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This volume presents a study of the changing images and differing ways that the life of English poet and playwright William Shakespeare (1564-1616) has been interpreted throughout history. The author takes readers on a tour of the countless myths and legends which have arisen to explain the great dramatist's life and work, bringing the story right up to 1989. He reconstructs as much of the elusive author's life as possible, considering his family history, his economic standing, and his reputation with his peers; the Shakespeare who emerges may not always be the familiar one.
For generations scholars have labored scrupulously to try to separate the facts of William Shakespeare's life from the myths that have entangled them. However, those who have written fictions about the bard have operated under no such constraints. They offer solutions to the identities of W.H. and the Dark Lady, suggest Shakespeare's role in the shaping of the King James Bible, and trace his relationships with Sir Thomas Lucy, Francis Bacon, Elizabeth I, Kit Marlowe and Ben Jonson. And they speculate endlessly about Shakespeare's pets and poaching, his sources and inspiration, his melancholy and death. From Alexandre Duval's Shakespeare (1804) to Anthony Burgess's "The Muse," this is an anthology of nineteen fictional depictions of Shakespeare. They include Edward H. Warren's account of Shakespeare playing the stock market on Wall Street (with the Three Weird Sisters making stock predictions near a blast furnace in New Jersey), Leon Rooke's vivid memoir of the Bard's dog, and the works of such notables as George Bernard Shaw, Rudyard Kipling and Edward Bond are included.
Thinking Shakespeare gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.
Describes Shakespeare's experiences in London and his retirement to the country in a fictional account that includes excerpts from his works.
Winner of the Baillie Gifford Prize’s 25th Anniversary Winner of Winners award What accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, "succeed[ing] where others have fallen short." (Boston Globe) 1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen. James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.
Acclaimed as the greatest dramatist of all time, William Shakespeare needs little introduction. Or does he? Going beyond Shakespeare the writer and actor, Graham Holderness explores the fact and fiction, tradition and myth, surrounding Shakespeare's life. Combining biography and fictional narrative, Holderness takes a fresh critical approach to the problem of piecing together a definitive account of Shakespeare's life and work from scant historical information. Instead, this study builds upon and examines the many theories that surround the life of this well-known, yet remarkably unknown man. Nine Shakespeares are presented: writer, player, butcher boy, businessman, husband, friend, lover, Catholic and portrait. By carefully critiquing these biographies and reimagining these nine men, Nine Lives of William Shakespeare creates a unique picture of how this playwright became Shakespeare as he is understood today. Shakespeare Now! is a series of short books that engage imaginatively and often provocatively with the possibilities of Shakespeare's plays. It goes back to the source – the most living language imaginable – and recaptures the excitement, audacity and surprise of Shakespeare. It will return you to the plays with opened eyes.
In this book, Franssen investigates the use of Shakespeare as a fictional character in different literary genres, periods and cultures.
Shakespeare has always been a big part of the author's life. This is the story of how he has stumbled, shambled and occasionally glided through the years with Shakespeare as his guide. It also shows us what Shakespeare's rough-and-ready genius can teach us about love, war, sex, death, drunkenness, friendship.
A collection of some of the best, wittiest and most unusual excerpts from 16th- and 17th-century writing. "Shakespeare's England" brings to life the variety, the energy and the harsh reality of England at this time. Providing a portrait of the age, it includes extracts from a wide variety of writers, taken from books, plays, poems, letters, diaries and pamphlets by and about Shakespeare's contemporaries. These include William Harrison and Fynes Moryson (providing descriptions of England), Nicholas Breton (on country life), Isabella Whitney and Thomas Dekker (on London life), Nashe (on struggling writers), Stubbes (with a Puritan view of Elizabethan enjoyments), Harsnet and Burton (on witches and spirits), John Donne (meditations on prayer and death), King James I (on tobacco) and Shakespeare himself.
From the star-crossed romance of Romeo and Juliet to Othello's misguided murder of Desdemona to the betrayal of King Lear by his daughters, family life is central to Shakespeare's dramas. This book helps students learn about family life in Shakespeare's England and in his plays. The book begins with an overview of the roots of Renaissance family life in the classical era and Middle Ages. This is followed by an extended consideration of family life in Elizabethan England. The book then explores how Shakespeare treats family life in his plays. Later chapters then examine how productions of his plays have treated scenes related to family life, and how scholars and critics have responded to family life in his works. The volume closes with a bibliography of print and electronic resources. The volume begins with a look at the classical and medieval background of family life in the Early Modern era. This is followed by a sustained discussion of family life in Shakespeare's world. The book then examines issues related to family life across a broad range of Shakespeare's works. Later chapters then examine how productions of the plays have treated scenes concerning family life, and how scholars and critics have commented on family life in Shakespeare's writings. The volume closes with a bibliography of print and electronic resources for student research. Students of literature will value this book for its illumination of critical scenes in Shakespeare's works, while students in social studies and history courses will appreciate its use of Shakespeare to explore daily life in the Elizabethan age.