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At Templeton's Crossing in October 1942, Private Nick Kennedy paused to write in his diary: â ~One wonders why all this strife should be â ] these men in the prime of their life cut down like flowers'. As a young nursing orderly serving with the 2/4th Australian Field Ambulance, Kennedy was unenviably wellplaced to reflect on the futility o
Tracks and Shadows is both an absorbing autobiography of a celebrated field biologist and a celebration of beauty in nature. Harry W. Greene, award-winning author of Snakes, delves into the poetry of field biology, showing how nature eases our existential quandaries. More than a memoir, the book is about the wonder of snakes, the beauty of studying and understanding natural history, and the importance of sharing the love of nature with humanity. Illustrations.
(Guitar Book). Bassist James Jamerson was the embodiment of the Motown spirit and groove the invisible entity whose playing inspired thousands. His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD! Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award!
A pair of severed feet, stored in a portable a cooler, is found in the house of a Federal judge in El Paso. The Special Tracking Unit soon discovers another - again, only the feet were left behind in an icebox. With few clues besides the body parts left behind, Magnus "Steps" Craig and his team find themselves enmeshed in the most difficult case of their careers. And The Icebox Killer has only just begun.
Complicated Shadows paints a detailed and accurate portrait of an intensely private and complex individual. It draws on nearly 50 exclusive interviews with schoolmates, pre-fame friends, early band members, journalists as well as members of The Attractions, producers, collaborators and musicians from all stages of his life and career. Thomson also unearths many previously unknown details about Costello's early years and his personal life, as well as examining his entire musical output using the recollections of those who were there at the time, the majority of whom have never talked on the subject before.
This provocative account of our immigration system's long, racist history reveals how it has become the brutal machine that upends the lives of millions of immigrants today. Each year in the United States, hundreds of thousands of people are arrested, imprisoned, and deported, trapped in what leading immigrant rights activist and lawyer Alina Das calls the "deportation machine." The bulk of the arrests target people who have a criminal record -- so-called "criminal aliens" -- the majority of whose offenses are immigration-, drug-, or traffic-related. These individuals are uprooted and banished from their homes, their families, and their communities. Through the stories of those caught in the system, Das traces the ugly history of immigration policy to explain how the U.S. constructed the idea of the "criminal alien," effectively dividing immigrants into the categories "good" and "bad," "deserving" and "undeserving." As Das argues, we need to confront the cruelty of the machine so that we can build an inclusive immigration policy premised on human dignity and break the cycle once and for all.
Welcome to the world of noir musical films, where tormented antiheroes and hard-boiled musicians battle obsession and struggle with their music and ill-fated love triangles. Sultry divas dance and sing the blues in shrouded nightclubs. Romantic intrigue clashes with backstage careers. This book explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American Dream. While noir musical films like A Star Is Born include musical performances, their bleak tone and expressionistic aesthetic more closely resemble the visual style of film noir. Their narratives unfold behind a stark noir lens: distorted, erratic angles and imbalanced hand-held shots allow the audience to experience a tortured, disillusioned perspective. While many musicals glamorize the quest for the spotlight in Hollywood's star factory, brooding noir musical films such as Blues in the Night, Gilda, The Red Shoes, West Side Story, and Round Midnight stretch the boundaries of film noir and the musical as film genres collide. Deep shadows, dim lighting and visual composition evoke moodiness, cynicism, pessimism, and subjective psychological points of view.
This icily innovative thriller begins with every parent’s worst nightmare, when Davis Moore’s teenage daughter is brutally raped and murdered by an unknown assailant. It gets worse. For Davis Moore is a fertility doctor, dealing with cutting-edge genetic reproductive techniques. It’s a controversial and dangerous occupation: Moore has already been the object of a fanatic’s assassination attempt. But for a father driven half-mad by grief, his work presents one startling and dangerous opportunity–the chance to look into the face of his daughter’s killer. From the Trade Paperback edition.
Abigail's first marriage arranged by her dictatorial father had proved to be a total disaster. Barely has she had a chance to take stock of her situation when her father announces she is to marry again; to a suitor totally unacceptable to Abigail. Disillusioned with her father and men in general, Abigail plans her escape. Prevailed upon for his assistance, her twin brother, Doctor George Goldfinch, agrees to enter into the subterfuge. He assists Abigail, along with her companion and her maid, to escape London and the clutches of their father. With his manservant, the enigmatic Thomas, the group leave the London docks bound for the Antipodes. After six years developing a medical practice in Brisbane, the Goldfinch entourage journey, on board the Northern Orchid, to Cook's Town where they provide assistance to a desperate new settlement. Cook's Town in 1873, the gateway to the newly discovered goldfield on the Palmer River, two hundred miles inland, supports little infrastructure necessary to cope with the thousands of prospectors seeking their fortunes. No harbour is available on the Endeavour River. The town is little more than a tent city. Food and clean drinking water are in short supply. Access to a trained medical professional is a rarity. The monsoons threaten. Hundreds of miners are dying in their attempt to reach the goldfields or on their return to Cook's Town, disillusioned, starving and penniless. After the death of her mother and the placement of her siblings in the Brisbane orphanage, sixteen-year-old Maureen Ryan must find her mining father. She arrives in Cook's Town on board the Northern Orchid in the company of the doctor's group. Foolishly, Maureen believes a shifty packhorse handler, Silas. The man claims to know her father, Bert Ryan, and where he is to be found on the goldfields. He offers to deliver Maureen to her father. In return, Silas asks for her assistance with his packhorse team during the journey. It is Josh and Gus Dougall along with China from the Northern Orchid and Bert Ryan himself, who begin the race to rescue the girl.
A Houston college student, McKenzie Lewis can track fae by reading the shadows they leave behind. For years she has been working for the fae King, tracking rebels who would claim the Realm. Her job isn't her only secret. She's in love with Kyol, the King's sword-master-but human and fae relationships are forbidden. When McKenzie is captured by Aren, the fierce rebel leader, she learns that not everything is as she thought. And McKenzie must decide who to trust and where she stands in the face of a cataclysmic civil war.