Windy City Review “My hat is off to you for making Shambala Junction a compelling, suspenseful novel that illuminates the personal and social consequences of corrupt adoptions.” --Umberto Tosi author of Ophelia Rising and contributing editor of Chicago Quarterly Review “... fluid prose that takes firm hold of the plot to produce an invigorating, engaging, and dynamic story.” --World Literature Today “A truly engaging and lovely read, Shambala Junction is a book that tugs at the reader’s morality while at the same time telling a truly inspiring coming-of-age story.” --9/10 – Star2.com About previous books: “Dipika Mukherjee uses vibrant imagery and brutally honest observation to create a humanistic portrait of a modern nation still coming to grips with its past.” --City Weekend (Shanghai) “Longlisted for the Man Asian Prize in 2009, Mukherjee’s novel is not unlike Miguel Syjuco’s IIustrado, which won the prize in 2008. Both are grim state-of-the-nation novels based in East Asia, written by peripatetic authors. Both have lead characters who leave relatively comfortable lives in the United States of America to travel back to the troubled East and tragic pasts.” Paperback Pickings, The Telegraph
This book provides an analysis of persuasive genres in the domain of media, ranging from traditional to new media genres on the internet. Kathpalia provides a layered analysis of a family of persuasive genres at the functional, semantic, and linguistic levels and a reconceptualization of genres as empowering rather than constraining, enabling rather than binding, and dynamic rather than static. The book leads readers to an understanding of genre that accounts for the way we interpret, respond to, and create genres in different settings whilst shedding light on how genres change and how they evolve into new and unique forms to meet the ever-changing needs of society. This book would be of interest to those studying or researching the topic of genres, and those interested in reconceptualizing the way in which we interpret and understand genres from linguistic and discourse perspectives.
A simple spice can open up meditations on love and life. In food, we find connection to one another, like a homesick student searching for the perfect cup of teh tarik. Yet, paradoxically, food is a polarizer, like a Muslim convert craving a pork bun. From tracing the origins of our hawker food to a love letter for Ipoh told in local favourites, these works are an eclectic mix of the Malaysian obsession with food. For all our differences, Malaysians find commonality in one thing: we want you to be well-fed. Savour these small packages of good writing, covering a wide array of foods to please every palate, from laksa and sambal telur belimbing to french fries and Bru coffee. Come for the carbs. Stay for the whole menu. Featuring work by award-winning author Elaine Chiew, DK Dutt Memorial Award founder Dipika Mukherjee, and celebrated professor and poet Dr Malachi Edwin Vethamani.
Praise for Ujjain Steffen Horstmanns book Ujjain is a remarkable collection of Ghazals in Eng-lish. Steffen uses an ancient form of poetry to express the sensibility of a modern day poet, and by doing so, he crosses the boundaries of languages, cultures, and traditions. Agha Shahid Ali couldnt have been more proud of his Shagird Steffen Horstmann, who has kept the torch burning, that he passed on to him after writing Call Me Ishmael Tonight. Kalpna Singh-Chitnis, author of Bare Soul The meditative and sublime states in Steffen Horstmanns radiant collection Ujjain render sonorous arias of cautionary tales for our time-those places of beauty, loss and pain collide into a longing for a vanished world. In these astute ghazals, myth and life and after-life send this poet on a path to claim where the self fits in: Of a world that vanished before I existed. Horstmanns luminous voice guides us to where beauty resides, Through the dark like a train there, These evocations torque into epiphanies rich with awe to light our way-And we are so much richer for this journey. Cynthia Atkins, author of In the Event of Full Disclosure Steffen Horstmann is a worthy student of Agha Shahid Ali in this collection of ghazals which embrace the East and West, as much at ease on Arjunas chariot as among the sacred tombs of Ithaka, or the very real foothills of Qhar. The natural world is incandescent: Bass glisten in rock pools like slick knives / With silver light glinting in their fast shadows, but it is The Diva of Jalsaghar that elegantly soars on melody as Air is scriptured by the syllabic flight / Of the voice of Begum Akhtar. A thoughtful and lyrical collection of ghazals written in English. Dipika Mukherjee, author of Shambala Junction
"I collected the first bone when I was twelve. This fact was not mentioned in court... Such a tiny little bone, more like a tooth. I only kept it to keep him safe." Kathryn Darkling, imprisoned in Holloway, is facing death by hanging for her vengeance killing. Haunted by a spirit, she still hopes to perform the ancient black magic that will free her soul, or her struggle to punish the mighty will have been in vain. Will the love of her life come to her aid? Or can she find a way to escape her fate? Winner of The Virginia Prize for Fiction, Bone Rites is a dark, literary tale of love, loss and one woman’s obsessive fight for justice and redemption within a ruthless world. 5/5 stars *Possible spoilers below* I LOVED this book. I loved the style, the writing, the Gothic horror, the protagonist, everything about it. Bone Rites is told through the eyes of a British noblewoman, Kathryn Darkling. Kathryn is a morally complex protagonist with a bit of a ghost problem. She wants to do everything possible to save her brother, especially because she considers herself responsible for his death. I loved the “deathbed confession” style of writing in this book. I’ve always loved the unreliable narrator types, and Kathryn is a perfect example. Check this book out if you’re a fan of Gothic/magic/historical fantasy. Thank you again to NetGalley for giving me an ARC of this book.
