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Karina Yesayeva Khachatorian is an Armenian who grew up in the cosmopolitan city of Baku, Azerbaijan, part of the USSR. However, underlying tensions between the Armenian population and the Azerbaijanis erupted into violence.
Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined--economically, politically, and physical--in the city's fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as local oil barons poured their new wealth into building a cosmopolitan city center. During the Soviet period, Baku became the site of an urban experiment: the shaping of an oil city of socialist man. That project included Neft Dashlari, a city built on trestles in the Caspian Sea and designed to house thousands of workers, schools, shops, gardens, clinics, and cinemas as well as 2,000 oil rigs, pipelines, and collecting stations. Today, as it heads into an uncertain post-oil future, Baku's planners and business elites regard the legacy of its past as a resource that sustains new aspirations and identities. Richly illustrated with historical images and archival material, this book tells the story of the city, paying particular attention to how the disparate spatial logics, knowledge bases, and practices of oil production and urban production intersected, affected, and transformed one another creating an urban cultural environment unique among extraction sites. The book also features a new photo essay by celebrated photographer Iwan Baan.
The U.S. Intelligence Service. US-Russian foreign relations.
Shadows of Empire explores Javanese shadow theater as a staging area for negotiations between colonial power and indigenous traditions. Charting the shifting boundaries between myth and history in Javanese Mahabharata and Ramayana tales, Laurie J. Sears reveals what happens when these stories move from village performances and palace manuscripts into colonial texts and nationalist journals and, most recently, comic books and novels. Historical, anthropological, and literary in its method and insight, this work offers a dramatic reassessment of both Javanese literary/theatrical production and Dutch scholarship on Southeast Asia. Though Javanese shadow theater (wayang) has existed for hundreds of years, our knowledge of its history, performance practice, and role in Javanese society only begins with Dutch documentation and interpretation in the nineteenth century. Analyzing the Mahabharata and Ramayana tales in relation to court poetry, Islamic faith, Dutch scholarship, and nationalist journals, Sears shows how the shadow theater as we know it today must be understood as a hybrid of Javanese and Dutch ideas and interests, inseparable from a particular colonial moment. In doing so, she contributes to a re-envisioning of European histories that acknowledges the influence of Asian, African, and New World cultures on European thought--and to a rewriting of colonial and postcolonial Javanese histories that questions the boundaries and content of history and story, myth and allegory, colonialism and culture. Shadows of Empire will appeal not only to specialists in Javanese culture and historians of Indonesia, but also to a wide range of scholars in the areas of performance and literature, anthropology, Southeast Asian studies, and postcolonial studies.
Drawing on archival sources, reportage and moving personal stories, de Waal tells the full story of Armenian-Turkish relations since the Genocide in all its extraordinary twists and turns. He looks behind the propaganda to examine the realities of a terrible historical crime and the divisive "politics of genocide" it produced.
Written by a former director of the CIA, this is the story of America's and the agency's role in the collapse of communism in the Soviet Union and Eastern Europe. As the only person to rise from entry-level analyst to Director of the CIA and to serve on the White House staffs of four Presidents, Robert Gates is uniquely qualified to tell the unprecedented inside story of the Cold War. Drawing on his access to classified information and top-level involvement in policy decisions, Gates lays bare the hidden wars and operations the United States waged against communism worldwide. Ever certain that the fifty-year struggle with the Soviet Union was indeed a war, Gates makes candid appraisals of Presidents, key officials, and policies of the period. Among his disclosures are: how Carter laid the foundations for Reagan's covert wars against the Soviets; CIA predictions of a conservative coup against Gorbachev and the collapse of the Soviet Union; CIA and KGB "black operations" against each other; the secret relationship between Pope John Paul II and the Soviets; and three secret CIA-KGB summits. From the Shadows is a classic memoir on the career of a CIA officer at the center of power during a time when the threat of global annihilation informed America's every move.
A new genre of film is identified and explored.
In its first years as an independent state, Azerbaijan was a prime example of post-Soviet chaos - beset by coups and civil strife and astride an ethnic, political and religious divide. Author Goltz was detoured in Baku in mid-1991 and decided to stay, this diary is the record of his experiences.
Age range 14+ Sean hasn't been able to speak a word since he was put into care, and is sent to live with his grandad, a retired author whom he has never met before. Suddenly living an affluent life, nothing like the world of the estate he grew up in, where gangs run the streets and violence is around every corner, Sean spends his time drawing, sculpting and reading his grandad's stories. But his grandad has secrets of his own in his past. As he retreats to the shed, half-buried in his treasured garden, Sean finds one of his stories about 'The Baku', a creature that eats the fears of children. Plagued by nightmares, with darkness spreading through the house, Sean must finally face the truth if he's to have a chance to free himself and his grandfather from the grip of the Baku.
A new adult romance from Entangled's Embrace imprint... A love for the ages...but will it survive the final test? Since their last battle, life for the Mortal Machine—the secret-society that protects Earth and its inhabitants from dark outside forces—has become almost...normal. For everyone but Addison. The evil she’s imprisoned in her soul has begun eating away at her sanity, and despite her soul mate Asher’s efforts to hold her together, it’s causing painful and terrifying delusions. Consequently, nobody believes Addison's warnings that Marcus, their old enemy, has returned. When Marcus threatens Asher and the Machine, she agrees to find what he seeks—a treasure that, in his hands, could be deadly. If she relies too much on Asher, she knows he’ll likely imprison her, if only to preserve what's left of her deteriorating mind. But if she fails this final test, Earth will fall. So Addison is forced to distance herself from her love, to prevent the life she wants with Asher from being over before it truly begins.