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A historical novel about the most unlikely of lovers, interwoven with the mysticism of the Jewish occult. Frances Sherwood brings to life the experience of the Jewish community during a period of oppression and rebirth. Set in seventeenth-century Prague, The Book of Splendor is an adventure-filled romance stocked with court intrigue and political tension, including the machinations of the rival Ottoman Empire, the religious controversies of Protestantism, and the constant threat of violence to the Jewish community. At the heart of the novel is Rochel, a bastard seamstress who escapes poverty through an arranged marriage to the tailor Zev, but falls in love with Yossel, the Golem created by Rabbi Loew to protect the Jewish community. Meanwhile, Emperor Rudolph II puts the safety of all Prague at risk in his mad bid for an elixir of immortality. The Book of Splendor is an epic tale reminiscent of Anita Diamant's The Red Tent, and a love story as unlikely as Tracy Chevalier's Girl with a Pearl Earring. Reading group guide included.
First published in 1979, each volume contains a collection of essays on the novel drawn from periodicals which demonstrates the primary concerns of those discussing the nature and purpose of prose fiction in the period from 1830 to 1900. The essays reflect what was thought and said about the art of fiction and reveal what journalists of these periodicals thought were the most urgent critical concerns facing the working reviewer. Including an introduction which assesses the issues raised by the best periodicals at the time, each anthology is designed to provide students of Victorian fiction and critical theory with a collection of essays on the art of fiction in a convenient and durable form.
First published in 1979, this collection of thirty-nine essays on the novel drawn from seventeen periodicals demonstrates the primary concerns of those discussing the nature and purpose of prose fiction in the period from 1870 to 1900. The essays reflect what was thought and said about the art of fiction and reveal what journalists of these periodicals thought were the most urgent critical concerns facing the working reviewer. Including an introduction which assesses the issues raised by the best periodicals at the time, this anthology is designed to provide students of Victorian fiction and critical theory with a collection of essays on the art of fiction in a convenient and durable form.
Joseph Conrad's 'Ultimate Collection' is a comprehensive compilation that includes 18 novels, over 20 short stories, letters, and memoirs that showcase the author's mastery of the English language and his profound exploration of human nature. Conrad's literary style is characterized by rich prose, intricate narratives, and deeply complex characters, highlighting themes of imperialism, morality, and the darkness of the human soul. This collection serves as a valuable literary resource for scholars and enthusiasts alike, offering a diverse range of Conrad's works in one volume. The inclusion of his personal letters and memoirs provides insight into the author's life and influences on his writing. Joseph Conrad, a Polish-born British writer, drew inspiration for his works from his experiences as a seaman and his observations of the colonial world. His deep understanding of the human psyche and his ability to craft compelling narratives have cemented his reputation as one of the greatest English novelists of the 20th century. Conrad's unique perspective on themes of morality, power, and identity continues to resonate with readers today. I highly recommend 'Joseph Conrad Ultimate Collection' to readers who appreciate classic literature and enjoy thought-provoking narratives that delve into the complexities of human nature. This collection offers a comprehensive look at Conrad's literary legacy, showcasing his timeless relevance and enduring impact on the world of literature.
“Action, drama, desire, revenge: Shadow Music includes all the necessary ingredients for romantics to plunge into the moors, mountains and magical myth of medieval Scotland.”—The Roanoke Times Prized for her exquisite beauty, Princess Gabrielle of St. Biel, the daughter of one of England’s most influential barons, is a perfect bargaining chip for a king who needs peace in the Highlands: King John has arranged Gabrielle’s marriage to a good and gentle laird. But this marriage will never take place. Upon her arrival in Scotland, Gabrielle is immediately entangled in Highland intrigue, as a battle royal flares between enemies old and new. For two sadistic noblemen, underestimating Gabrielle’s bravery and prowess may prove fatal. Colm MacHugh, the most feared man in Scotland, makes no such mistakes about the captivating princess. Under his penetrating gaze, neither Gabrielle’s body nor her heart is safe. “No one does historical romance better than Garwood. . . . Gabrielle is an enchanting heroine.”—The State (Columbia, S.C.) “A compelling historical romance.”—Publishers Weekly
Scott's Shadow is the first comprehensive account of the flowering of Scottish fiction between 1802 and 1832, when post-Enlightenment Edinburgh rivaled London as a center for literary and cultural innovation. Ian Duncan shows how Walter Scott became the central figure in these developments, and how he helped redefine the novel as the principal modern genre for the representation of national historical life. Duncan traces the rise of a cultural nationalist ideology and the ascendancy of Scott's Waverley novels in the years after Waterloo. He argues that the key to Scott's achievement and its unprecedented impact was the actualization of a realist aesthetic of fiction, one that offered a socializing model of the imagination as first theorized by Scottish philosopher and historian David Hume. This aesthetic, Duncan contends, provides a powerful novelistic alternative to the Kantian-Coleridgean account of the imagination that has been taken as normative for British Romanticism since the early twentieth century. Duncan goes on to examine in detail how other Scottish writers inspired by Scott's innovations--James Hogg and John Galt in particular--produced in their own novels and tales rival accounts of regional, national, and imperial history. Scott's Shadow illuminates a major but neglected episode of British Romanticism as well as a pivotal moment in the history and development of the novel.