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This book explores how memories and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare, offering a new approach to the cultural history of the Tudor era, whilst shedding fresh light on the sources and preoccupations of Shakespeare's play.
The story of the archaeology behind the dig that found Richard III, told through a fascinating array of photographs, diagrams, and firsthand accounts In August 2012 a search began and on February 4, 2013 a team from Leicester University delivered its verdict to a mesmerized press room, watched by media studios around the world: they had found the remains of Richard III, whose history is perhaps the most contested of all British monarchs. History offers a narrow range of information about Richard III which mostly has already been worked to destruction. Archaeology creates new data, new stories, with a different kind of material: physical remains from which modern science can wrest a surprising amount, and which provide a direct, tangible connection with the past. Unlike history, archaeological research demands that teams of people with varied backgrounds work together. Archaeology is a communal activity, in which the interaction of personalities as well as professional skills can change the course of research. Photographs from the author’s own archives, alongside additional material from Leicester University, offer a compelling detective story as the evidence is uncovered.
This book explores how recollections and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare. In Richard III, Shakespeare depicts an era that had only recently passed beyond the horizon of living memory. The years between Shakespeare's birth in 1564 and the composition of the play in the early 1590s would have seen the deaths of the last witnesses to Richard's reign. Yet even after the extinction of memory, traces of the Yorkist era abounded in Elizabethan England - traces in the forms of material artefacts and buildings, popular traditions, textual records, and administrative and religious institutions and practices. Other traces had notoriously disappeared, not least the bodies of the princes reputedly murdered in the Tower, and the King's own body, which remained lost until its dramatic rediscovery in the summer of 2012. Shakespeare and the Remains of Richard III charts the often complex careers of these pieces of the past over the course of a century framed on one side by the historical reign of Richard III (1483-85) and on the other by Shakespeare's play. Drawing on recent work in fields including archaeology, memory studies, and material biography, this book offers a fresh approach to the cultural history of the Tudor era, as well as a fundamentally new interpretation of the wellsprings and preoccupations of Richard III. The final emphasis is not only on what Shakespeare does with the traces of Richard's reign but also on what those traces do through Shakespeare—the play, in spite of its own pessimistic assumptions about history, has become the medium whereby certain fragments and remains of a long-lost world live on into the present day.
A tale of the Wars of the Roses follows Elizabeth Woodville, who ascends to royalty and fights for the well-being of her family, including two sons whose imprisonment in the Tower of London precedes a devastating unsolved mystery.
The Handbook brings together forty articles by leading scholars of history, literature, religion, and classics, in the first full investigation of the significance of Raphael Holinshed's Chronicles of England, Scotland and Ireland (1577, 1587), the greatest of Elizabethan chronicles and a principal source for Shakespeare's history plays.
The dramatic story of Richard III, England's last medieval king, captured the world's attention when an archaeological team led by the University of Leicester identified his remains in February 2013. The Bones of a King presents the official behind-the-scenes story of the Grey Friars dig from the team of specialists who discovered and identified his remains The most extensive and authoritative book written for non-specialists by the expert team who discovered and analysed the remains of Richard III Features more than 40 illustrations, maps and photographs Builds an expansive view of Richard's life, death and burial, as well as accounts of the treatment of his body prior to burial, and his legacy in the public imagination from the time of his death to the present Explains the scientific evidence behind his identification, including DNA retrieval and sequencing, soil samples, his wounds and his scoliosis, and what they reveal about his life, his health and even the food he ate A behind-the-scenes look at one of the most exciting historical discoveries of our time
Their task was to locate a lost grave in an obliterated church. The ‘Looking For Richard’ team of historians and researchers spent many years amassing evidence. Now for the first time they reveal the full story of how that evidence took them to a car park in Leicester.
The Last Days of Richard III contains a new and uniquely detailed exploration of Richard's last 150 days. By deliberately avoiding the hindsight knowledge that he will lose the Battle of Bosworth Field, we discover a new Richard: no passive victim, awaiting defeat and death, but a king actively pursuing his own agenda. It also re-examines the aftermath of Bosworth: the treatment of Richard's body; his burial; and the construction of his tomb. And there is the fascinating story of why, and how, Richard III's family tree was traced until a relative was found, alive and well, in Canada. Now, with the discovery of Richard's skeleton at the Greyfrairs Priory in Leicester, England, John Ashdown-Hill explains how his book inspired the dig and completes Richard III's fascinating story, giving details of how Richard died, and how the DNA link to a living relative of the king allowed the royal body to be identified.
A definitive new biography of one of British history's most controversial figures, that seeks to bring peace to Richard III's reputation.