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'She's like no one I've ever met... She's like fire and water all at once.' Warwickshire, 1582. Agnes Hathaway, a natural healer, meets the Latin tutor, William Shakespeare. Drawn together by powerful but hidden impulses, they create a life together and make a family. As William moves to London to discover his place in the world of theatre, Agnes stays at home to raise their three children but she is the constant presence and purpose of his life. When the plague steals 11-year-old Hamnet from his loving parents, they must each confront their loss alone. And yet, out of the greatest suffering, something of extraordinary wonder is born. This new play based on Maggie O'Farrell's best-selling novel and adapted by award-winning playwright Lolita Chakrabarti (Life of Pi, Red Velvet, Hymn), pulls back a curtain on the imagined family life of the greatest writer in the English language. Hamnet is a love letter to passion, birth, grief and the magic of nature. This edition was published to coincide with the world premiere at the Swan Theatre, Stratford-upon-Avon, in April, 2023.
Outlines an engaging way to instill an understanding and appreciation of Shakespeare's classic works in children, outlining a family-friendly method that incorporates the history of Shakespearean theater and society.
Some of Shakespeare's most memorable male characters, such as Hamlet, Prince Hal, and Edgar, are defined by their relationships with their fathers. In Fathers and Sons in Shakespeare, Fred B. Tromly demonstrates that these relationships are far more complicated than most critics have assumed. While Shakespearean sons often act as their fathers' steadfast defenders, they simultaneously resist paternal encroachment on their autonomy, tempering vigorous loyalty with subtle hostility. Tromly's introductory chapters draw on both Freudian psychology and Elizabethan family history to frame the issue of filial ambivalence in Shakespeare. The following analytical chapters mine the father-son relationships in plays that span Shakespeare's entire career. The conclusion explores Shakespeare's relationship with his own father and its effect on his fictional depictions of life as a son. Through careful scrutiny of word and deed, the scholarship in Fathers and Sons in Shakespeare reveals the complex attitude Shakespeare's sons harbour towards their fathers.
A new view of Shakespeare's sonnets that brings them alive as a chronicle of political intrigue, passion, and betrayal.
Describes Shakespeare's experiences in London and his retirement to the country in a fictional account that includes excerpts from his works.
In Shakespeare and Abraham, Ken Jackson illuminates William Shakespeare’s dramatic fascination with the story of Abraham’s near sacrifice of his son Isaac in Genesis 22. Themes of child killing fill Shakespeare’s early plays: Genesis 22 informed Clifford’s attack on young Rutland in 3 Henry 6, Hubert’s providentially thwarted murder of Arthur in King John, and Aaron the Moor’s surprising decision to spare his son amidst the filial slaughters of Titus Andronicus, among others. However, the playwright’s full engagement with the biblical narrative does not manifest itself exclusively in scenes involving the sacrifice of children or in verbal borrowings from the famously sparse story of Abraham. Jackson argues that the most important influence of Genesis 22 and its interpretive tradition is to be found in the conceptual framework that Shakespeare develops to explore relationships among ideas of religion, sovereignty, law, and justice. Jackson probes the Shakespearean texts from the vantage of modern theology and critical theory, while also orienting them toward the traditions concerning Abraham in Jewish, Pauline, patristic, medieval, and Reformation sources and early English drama. Consequently, the playwright’s “Abrahamic explorations” become strikingly apparent in unexpected places such as the “trial” of Shylock in The Merchant of Venice and the bifurcated structure of Timon of Athens. By situating Shakespeare in a complex genealogy that extends from ancient religion to postmodern philosophy, Jackson inserts Shakespeare into the larger contemporary conversation about religion in the modern world.
Twelve of the Bard's most famous plays, delightfully adapted for young readers: Romeo and Juliet, Hamlet, King Lear, As You Like It, and eight others.
From debut author Zibby Owens comes Princess Charming, a lovable and empowering new character! Princess Charming can’t quite seem to find her “thing.” She’s tried everything from cooking to hip-hop, and hasn’t been able to perfect either. Even her cartwheels are subpar. But when the castle hosts a superstar for a special event, Princess Charming finally finds her time to shine. Princess Charming is about a brand-new princess character filled with fun, humor, and girl power. With a modern look and can-do attitude, Princess Charming is the perfect gift for all young readers who never give up! Praise for Princess Charming "[A] timeless message."--Kirkus Reviews
Be an eyewitness to one of the world's greatest playwrights -- from his Elizabethan world and the stories that inspired him, to boy actors playing women and dramatic special effects. Find out how music was used in plays. Discover what Shakespeare did when the theaters were closed due to plague. See what the interior of the Globe theater looked like. Book jacket.