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A major monograph on artist Shahryar Nashat that will be co-published with Kunsthalle Basel and Lenz Press. The publication presents newly commissioned essays on seven significant bodies of work by Shahryar made in recent years. The featured pairings include Negar Azimi on Psych Twombly; Elena Filipovic on Image is an Orphan and The Cold Horizontals; Huw Lemmey on Bone In and Genevas; Adam Linder on Prosthetic Everyday; Hamza Walker and Aram Moshayedi on Hard Up for Support; Jordan Carter on Sore and Chômage Technique; and Laura McLean-Ferris on Keep Begging; amidst graphic interventions and artist projects by Shahryar that will unfold throughout the book.
This is a new release of the original 1925 edition.
One of the most important voices in contemporary Indian poetry, Shahryar (1936-2012) casts a mesmeric spell since the publication of his very first collection, Ism-e Azam, in 1965. In a career spanning five decades, it is interesting how Shahryar always managed to remain topical and his poetry could always be called 'the call of the time'. This ability to remain relevant and to always have something to say consistently over a period of time is a singular quality.This book locates Shahryar's considerable body of work in the trajectory of contemporary Indian writings and evaluates his extraordinary contribution to not merely modern Urdu poetry but, more significantly, modern Indian poetry.
This traces the history of the Mughal empire from its creation in 1526 to its breakup in 1720. It stresses the quality of Mughal territorial expansion, their innovation in land revenue, military organization, and the relationship between the emperors and I
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When Sheherazad is brought to the palace to be the Sultan’s new bride, her very life depends upon her skill as a storyteller. She tells him tales of lost cities and buried treasure, of slave girls and robbers, of genies in bottles and evil sorcerers. But will it be enough to save her? The stories of the Arabian Nights date back more than a thousand years and originate from Persia, India and Arabia. Neil Duffield has combined elements of many of them, keeping alive the excitement and humour to produce a show which will transport the audience into a world of myth and legend where fantasy and reality can never be separated.
Named one of NPR's Books We Love In this riveting take on One Thousand and One Nights, Shaherazade, at the center of her own story, uses wit and political mastery to navigate opulent palaces brimming with treachery and the perils of the Third Crusade as her Persian homeland teeters on the brink of destruction. In twelfth century, Persia, clever and dreamy Shaherazade stumbles on the Malik’s beloved wife entwined with a lover in a sun-dappled courtyard. When Shaherazade recounts her first tale, the story of this infidelity, to the Malik, she sets the Seljuk Empire on fire. Enraged at his wife’s betrayal, the once-gentle Malik beheads her. But when that killing does not quench his anger, the Malik begins to marry and behead a new bride each night. Furious at the murders, his province seethes on rebellion’s edge. To suppress her guilt, quell threats of a revolt, and perhaps marry the man she has loved since childhood, Shaherazade persuades her beloved father, the Malik’s vizier, to offer her as the next wife. On their wedding night, Shaherazade begins a yarn, but as the sun ascends she cuts the story short, ensuring that she will live to tell another tale, a practice she repeats night after night. But the Malik’s rage runs too deep for Shaherazade to exorcise alone. And so she and her father persuade the Malik to leave Persia to join Saladin’s fight against the Crusaders in Palestine. With plots spun against the Seljuks from all corners, Shaherazade must maneuver through intrigue in the age’s greatest courts to safeguard her people. All the while, she must keep the Malik enticed with her otherworldly tales—because the slightest misstep could cost Shaherazade her head. This suspenseful first-person retelling is vividly rendered through the voice of a fully imagined Shaherazade, a book lover whose late mother bestowed the gift of story that becomes her power. Created over fourteen years of writing and research, Jamila Ahmed’s gorgeously written debut is a celebration of storytelling and a love letter to the medieval Islamic world that brings to life one of the most enduring and intriguing woman characters of all time.