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Five women are found dead in the Sicilian city of Messina. Former police detective, Francesco Marchese, is called in to help the local police department figure out what ties these women together, and to help stop the ruthless killer before he claims his next victim. What Marchese doesn't know is that he is being drawn into an international conspiracy, one that takes him all the way to New York City. He finds himself collaborating with British Intelligence to protect the secret that the British Crown and the Vatican have been covering up for centuries. And he finds himself racing against the ambitious and conniving journalist, Luigi Capra, to protect the secret and to protect his new love. Full of suspense and twists, "Shakespeare: Conspiracy of Silence" is a heart-pounding thriller that brings to light one of the most debated mysteries of the last century - the true origins of the famous English playwright, William Shakespeare.
TWO QUESTIONS HAVE ALWAYS PLAGUED HISTORIANS: HOW COULD Christopher Marlowe, a known spy and England's foremost playwright, be suspiciously murdered and quickly buried in an unmarked grave just days before he was to be tried for treason? HOW COULD William Shakespeare replace Marlowe as England's greatest playwright virtually overnight when Shakespeare had never written anything before and was merely an unknown actor? Historians have noted that the Bard of Stratford was better known at that time for holding horses for the gentry while they watched plays. The Shakespeare Conspiracy is a historical novel that intertwines the two mysteries and then puts the pieces together to offer the only possible resolution. The novel, a wild romp through gay 16th Century Elizabethan England, is a rapidly unfolding detective story filled with comedy, intrigue, murder and illicit love. And most importantly, all recorded events, persons, dates and documents are historically accurate. You will Get the scandalous view of the real William Shakespeare, with his sexual peccadilloes, illegitimate children and mistresses Wander through the gay world of Christopher Marlowe, when it was acceptable to be homosexual just so long as one stayed within one's own class as did Kings like James I, Edward II, and others Observe Inspector Henry Maunder matching wits with Christopher Marlowe's patron, Sir Thomas Walsingham one cleverly hiding the facts and other cunningly discovering the truth Watch the arguments unfold, showing the actual reasons that many historians believe that it could only have been Christopher Marlowe writing all those great works. It's a tale of murder, mayhem and manhunts in the underbelly of London as the Black Plague scourges the country and the greatest conspiracy plot of all time is hatched. It's The Shakespeare Conspiracy!
Turn Uncomfortable Conversations into Meaningful Dialogue If you believe that talking about race is impolite, or that "colorblindness" is the preferred approach, you must read this book. Race Talk and the Conspiracy of Silence debunks the most pervasive myths using evidence, easy-to-understand examples, and practical tools. This significant work answers all your questions about discussing race by covering: Characteristics of typical, unproductive conversations on race Tacit and explicit social rules related to talking about racial issues Race-specific difficulties and misconceptions regarding race talk Concrete advice for educators and parents on approaching race in a new way "His insistence on the need to press through resistance to have difficult conversations about race is a helpful corrective for a society that prefers to remain silent about these issues." —Christopher Wells, Vice President for Student Life at DePauw University "In a Canadian context, the work of Dr. Derald Wing Sue in Race Talk: and the Conspiracy of Silence is the type of material needed to engage a populace that is often described as 'Too Polite.' The accessible material lets individuals engage in difficult conversations about race and racism in ways that make the uncomfortable topics less threatening, resulting in a true 'dialogue' rather than a debate." —Darrell Bowden, M Ed. Education and Awareness Coordinator, Ryerson University "He offers those of us who work in the Diversity and Inclusion space practical tools for generating productive dialogues that transcend the limiting constraints of assumptions about race and identity." —Rania Sanford, Ed.D. Associate Chancellor for Strategic Affairs and Diversity, Stanford University "Sue's book is a must-read for any parent, teacher, professor, practioner, trainer, and facilitator who seeks to learn, understand, and advance difficult dialogues about issues of race in classrooms, workplaces, and boardrooms. It is a book of empowerment for activists, allies, or advocates who want to be instruments of change and to help move America from silence and inaction to discussion, engagement, and action on issues of difference and diversity. Integrating real life examples of difficult dialogues that incorporate the range of human emotions, Sue provides a masterful illustration of the complexities of dialogues about race in America. More importantly, he provides a toolkit for those who seek to undertake the courageous journey of understanding and facilitating difficult conversations about race." —Menah Pratt-Clarke, JD, PhD, Associate Provost for Diversity, University of Illinois Urbana-Champaign
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
Did Shakespeare write Shakespeare? This authoritative collection of essays brings fresh perspectives to bear on an intriguing cultural phenomenon.
