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From NYT bestselling author Brent Weeks comes the first novel in his breakout fantasy trilogy in which a young boy trains under the city's most legendary and feared assassin, Durzo Blint. For Durzo Blint, assassination is an art -- and he is the city's most accomplished artist. For Azoth, survival is precarious. Something you never take for granted. As a guild rat, he's grown up in the slums, and learned to judge people quickly -- and to take risks. Risks like apprenticing himself to Durzo Blint. But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins' world of dangerous politics and strange magics -- and cultivate a flair for death.
"Shadows on the Wall: Deterrence and Disarmament examines and contrasts the three alternative philosophical positions about the nature of the international system and patterns of human behavior that underlie three competing narratives seen in U.S. public debate regarding nuclear deterrence and disarmament. For over six decades, these three competing narratives, built on contrary philosophical traditions, have been the basis for contending positions regarding U.S. nuclear policy-ranging from advocacy for complete global nuclear disarmament to advocacy for the maintenance of robust U.S. nuclear capabilities for deterrence. Each of these three different narratives is based on different speculative expectations about developments in the international system and future patterns of human behavior. Given the inherent uncertainties about future developments in the international system and human behavior, none of these narratives can be deemed to objectively correct, or certainly wrong. They may, nevertheless, be judged to entail different levels of prudence for U.S. and allied security"--
"This book-both a narrative and a film directory-surveys and analyzes English-language feature films (and a few shorts and TV shows/movies) made between 1927 and 2016 that tell stories about jazz music, its musicians, its history and culture. Play the Way You Feel looks at jazz movies as a narrative tradition with recurring plot points and story tropes, whose roots and development are traced. It also demonstrates how jazz stories cut across diverse genres-biopic, romance, musical, comedy and science fiction, horror, crime and comeback stories, "race movies" and modernized Shakespeare-even as they constitute a genre of their own. The book is also a directory/checklist of such films, 66 of them with extensive credits, plus dozens more shorter/capsule discussions. Where jazz films are based on literary sources, they are examined, and the nature of their adaptation explored: what gets retained, removed, or invented? What do historical films get right and wrong? How does a film's music, and the style of the filmmaking itself, reinforce or undercut the story?--
'GM + AD - Curious Rationalism' Birkhauser Gordon Murray and Alan Dunlop established their practice in over ten years ago. This book, an architectural monograph, presents their key projects in a finely produced hard-back volume which, alongside well-illustrated case-studies, includes an introduction by Hugh Pearman, an essay by Penny Lewis and interviews with both Murray and Dunlop themselves. The work of the practice is markedly varied in both scale and architectural style - this reflects a very real, pragmatic office operating within the realm of the commercial market in a region of the UK which, perhaps not dissimilarly to Belfast, might be considered to hold less obvious opportunity than cities such as London or Dublin, for example. This is the kind of office and project-portfolio that most practices might connect with and, indeed, consider to be working with similar circumstances.
At the end of World War II, twenty-year-old Vera is brutally raped by an unknown assailant. From that rape is born a boy named Fred, a misfit who later becomes a talented boxer. Vera’s young son, Barnum, forms a special but bizarre relationship with his half brother, fraught with rivalry and dependence as well as love. “I should have been your father,” Fred tells Barnum, “instead of the fool who says he is.” It is Barnum, who is now a screenwriter with a fondness for lies and alcohol, who narrates his family’s saga. As he shares his family’s history, he chronicles generations of independent women and absent and flawed men whom he calls the Night Men. Among them is his father, Arnold, who bequeaths to Barnum his circus name, his excessively small stature, and a con man’s belief in the power of illusion. Filled with a galaxy of finely etched characters, this prize-winning novel is a tour de force and a literary masterpiece richly deserving of the accolades it has received.
"Laura Sebastian is the next Madeline Miller. . . . a fierce, fresh, lyrical tale that will enthrall until the last page."--Kate Quinn, New York Times bestselling author of The Huntress A Popsugar Best Summer Read of 2021 A Bibliolifestyle Most Anticipated Summer 2021 Sci-fi and Fantasy Book "Magical, haunting, unique--I haven't been so excited about an Arthur book since I read The Once and Future King ."--Tamora Pierce, #1 New York Times bestselling author The Lady of Shalott reclaims her story in this bold feminist reimagining of the Arthurian myth from the New York Times bestselling author of Ash Princess. Everyone knows the legend. Of Arthur, destined to be a king. Of the beautiful Guinevere, who will betray him with his most loyal knight, Lancelot. Of the bitter sorceress, Morgana, who will turn against them all. But Elaine alone carries the burden of knowing what is to come--for Elaine of Shalott is cursed to see the future. On the mystical isle of Avalon, Elaine runs free and learns of the ancient prophecies surrounding her and her friends--countless possibilities, almost all of them tragic. When their future comes to claim them, Elaine, Guinevere, Lancelot, and Morgana accompany Arthur to take his throne in stifling Camelot, where magic is outlawed, the rules of society chain them, and enemies are everywhere. Yet the most dangerous threats may come from within their own circle. As visions are fulfilled and an inevitable fate closes in, Elaine must decide how far she will go to change destiny--and what she is willing to sacrifice along the way.
DELIVERED FROM THE DARKNESS, A WOMAN FINDS HERSELF PLUNGED INTO A PASSION THAT IS DEEPER THAN MIDNIGHT. At eighteen, Corinne Bishop was a beautiful, spirited young woman living a life of privilege as the adopted daughter of a wealthy family. Her world changed in an instant when she was stolen away and held prisoner by the malevolent vampire Dragos. After many years of captivity and torment, Corinne is rescued by the Order, a cadre of vampire warriors embroiled in a war against Dragos and his followers. Her innocence taken, Corinne has lost a piece of her heart as well—the one thing that gave her hope during her imprisonment, and the only thing that matters to her now that she is free. Assigned to safeguard Corinne on her trip home is a formidable golden-eyed Breed male called Hunter. Once Dragos’s most deadly assassin, Hunter now works for the Order, and he’s hell-bent on making Dragos pay for his manifold sins. Bonded to Corinne by their mutual desire, Hunter will have to decide how far he’ll go to end Dragos’s reign of evil—even if carrying out his mission means shattering Corinne’s tender heart.