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Broadway stage manager, director, and teacher Steven Adler discusses the history of the Royal Shakespeare Company (RSC). During six years of research, Adler attended more than 40 RSC productions. The text is based largely upon interviews with more than 60 members of the Company, including actors, directors, stagehands, designers, producers, stage managers, craftspeople, and administrators. Coverage includes theater facilities, budgeting, producing, directing, designing, and acting. c. Book News Inc.
THE STORY: Transplanting characters from The Tempest to present-day New York, ROUGH MAGIC is a Shakespearean action-adventure-fantasy in the tradition of Harry Potter and The X-Men that conjures a mythical, magical meta-universe in which the
A missing diamond, a mysterious neighbor, a link to Shakespeare—can Hero uncover the connections?
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
Weyward Macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways Shakespeare's 'Macbeth' has been adapted and appropriated within the context of American racial constructions. Comprehensive in its scope, this collection addresses the enduringly fraught history of 'Macbeth' in the United States, from its appearance as the first Shakespearean play documented in the American colonies to a proposed Hollywood film version with a black diasporic cast. Over two dozen contributions explore 'Macbeth's' haunting presence in American drama, poetry, film, music, history, politics, acting, and directing — all through the intersections of race and performance.
Participants in the current debate about the literary canon generally separate the established literary order—of which Shakespeare is the most visible icon—from the emergent minority literatures. In this challenging study, Peter Erickson insists on bringing the two realms together. He asks: what impact does a revision of the literary canon have on Shakespeare's status? Part One of his book is about Shakespeare on women. In analyses of several Shakespearean works, Erickson discusses Shakespeare's ambivalence about women as a reflection of male anxiety about the cultural authority of Queen Elizabeth. Part Two is about (contemporary) women on Shakespeare. Erickson discusses Adrienne Rich's revision of the very concept of canon and discusses how several African-American women writers (in particular Maya Angelou and Gloria Naylor) have reflected on the ambivalent status of Shakespeare in their worlds. Erickson here offers a model for multicultural literary criticism and a new conceptual framework with which to discuss issues of identity politics. Rewriting Shakespeare, Rewriting Ourselves makes an important contribution to the national debate about educational policy in the humanities.
Out in the midst of the ocean, rising out of the rough seas, lies a mysterious island. It has seen visitors over the years, and has learned to fear them. Humans have done nothing but take, stealing the island's magic and enslaving its spirits. Caliban, born to a great sorceress who was marooned on the island's shores, grew up half-wild with its creatures. Having escaped the island to live amongst kingdoms and courtiers for many years, he now finds himself returning with his young charge Chiara, a girl who has a power within her that no one suspected. Once back on the island they are joined by Calypso, a magical young woman with ties to them all. Inspired by The Tempest, Shakespeare's famous play of love, loyalty, and magic, it is the island and its power that draws them all back. But this time the dragon who lives at the bottom of the sea has been awakened and must be satisfied. It will be up to the humans to strike a balance between their power and the natural world.
Lara Prior-Palmer was seeking the unknown. In search of adventure aged nineteen, she entered the world's toughest horse race - a 1000km. ride through extreme conditions in the Mongolian wilderness.
Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.