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If opera had existed in Elizabethan London, the world's Top Bard, as W.H. Auden called him, might have become the world's Top Librettist. In this illuminating study, Gary Schmidgall ranges widely through the Shakespearean canon and the standard operatic repertory and presents a fascinating comparison of the two, focusing on similarities of expressive style, scenic structure, staging, and performance practice. Schmidgall includes both extended discussions of pertinent general issues and concise essays on the most intriguing Shakespeare-based operas. For all who love the stage, Shakespeare and Opera offers endless insight and fascinaton. Schmidgall's extended comparison of the two dramaturgies offers provocative new insights on Shakespeare, musical theater, comparative drama, and theater history.
An authoritative, accessible overview of history's greatest literary figure The great dramatist Ben Jonson wrote that William Shakespeare "was not of an age, but for all time." In the nearly four centuries since his death, Shakespeare's plays still have a tremendous impact on everything from the classroom to popular culture. Now you can have at your fingertips all the vital details on the most influential writer in the history of the English language--straight from one of the most trusted sources of information in the world. In Shakespeare, Encyclopedia Britannica presents a concise and balanced overview of the Bard's life, work, and legacy. From his upbringing in Stratford to his early theater career in London, from his poetry and plays to the controversy surrounding his authorship, from his contemporaries and collaborators to his critics past and present, this comprehensive guide provides the necessary background to appreciate Shakespeare's unique place in world literature. This informative volume also looks at new interpretive approaches to Shakespeare and his work and offers insights from the foremost Shakespeare scholars in the world, including David Bevington (University of Chicago), Stephen J. Greenblatt (Harvard University), and Gail Kern Paster (Folger Shakespeare Library), among others. Every concise entry--from All's Well That Ends Well to The Winter's Tale--promotes a deeper understanding of Shakespeare's life, times, writings, and influence that only Encyclopedia Britannica can provide. Since 1768, Encyclopedia Britannica has been a leading provider of learning products and one of the world's most trusted sources of information.
From the entry of Shakespeare's birth in the Stratford church register to a Norwegian production of Macbeth in which the hero was represented by a tomato, this enthralling and splendidly illustrated book tells the story of Shakespeare's life, his writings, and his afterlife. Drawing on a lifetime's experience of studying, teaching, editing, and writing about Shakespeare, Stanley Wells combines scholarly authority with authorial flair in a book that will appeal equally to the specialist and the untutored enthusiast. Chapters on Shakespeare's life in Stratford and in London offer a fresh view of the development of the writer's career and personality. At the core of the book lies a magisterial study of the writings themselves--how Shakespeare set about writing a play, his relationships with the company of actors with whom he worked, his developing mastery of the literary and rhetorical skills that he learned at the Stratford grammar school, the essentially theatrical quality of the structure and language of his plays. Subsequent chapters trace the fluctuating fortunes of his reputation and influence. Here are accounts of adaptations, productions, and individual performances in England and, increasingly, overseas; of great occasions such as the Garrick Jubilee and the tercentenary celebrations of 1864; of the spread of Shakespeare's reputation in France and Germany, Russia and America, and, more recently, the Far East; of Shakespearian discoveries and forgeries; of critical reactions, favorable and otherwise, and of scholarly activity; of paintings, music, films and other works of art inspired by the plays; of the plays' use in education and the political arena, and of the pleasure and intellectual stimulus that they have given to an increasingly international public. Shakespeare, said Ben Jonson, was not of an age but for all time. This is a book about him for our time.
A collection of essays by international Shakespeare scholars.
This work is unique in the field: the reader is introduced to music from several centuries and to five of the most popular plays in great detail (Macbeth, Romeo & Juliet, The Merry Wives of Windsor, Othello, A Midsummer Night's Dream). Other plays are discussed (1 & 2 Henry IV, Henry V, The Taming of the Shrew, The Merchant of Venice). It contains no musical notation and assumes no previous knowledge of music or of Shakespeare. It can be used in the classroom by a professor of English or of music. Suggested CD and video recordings are listed and keyed by page number to examples in the book.
This is a study of the rich and diverse range of musical responses to Shakespeare that have taken place from the seventeenth century onwards. Written from a literary perspective, the book explores the many genres and contexts in which Shakespeare and his work have enjoyed a musical afterlife discussing opera, ballet, and classical symphony alongside musicals and film soundtracks, as well as folk music and hip-hop traditions. Taking as its starting point ideas of creativity and improvisation stemming from early modern baroque practices and the more recent example of twentieth-century jazz adaptation, this volume explores the many ways in which Shakespeares plays and poems have been re-worked by musical composers. It also places these cultural productions in their own historical moment and context. Adaptation studies is a fast emerging field of scholarship and as a contribution to this field, Shakespeare and Music: Afterlives and Borrowings: develops theories and practices from adaptation studies to think about musical responses to Shakespeare across the centuries brings together in an exciting intellectual encounter ideas and methodologies deriving from literary criticism, theatre history, film studies, and musicology explores music in its widest context, looking at classical symphonies including the work of Berlioz and Elgar and operas by Verdi and Britten as well as Broadway musicals, film scores by Shostakovich, Walton, and contemporary performers, and the jazz adaptations of Duke Ellington and others. This is a timely study that will appeal to a wide readership from lovers of Shakespeare and classical music through to students of film and historians of the theatre.
In this book, Albright, one of today's most intrepid explorers of the border territory between literature and music, offers insights into how composers of genius can help us to understand Shakespeare.
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Shakespeare for the Modern Reader provides a sound scholarly introduction to the man and his work in a user-friendly and accessible way.