WINNER OF THE VIRGINIA PRIZE FOR FICTION When Briony Campbell confesses to killing her boyfriend, an apparently straightforward crime soon turns into a baffling mystery. Haunted by demons from his past, lawyer S.J. Robin is assigned to the case. But as confusion – and the body count – rises, he’s forced to question who is guilty and who is innocent. Can he see justice served and hold on to the woman he loves? REVIEWS “Nikki Dudley’s latest novel shows that things are not always as they seem... The twist in the narrative is skilfully done and will keep the reader guessing until the very end.” – Ruth Dugdall, author of Nowhere Girl OF PREVIOUS WORK: ‘Dudley’s indulgence of what the poet Charles Bernstein has called ‘writing centered on its wordness’ gives her poems their depth, their energy, their humour and their resistance of closure.’ – Colin Herd, poet ‘Nikki’s energy rustles behind each line, as she plays with familiar words and makes ​them at once more explicit and more unknown.’ – skylightrain blog ‘It’s a tale that will keep them wondering, gasping, thinking, smiling, grimacing, rereading. What more can a reader ask for?’ – Mike Lipkin, Noir Journal AUTHOR NIKKI DUDLEY: Nikki Dudley studied for her BA and MA at Roehampton, University of Surrey. Published work includes: the thriller, Ellipsis, (2010); Her chapbook, exits/origins (2010);poetry collection Hope, Alt, Delete, (2017).One of Nikki’s poems was also featured in The Blackpool Illuminations (2016);poetry collection (2020).Awards: ​-Novel, Volta, winner of the Virginia Prize 2020. -Shortlisted in the London Writers’ Competition in 2003 for poetry. -Won the Promis Prize for poetry in the London Writers’ Competition 2005. -Novel, Ellipsis, shortlisted for the Ideastap Inspires programme in 2014. Nikki is Managing Editor of streetcake magazine, which she started with Trini Decombe in 2008. streetcake publishes an online issue every 2-3 months and in 2019, launched the streetcake experimental writing prize for 18-30 year olds, supported by the Arts Council England.She also runs writing workshops. She grew up in inner city London and attended state school in Camden. Nikki has been in love with words since she wrote short stories in her scrapbook at primary school and discovered what a metaphor was.
Not since the Great Jackalope Stampede of ’58 has tumbleweed-choked Jackrabbit Junction, Arizona seen so much action. Claire Morgan is determined to unravel the mystery behind a stolen treasure before goons come gunning for it—and her family. But all the strangers roaming around town have her anxiety red-lining. Then her mother shows up …
Somewhere, beyond Tibet, lies a paradise of universal wisdom and ineffable peace known as Shambhala. Called by some Shangri-la, this mythical kingdom of jewel lakes, wish-fulfilling trees, and speaking stones has fired the imagination of both actual explorers and travelers to the inner realms. This fascinating look behind the myth shows Shambhala to be a "real" place, always accessible to the pure of heart.
This book provides a comprehensive and accessible introduction to the practice and results of art therapy in palliative care. It includes first-hand accounts from both therapists and clients in a variety of palliative care settings including:- * hospices and hospitals * patients own homes * prisons (AIDS patients) * adolescent griefwork groups These case studies include examples of client art work and illustrate clearly how art therapy can allow patients to regain feelings of control over their lives.
Alchemists sought to transform lead into gold. In the same way, says Tara Bennett-Goleman, we all have the natural ability to turn our moments of confusion or emotional pain into insightful clarity. Emotional Alchemy maps the mind and shows how, according to recent advances in cognitive therapy, most of what troubles us falls into ten basic emotional patterns, including fear of abandonment, social exclusion (the feeling we don't belong), and vulnerability (the feeling that some catastrophe will occur). Through the simple practice of mindfulness taught in this book, we can free ourselves of such patterns and replace them with empathy for ourselves and others, as well as the freedom to be more creative and alive. You'll find the very latest research in neuroscience--including the neurological "magic quarter second," during which it is possible for a thought to be "caught" before it turns into an emotional reaction. And you'll discover the fascinating parallels of this science with the wisdom of ancient Buddhism--for Buddhists knew centuries ago that we can end our self-destructive habits. This remarkable book also teaches the practice of mindfulness, an awareness that lets us see things as they truly are without distortion or judgment, giving the most insightful explanation of how mindfulness can change not only our lives, but the very structure of our brains. Here is a beautifully rendered work full of Buddhist wisdom and stories of how people have used mindfulness to conquer their self-defeating habits. The result is a whole new way of approaching our relationships, work, and internal lives.