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Well-known scenes from "Hamlet," "King Lear," "Macbeth," "Romeo and Juliet," "Julius Caesar," and 15 other popular plays. Summaries, selections from the appropriate text, and captions accompany the illustrations. 30 black-and-white illustrations.
Who says only the British can act Shakespeare? In this unique guide, a veteran acting coach shatters that myth with a boldly American approach to the Bard. Written in the form of a play, this volume's "characters" include a master teacher and 16 students grappling with the challenges of acting Shakespeare. Using actual speeches from 32 of Shakespeare's plays, each of the book's six "scenes" offer proven solutions to such acting problems as delivering spoken subtext, using physical actions to orchestrate a speech, creating images within a speech, dividing a speech into measures, and much more.
The life of William Shakespeare is vividly depicted, from his birth in Stratford-upon-Avon in 1564, childhood and schooldays, through apprenticeship at his father's glove-making shop, his marriage to Anne Hathaway, and then the move to London - where Will hones his skills as an actor-playwright for The Lord Chamberlain's Men. When the newly-built Globe Theatre opens in 1599, Will Shakespeare is a key member of the company, and many of Shakespeare's most famous plays are first performed here. By his death in 1616, William Shakespeare is acknowledged as the master playwright of his age - and ever since as one of the greatest writers of all time. With lively graphic-novel descriptions of many of Shakespeare's most famous plays, including A Midsummer Night's Dream, The Merchant of Venice, Romeo and Juliet, Twelfth Night, Henry V, Hamlet, Macbeth, Othello and The Tempest, and drawing on the latest biographical research, this is the perfect introduction for children to the life and works of William Shakespeare. "I can't think of a book more likely than this enchantingly illustrated tome to connect young people to the greatest, most exciting, most human, most surprising writer of them all. A great achievement." - Simon Callow, Shakespearean actor and biographer
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Shakespeare's plays provide wonderfully challenging material for the film maker. While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema's dramatic language in the film adaptations of Shakespeare's plays by four directors - Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa - each of whom has a distinctly different approach to a film representation. Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. The central chapters focus on Laurence Olivier's Henry V, Hamlet and Richard III; Orson Welles' Macbeth, Othello and Chimes at Midnight; Peter Brook's King Lear and Akira Kurosawa's Throne of Blood. Davies discusses the dramatic problems posed by the source plays for these films for the film maker and he examines how these films influenced later theatrical stagings. He concludes with an examination of the demands that distinguish the work of the Shakespearean stage actor from that of his counterpart in film.