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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
"Shakespeare's Roman plays and their background" by Mungo William Sir MacCallum. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Excerpt from Shakespeare's Roman Plays and Their Background Shakespeare's Roman plays may be regarded as forming a group by themselves, less because they make use of practically the same authority and deal with similar subjects, than because they follow the same method of treatment, and that method is to a great extent peculiar to themselves. They have points of contact with the English histories, they have points of contact with the free tragedies, but they are not quite on a line with either class. It seems, therefore, possible and desirable to discuss them separately. In doing so I have tried to keep myself abreast of the literature on the subject; which is no easy task when one lives at so great a distance from European libraries, and can go home only on hurried and infrequent visits. I hope, however, that there is no serious gap in the list of authorities I have consulted. The particular obligations of which I am conscious I have indicated in detail. I should like, however, to acknowledge how much I owe throughout to the late F. A. T. Kreyssig, to my mind one of the sanest and most suggestive expositors that Shakespeare has ever had. I am the more pleased to avow my indebtedness, that at present in Germany Kreyssig is hardly receiving the learned, and in England has never received the popular, recognition that is his due. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
We read Shakespeare line by line for his supernatural mastery of all the poetic resources of the English language, and play by play for his utterly human, utterly intimate feeling for our condition as individuals and as social beings. Through these works, which deal with the transcendence and the corruption of love, the exigencies of power, the domination of fate, and the algebra of human need, an entire civilization has come to understand its character and its destiny. (Book Jacket Status: Not Jacketed)
Excerpt from Shakespeare: The Last Phase A number of critics have suggested that I have laid too much stress on the symbolic and religious elements ln the final plays at the expense of those of romance and fantasy. The tendency to read explicit statements of Christian belief into Shakespeare seems to me indeed to have been carried considerably too far in certain places. I do not myself believe that much can usefully be said concerning Shakes peare's personal beliefs, and I am certain that none of his plays were written to illustrate religious dogmas or to point preconceived moral judgements; but - I must add - it seems to me no more than natural that a writer of his t1me and place should be aware of Christian tradition as an influence moulding his thought and that he should even seek, in his latest plays, to present in terms of a highly personal reading of that tradition some of his final conclusions about life. For taking the plays seriously, for reading them as something more than poetic fantasies in dramatic form, I offer no apology; their seriousness and originality seem to me to be clearly written on practically every page. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 69 is 'Shakespeare and Rome'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.