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A charismatic young warrior prince emerges from exile to usurp the old order and forge a new, mighty Zulu kingdom.
A time of bloody conflict and great turmoil. The slave trade expands from the east African coast. Europeans spread inland from the south. And one young boy is destined to change the future of southern Africa. This retelling of the Shaka legend explores the rise to power of a shrewd young prince who must consolidate a new kingdom through warfare, mediation, and political alliances to defend his people against the expanding slave trade. "A worthy introduction that offers a young Anglophone audience entry into a legend of Africa without the annoyance of overtranslation and with refreshingly three-dimensional characters." --Kirkus "Deftly written and superbly illustrated by Luke Molver, "Shaka Rising: A Legend of the Warrior Prince" is a truly extraordinary and entertaining graphic novel that will decidedly prove to be an enduringly popular addition to community library graphic novel collections for readers ages 16 to 86." Midwest Book Review Luke Molver is a graphic novelist whose world is fueled by the art of storytelling. He lives in Cape Town, where reality continues to interfere with his daily life.
Shaka struggles to retain power as challenges at home and from across an ocean threaten his new rule.
In 1879, armed only with their spears, their rawhide shields, and their incredible courage, the Zulus challenged the might of Victorian England and, initially, inflicted on the British the worst defeat a modern army has ever suffered at the hands of men without guns. This is the definitive account of the rise of the Zulu nation under the great ruler Shaka and its fall under Cetshwayo. The story is studded with tales of drama and heroism: the Battle of Isandhlwana, where the Zulu army wiped out the major British column; and Rorke's Drift, where a handful of British troops beat off thousands of Zulu warriors and won eleven Victoria Crosses. Acclaimed for its scholarship, its monumental range, and its spellbinding readability, The Washing of the Spears is a gripping portrait of not just the Zulu War of 1879, but also of Britain’s colonial policy at this moment.
In this riveting new book, John Laband, pre-eminent historian of the Zulu Kingdom, tackles some of the questions that swirl around the assassination in 1828 of King Shaka, the celebrated founder of the Zulu Kingdom and war leader of legendary brilliance: Why did prominent members of the royal house conspire to kill him? Just how significant a part did the white hunter-traders settled at Port Natal play in their royal patron's downfall? Why were Shaka's relations with the British Cape Colony key to his survival? And why did the powerful army he had created acquiesce so tamely in the usurpation of the throne by Dingane, his half-brother and assassin? In his search for answers Laband turns to the Zulu voice heard through recorded oral testimony and praise-poems, and to the written accounts and reminiscences of the Port Natal trader-hunters and the despatches of Cape officials. In the course of probing and assessing this evidence the author vividly brings the early Zulu kingdom and its inhabitants to life. He throws light on this elusive character of and his own unpredictable intentions, while illuminating the fears and ambitions of those attempting to prosper and survive in his hazardous kingdom: a kingdom that nevertheless endured in all its essential characteristics, particularly militarily, until its destruction fifty one years later in 1879 by the British; and whose fate, legend has it, Shaka predicted with his dying breath.
The battle of iSandlwana was the single most destructive incident in the 150-year history of the British colonization of South Africa. This title shows that the brutality of the battle was the result of an inevitable clash between two aggressive warrior traditions.
All Rise: Resistance and Rebellion in South Africa revives six true stories of resistance by marginalized South Africans against the country's colonial government in the years leading up to Apartheid. In six parts--each of which is illustrated by a different South African artist--All Rise shares the long-forgotten struggles of ordinary, working-class women and men who defended the disempowered during a tumultuous period in South African history. From immigrants and miners to tram workers and washerwomen, the everyday people in these stories bore the brunt of oppression and in some cases risked their lives to bring about positive change for future generations. This graphic anthology breathes new life into a history dominated by icons, and promises to inspire all readers to become everyday activists and allies. The diverse creative team behind All Rise, from an array of races, genders, and backgrounds, is a testament to the multicultural South Africa dreamed of by the heroes in these stories--true stories of grit, compassion, and hope, now being told for the first time in print.
This utterly unconventional narrative of reinvention begins with the young MacDonald's first forays outside the soul-crushing walls of Southie's Old Colony housing project. He provides one-of-a-kind 1980s social history and a powerful glimpse of what punk music was for him.
NEW YORK TIMES BESTSELLER • Read with Jenna Book Club Pick as Featured on Today • From the author of Daisy Jones & The Six and The Seven Husbands of Evelyn Hugo . . . ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, Time, Marie Claire, PopSugar, Parade, Teen Vogue, Self, She Reads • “Irresistible . . . High drama at the beach, starring four sexy, surfing siblings and their deadbeat, famous-crooner dad.”—People Four famous siblings throw an epic party to celebrate the end of the summer. But over the course of twenty-four hours, the family drama that ensues will change their lives forever. Malibu: August 1983. It’s the day of Nina Riva’s annual end-of-summer party, and anticipation is at a fever pitch. Everyone wants to be around the famous Rivas: Nina, the talented surfer and supermodel; brothers Jay and Hud, one a championship surfer, the other a renowned photographer; and their adored baby sister, Kit. Together the siblings are a source of fascination in Malibu and the world over—especially as the offspring of the legendary singer Mick Riva. The only person not looking forward to the party of the year is Nina herself, who never wanted to be the center of attention, and who has also just been very publicly abandoned by her pro tennis player husband. Oh, and maybe Hud—because it is long past time for him to confess something to the brother from whom he’s been inseparable since birth. Jay, on the other hand, is counting the minutes until nightfall, when the girl he can’t stop thinking about promised she’ll be there. And Kit has a couple secrets of her own—including a guest she invited without consulting anyone. By midnight the party will be completely out of control. By morning, the Riva mansion will have gone up in flames. But before that first spark in the early hours before dawn, the alcohol will flow, the music will play, and the loves and secrets that shaped this family’s generations will all come rising to the surface. Malibu Rising is a story about one unforgettable night in the life of a family: the night they each have to choose what they will keep from the people who made them . . . and what they will leave behind.
Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes. The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to religious traditions and/or to peoples who have largely "stayed put"; the tendency to reimagine and retell stories in new ways over centuries; and the imbrication of epic storytelling and forms of colonialism and imperialism, especially those perpetuated and glorified by Euro-Americans over the past 500 years, resulting in unspeakable and immeasurable harms to humans, other living beings, and the planet Earth. The Epic World is a go-to volume for anyone interested in epic literature in a global framework. Engaging with powerful stories and ways of knowing beyond those of the predominantly white Global North, this field-shifting volume exposes the false premises of "Western civilization" and "Classics," and brings new questions and perspectives to epic studies.