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The playhouse at Newington Butts has long remained on the fringes of histories of Shakespeare’s career and of the golden age of the theatre with which his name is associated. A mile outside London, and relatively disused by the time Shakespeare began his career in the theatre, this playhouse has been easy to forget. Yet for eleven days in June, 1594, it was home to the two companies that would come to dominate the London theatres. Thanks to the ledgers of theatre entrepreneur, Philip Henslowe, we have a record of this short venture. Shakespeare's Lost Playhouse is an exploration of a brief moment in time when the focus of the theatrical world in England was on this small playhouse. To write this history, Laurie Johnson draws on archival studies, archaeology, environmental studies, geography, social, political, and cultural studies as well as methods developed within literary and theatre history to expand the scope of our understanding of the theatres, the rise of the playing business, and the formations of the playing companies.
Using computer analysis, this book confronts the main unsolved mysteries of authorship in Shakespeare's canon, providing some surprising conclusions.
This eBook features the unabridged text of ‘Edmund Ironside’ from the bestselling edition of ‘The Complete Works of William Shakespeare’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Shakespeare includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Edmund Ironside’ * Beautifully illustrated with images related to Shakespeare’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Explores Shakespeare's plays in their most immediate context: the hundreds of plays known to original audiences, but lost to us.
Locating the Queen's Men presents new and groundbreaking essays on early modern England's most prominent acting company, from their establishment in 1583 into the 1590s. Offering a far more detailed critical engagement with the plays than is available elsewhere, this volume situates the company in the theatrical and economic context of their time. The essays gathered here focus on four different aspects: playing spaces, repertory, play-types, and performance style, beginning with essays devoted to touring conditions, performances in university towns, London inns and theatres, and the patronage system under Queen Elizabeth. Repertory studies, unique to this volume, consider the elements of the company's distinctive style, and how this style may have influenced, for example, Shakespeare's Henry V. Contributors explore two distinct genres, the morality and the history play, especially focussing on the use of stock characters and on male/female relationships. Revising standard accounts of late Elizabeth theatre history, this collection shows that the Queen's Men, often understood as the last rear-guard of the old theatre, were a vital force that enjoyed continued success in the provinces and in London, representative of the abiding appeal of an older, more ostentatiously theatrical form of drama.
This book explores the methodologies and assumptions governing answers to the question 'what did Shakespeare actually write?'
From the professor who invented literary forensics--and fingered Joe Klein as the author of Primary Colors--comes the inside story of how he solves his most challenging cases Don Foster is the world's first literary detective. Realizing that everyone's use of language is as distinctive as his or her DNA, Foster developed a revolutionary methodology for identifying the writer behind almost any anonymous document. Now, in this enthralling book, he explains his techniques and invites readers to sit by his side as he searches a mysterious text for the clues that whisper the author's name. Foster's unique skills first came to light when a front-page New York Times article announced his discovery that a previously unattributed poem was written by Shakespeare. A few weeks later, Foster solved the mystery that had obsessed America for months when he identified Joe Klein as the author of Primary Colors. Foster also took on a case involving the elusive Thomas Pynchon. And his contributions to the Unabomber and JonBenet Ramsey cases have led the FBI and several police forces to hire him to train their organizations. Introducing a fascinating new field of forensics, Author Unknown will appeal to mystery fans--and to everyone interested in words and the writer's craft.
After the murder of Edmund Ironside in 1016, Canute the Dane seized the crown of Wessex, banishing Edmund's small sons, Edmund and Edward, to Sweden with a `letter of death'.However, their lives were spared and the continental wanderings of the Anglo-Saxon princes began. Gabriel Ronay fills in the years of their exile concluding with Edward's death forty years later, just forty-eight hours after his triumphant return to England. When Edward Ironside was murdered in 1016, Canute the Dane seized the crown of Wessex. The following year, conscious of the threat posed to his rule by Edmund's small sons, Edmund and Edward Ætheling, he banished them to Sweden, with a `letter of death'. The Swedish king, however, spared their lives, and the Continental wanderings of the Anglo-Saxon princes began; their uncertain fate greatly exercised the minds of contemporary English chroniclers. Forty years later the ageing, childless Edward the Confessor learned that his nephew Edward was living in Hungary; he invited him to return home, casting him in a crucial role in the struggle to avert a Norman takeover, but forty-eight hours after his triumphant homecoming he was dead, and the events that were to lead to the Norman conquest of 1066 were set in motion. Drawing on sources from as far afield as Iceland and Kievan Russia, this account of the extraordinary years of the princes' exile is a story stranger than fiction, unravelled by Gabriel Ronay with all the excitement of a modern-day crime study. GABRIEL RONAY wrote for The Times for many years. He was born in Transylvania, and studied at the universities of Budapest and Edinburgh. He came to Britain after the crushing of the 1956 Hungarian Revolution.