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In 1816 London, Kendra Donovan tries to track down a missing man, but also finds trouble brewing closer to home in the fifth book in Julie McElwain’s riveting time-travel mystery series. When Kendra Donovan is approached by Mrs. Gavenston with an unusual request—to find her business manager, Jeremy Pascoe, who recently vanished—the FBI agent is eager to accept the challenge. To Kendra’s way of thinking, spending her time locating a missing person suits her more than perfecting her embroidery, painting watercolors, practicing on the pianoforte, or any of the other activities that are socially acceptable for young ladies in the early nineteenth century. Unfortunately, the missing person’s case turns into a murder investigation after Kendra finds the man stabbed to death in a remote cottage that he’d been using as a writer’s retreat. Everyone who knew him says that Pascoe was a fine fellow. So who hated him enough to kill him? Seeking the answer to that question plunges Kendra into the world of big business, as Mrs. Gavenston happens to run one of the largest breweries in England. And if there is one thing Kendra knows hasn’t changed, it’s that big business means big money . . . and money is always a motive for murder. While Kendra works to sift through the truth and lies swirling around Mr. Pascoe’s life—and death—her world is rocked closer to home when a woman arrives claiming to be the Duke of Aldridge’s presumably dead daughter, Charlotte. It is a distraction Kendra cannot afford, not when there is a killer lurking in the shadows who will do anything to keep the truth from being exposed.
When brilliant FBI agent Kendra Donovan stumbles back in time and finds herself in a 19th century English castle under threat from a vicious serial killer, she scrambles to solve the case before it takes her life—200 years before she was even born. Beautiful and brilliant, Kendra Donovan is a rising star at the FBI. Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates. While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact. Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a young girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.
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Detention and confinement—of both combatants and large groups of civilians—have become fixtures of asymmetric wars over the course of the last century. Counterinsurgency theoreticians and practitioners explain this dizzying rise of detention camps, internment centers, and enclavisation by arguing that such actions "protect" populations. In this book, Laleh Khalili counters these arguments, telling the story of how this proliferation of concentration camps, strategic hamlets, "security walls," and offshore prisons has come to be. Time in the Shadows investigates the two major liberal counterinsurgencies of our day: Israeli occupation of Palestine and the U.S. War on Terror. In rich detail, the book investigates Abu Ghraib, Guantánamo Bay, CIA black sites, the Khiam Prison, and Gaza, among others, and links them to a history of colonial counterinsurgencies from the Boer War and the U.S. Indian wars, to Vietnam, the British small wars in Malaya, Kenya, Aden and Cyprus, and the French pacification of Indochina and Algeria. Khalili deftly demonstrates that whatever the form of incarceration—visible or invisible, offshore or inland, containing combatants or civilians—liberal states have consistently acted illiberally in their counterinsurgency confinements. As our tactics of war have shifted beyond slaughter to elaborate systems of detention, liberal states have warmed to the pursuit of asymmetric wars. Ultimately, Khalili confirms that as tactics of counterinsurgency have been rendered more "humane," they have also increasingly encouraged policymakers to willingly choose to wage wars.
A woman must fix what a sorceress has wrought. First stop: the Titanic. A mind-bending time-travel adventure from the author of The Journal series. Morgan, a powerful 800-year-old sorceress, wants to make amends for the bad things she’s done during her long life. She has perfected a spell that opens a gateway to the past; the only problem is that she can’t return to a time she’s already lived through. If she does, both her younger spirit and her current form would cease to exist. The only solution is to convince someone to travel back for her—someone that wouldn’t be missed if things went wrong. Sage Aster doesn’t really believe that Morgan can send her back to the past, so as payment for the kindness Morgan showed her when she was homeless and alone, Sage agrees to the time travel experiment. She is then stunned to find herself transported back to 1912 aboard the doomed Titanic. Again and again Sage is sent back to different timelines, never quite knowing what she is supposed to accomplish—or how to make things right.
When Kendra Donovan’s plan to return to the 21st century fails, leaving her stranded in 1815, the Duke of Aldridge believes he knows the reason—she must save his nephew, who has been accused of brutally murdering his ex-mistress. Former FBI agent Kendra Donovan’s attempts to return to the twenty-first century have failed, leaving her stuck at Aldridge Castle in 1815. And her problems have just begun: in London, the Duke of Aldridge’s nephew Alec—Kendra’s confidante and lover—has come under suspicion for murdering his former mistress, Lady Dover, who was found viciously stabbed with a stiletto, her face carved up in a bizarre and brutal way. Lady Dover had plenty of secrets, and her past wasn’t quite what she’d made it out to be. Nor is it entirely in the past—which becomes frighteningly clear when a crime lord emerges from London’s seamy underbelly to threaten Alec. Joining forces with Bow Street Runner Sam Kelly, Kendra must navigate the treacherous nineteenth century while she picks through the strands of Lady Dover’s life. As the noose tightens around Alec’s neck, Kendra will do anything to save him, including following every twist and turn through London’s glittering ballrooms, where deception is the norm—and any attempt to uncover the truth will get someone killed.
The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.
From NYT bestselling author Brent Weeks comes the first novel in his breakout fantasy trilogy in which a young boy trains under the city's most legendary and feared assassin, Durzo Blint. For Durzo Blint, assassination is an art -- and he is the city's most accomplished artist. For Azoth, survival is precarious. Something you never take for granted. As a guild rat, he's grown up in the slums, and learned to judge people quickly -- and to take risks. Risks like apprenticing himself to Durzo Blint. But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins' world of dangerous politics and strange magics -- and cultivate a flair for death.
"This is absorbing, headlong reading, a play on classic horror with an inventiveness of its own... As with all the best illusions, you are left feeling not tricked, but full of wonder." – The New York Times The haunting new thriller from Alex North, author of the New York Times bestseller The Whisper Man You knew a teenager like Charlie Crabtree. A dark imagination, a sinister smile--always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it’s attracted that strange kind of infamy that only exists on the darkest corners of the internet--and inspired more than one copycat. Paul Adams remembers the case all too well: Crabtree--and his victim--were Paul’s friends. Paul has slowly put his life back together. But now his mother, old and suffering from dementia, has taken a turn for the worse. Though every inch of him resists, it is time to come home. It's not long before things start to go wrong. Paul learns that Detective Amanda Beck is investigating another copycat that has struck in the nearby town of Featherbank. His mother is distressed, insistent that there's something in the house. And someone is following him. Which reminds him of the most unsettling thing about that awful day twenty-five years ago. It wasn't just the murder. It was the fact that afterward, Charlie Crabtree was never seen again...