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Much Ado about Nothing has always been popular on the stage. This edition pays especial attention to the history and range of theatrical interpretation, in which famous actors, from the time of Garrick to the present, have appeared as the sparring lovers Benedick and Beatrice. A full commentary includes annotation of the many sexual jokes in the play that have been obscured by the complexity of Elizabethan language. In this new edition, Travis D. Williams reviews recent stage, television, film and critical interpretations of the play, considering treatment of the play's special interest in language, bodies and gender.
This is the text of the 1623 printing of the first folio. The original spelling and punctuation are completely intact. I have made two minor changes. First, I have capitalized and spelled out the character names. Bene. Now diuine aire, now is his soule rauisht, becomes BENEDICK. Now diuine aire, now is his soule rauisht. The second change is that I have put the prose lines into prose form. If there was any possibility that a prose line could scan, however awkwardly, I have left the verse-like form of the line as it appears in the folio. Again, the spelling and punctuation of the 1623 first folio text are entirely intact. If you enjoy this copy of Much Ado About Nothing, please take a moment to review the book online.