USA Today best-selling author On a sunny day in July, Clare Prentice arrives in Grand Rapids, Minnesota. Although she is on assignment to interview the town's notoriously reclusive novelist Nate Hanssen, Clare is really in search of a different story-her story.Just months before, Clare was a bride-to-be, living in Chicago, and looking to the future.until the day she learned her entire life had been a lie.Not only was Clare adopted, but there is no record that she or her adoptive mother ever existed. The only clue is a class ring from Grand Rapids Senior High School. Unable to get on with her future until she reconciles her past, Clare breaks off her engagement.Unraveling the mystery is like trying to sculpt fog-until the first piece of the puzzle unexpectedly drops into place: Clare's birth mother, Lily Gundersen, was murdered in Grand Rapids.Lily's murder was one of the most talked-about events in the town's history, but no one is talking now. Clare doesn't know the whole story - and someone intends to keep it that way.
Explores the continuing relevance of important political themes in five of Shakespeare's English History plays.
When Victor Cahn's Shakespeare the Playwright was issued in 1991, it was highly recommended for any general public library and for academic collections at all undergraduate levels (Choice) and viewed as a useful guide for the general reader, as well as high school and undergraduate students Library Journal. Now Professor Cahn has revised his introduction to make the context of Shakespeare's plays more meaningful to the beginning researcher and to show how the plays have been performed from the 16th century onward. In addition, the bibliographies for each of the 37 plays have been updated to include the best new research. These updates and revisions will enhance the use of this guide for the general reader, student, and researcher, from high school onward. Since their first production four centuries ago, the plays of William Shakespeare have been the most widely produced, popularly acclaimed, and critically examined works in the world's literature. In this unique book, Victor L. Cahn, an acclaimed teacher of drama, guides the reader scene by scene through each of Shakespeare's thirty-seven plays, re-creating the freshness and theatrical effect of performance. Cahn has based his approach on the assumption that the fundamental appeal of Shakespeare's plays lies in the characters, and with clarity and subtlety he focuses on how the implications of the characters' actions and the nuances of their language contribute to the plays' impact. The introduction briefly traces Shakespeare's life and career, and explains some of the social and artistic circumstances that influenced his work. The plays are grouped by genre: Tragedies, Histories, Comedies, and Romances. This structure allows Cahn to explore Shalespeare's development in all four dramatic forms, as well as to suggest relationships between characters, themes, and images throughout the works. In addition, Cahn discusses the plays as reflective of Shakespeare's age, particularly the Renaissance concern with the tension between individual rights and social responsibility. The text is free from extensive scholarly apparatus, but valuable suggestions for further reading follow the analysis of each play, and a selected bibliography concludes the volume. The comprehensiveness of the book, as well as the accessibility and quality of its interpretations, make it a valuable resource for courses in Shakespeare, drama, and British literature, and a worthy addition to high school, college, university, and public library reference collections.
Shakespeare’s Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically, it explores how Shakespeare generates experiences of sublime pathos, for which audiences have been prepared by the sublime ethos described in the companion volume, Shakespeare’s Sublime Ethos. To do so, it examines Shakespeare’s model of mutualistic character, in which "entangled" language brokers a psychic communion between fictive persons and real-life audiences and readers. In the process, Sublime Critical platitudes regarding Shakespeare’s liberating ambiguity and invention of the human are challenged, while the sympathetic imagination is reinstated as the linchpin of the playwright’s sublime effects. As the argument develops, the Shakespearean sublime emerges as an emotional state of vulnerable exhilaration leading to an ethically uplifting openness towards others and an epistemologically bracing awareness of human unknowability. Taken together, Shakespeare’s Sublime Pathos and Shakespeare’s Sublime Ethos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved.