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The classic study of primates.
Discover the timeless magic of hand shadows through this charming volume. With only a light, a wall, and your hands, you can bring to life Old King Cole and his jester, a moose, a panther, a kangaroo, and many other delightful characters. This book, created and drawn by Phila H. Webb with verses by Jane Corby, is reprinted and adapted from the original edition, first published in 1927.
A reverse harem, enemies to lovers, slow burn romance. "The relentless clock of fate was groaning over to the next hour, ringing the arrival of a battle as old as time, sounding the final alarm, the final chance to fall to our blades or lift them high. It was repeating infernal hours that grew hungrier with each turn, more vicious than the day, the year, the century before." The end was here. The great war had begun. I had been torn apart and remade, a marionette to dance over the coals of this world, stitched together by my tormentors. The great masters thought they could break me down and own me. They were wrong. I had won my freedom, my place in this world, my golden-eyed protector by my side. Until it happened again; the grim call of fate looking out at me through eyes of darkness, the great masters waiting with the power I needed, curses and promises in their hands. It was time to make another deal. It was time to play their game in earnest. Book 2 in the Tempest of Shadows series. Over 105,000 words. This is a slow burn with DARK themes, unwilling anti-heroes, and one hell of a kick-ass heroine woven through a rich fantasy setting.
The third in the sensational series starring British actress/spy Clara Vine, who maneuvers through the treacherous social hierarchy of the Nazi elite. Berlin, 1937. The city radiates glamour and ambition. But danger lurks in every shadow. . . . Anna Hansen, a bride-to-be, is a pupil at one of Hitler's notorious Nazi Bride Schools, where young women are schooled on the art of being an SS officer's wife. Then, one night, she is brutally murdered and left in the gardens of the school. Her death will be hushed up and her life forgotten. Clara Vine is an actress at Berlin's famous Ufa studios by day and an undercover British Intelligence agent by night. She knew Anna and is disturbed by news of her death. She cannot understand why someone would want to cover it up, but she soon discovers that Anna's murder is linked to a far more ominous secret. With the newly abdicated Edward VIII and his wife, Wallis, set to arrive in Berlin, and the Mitford sisters dazzling on the social scene, Clara must work in the shadows to find the truth and send it back to London. It is a dangerous path she treads, and it will take everything she has to survive. . . .
Finalist-2021 Feathered Quill Book Awards for Short Story/AnthologyCreepy dispatches from the edge of reality. Typewritten missives from beyond the grave. A collection of short stories and dark art for lovers of the strange and otherworldly.Shadows on the Page was conceived and created by writer Vince Font and artist Jane Font. Inspired by a shared love of the paranormal, the creepy, and the out-and-out terrifying, it was envisioned as an homage to-and modern-day mashup of-classic childhood favorites like Scary Stories to Tell in the Dark, Tales from the Crypt, and The Twilight Zone.The book features the following thirteen short stories, plus accompanying artwork:"Night Visit""The Thing on the Lake""Under the Killing Tree""Mother""The Darklings""The Mystery at Laughing Rock""Them""Boomer, Once Dead""The Cemetery Man""Something in the Thicket""Howl: A Lycanthropic Love Song""Dead Ted""Shadows"
A reverse harem, enemies to lovers, slow burn romance. "The relentless clock of fate was groaning over to the next hour, ringing the arrival of a battle as old as time, sounding the final alarm, the final chance to fall to our blades or lift them high. It was repeating infernal hours that grew hungrier with each turn, more vicious than the day, the year, the century before." The end was here. The great war had begun. I had been torn apart and remade, a marionette to dance over the coals of this world, stitched together by my tormentors. The great masters thought they could break me down and own me. They were wrong. I had won my freedom, my place in this world, my golden-eyed protector by my side. Until it happened again; the grim call of fate looking out at me through eyes of darkness, the great masters waiting with the power I needed, curses and promises in their hands. It was time to make another deal. It was time to play their game in earnest. Book 2 in the Tempest of Shadows series. Over 105,000 words. This is a slow burn with DARK themes, unwilling anti-heroes, and one hell of a kick-ass heroine woven through a rich fantasy setting.
Agatha Christie meets Jane Austen in this atmospheric Regency tale brimming with mystery, intrigue, and romance. When Miss Rebecca Lane returns to her home village after a few years away, her brother begs for a favor: go to nearby Swanford Abbey and deliver his manuscript to an author staying there who could help him get published. Feeling responsible for her brother's desperate state, she reluctantly agrees. The medieval monastery turned grand hotel is rumored to be haunted. Once there, Rebecca begins noticing strange things, including a figure in a hooded black gown gliding silently through the abbey's cloisters. For all its renovations and veneer of luxury, the ancient foundations seem to echo with whispers of the past--including her own. For there she encounters Sir Frederick--magistrate, widower, and former neighbor--who long ago broke her heart. When the famous author is found murdered in the abbey, Sir Frederick begins questioning staff and guests and quickly discovers that several people held grudges against the man, including Miss Lane and her brother. Haunted by a painful betrayal in his past, Sir Frederick searches for answers but is torn between his growing feelings for Rebecca and his pursuit of the truth. For Miss Lane is clearly hiding something. . . .
'For man walketh in a vain shadow ... he keepeth up riches and cannot tell who shall gather them' - these words are spoken at the funeral service for old Colonel Winthorpe who does not bequeathe much except worldly goods to any gathered there - except his granddaughter, Joanna. This novel is concentrated on the four days which attend his death; on the many proprieties and pretenses which shroud its reality (the arrangements, his immediate and permanent disposition, the formalities from the church to the crematorium, and finally the less mortal remains - the will). The Colonel leaves a widow whose marriage to him had been loveless to begin with and joyless to the end; three sons of middle age. None mourn him but his presence is everywhere as they drink his port, usurp his chair. Only Joanna is left with the desire and capacity to live more fully.
This novel of speculative historical fiction tells the tale of the last victim of one of Britain's most infamous serial killers, Jack the Ripper. Mary Kelly's story unfolds through a third person narrative and an alternating contemporary narrative of a young woman vet in rural Wales who discovers she is a descendant of Mary Jane Kelly.