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First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order.
First published in 1951, this book assesses the use of prose in Shakespeare's plays.
Bronwen Wallace Memorial Award-winning poet Sonnet L'Abbé returns with her third collection, in which a mixed-race woman decomposes her inheritance of Shakespeare by breaking open the sonnet and inventing an entirely new poetic form. DOROTHY LIVESAY POETRY PRIZE FINALIST RAYMOND SOUSTER AWARD FINALIST How can poetry grapple with how some cultures assume the place of others? How can English-speaking writers use the English language to challenge the legacy of colonial literary values? In Sonnet's Shakespeare, one young, half-dougla (mixed South Asian and Black) poet tries to use "the master's tools" on the Bard's "house," attempting to dismantle his monumental place in her pysche and in the poetic canon. In a defiant act of literary patricide and a feat of painstaking poetic labour, Sonnet L'Abbé works with the pages of Shakespeare's sonnets as a space she will inhabit, as a place of power she will occupy. Letter by letter, she sits her own language down into the white spaces of Shakespeare's poems, until she overwhelms the original text and effectively erases Shakespeare's voice by subsuming his words into hers. In each of the 154 dense new poems of Sonnet's Shakespeare sits one "aggrocultured" Shakespearean sonnet--displaced, spoken over, but never entirely silenced. L'Abbé invented the process of Sonnet's Shakespeare to find a way to sing from a body that knows both oppression and privilege. She uses the procedural techniques of Oulipian constraint and erasure poetries to harness the raw energies of her hyperconfessional, trauma-forged lyric voice. This is an artist's magnum opus and mixed-race girlboy's diary; the voice of a settler on stolen Indigenous territories, a sexual assault survivor, a lover of Sylvia Plath and Public Enemy. Touching on such themes as gender identity, pop music, nationhood, video games, and the search for interracial love, this book is a poetic achievement of undeniable scope and significance.
This is an easy-to-read retelling of William Shakespeare's "Love's Labor's Lost." People who read this version first will find the original play much easier to read and understand.
This is an easy-to-read retelling of William Shakespeare's romance "Pericles, Prince of Tyre." Pericles wanders the world, marries and has a daughter, loses both his wife and daughter, and regains both in a happy ending.
This is an easy-to-read version of William Shakespeare's ""Romeo and Juliet."" Prologue The Capulets and the Montagues ? two families, very much alike in most respects ? in the beautiful city of Verona, Italy, battle each other because of a long-standing feud. Because of this feud, the hands of the citizens of Verona become dirty with the blood of other citizens of Verona. The two families have given birth to two children ? a boy named Romeo and a girl named Juliet ? who become ill-fated lovers and commit suicide. The burial of these lovers also buries the quarrel between their two families. These lovers? story is told in this book.
This is an easy-to-read retelling of William Shakespeare's "Titus Andronicus." People who read this retelling first will find the original play much easier to understand and read.