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Local antiques dealer, dead in a one-car accident on his way home from an antiques exposition in Columbus, Ohio Two Scranton, Pennsylvania, antiques dealers dead of smoke inhalation Massachusetts antiques dealer dead of substance abuse at an auction in Sharon, Connecticut Antiques dealer dies in his booth at the Westchester (New York) Antiques Show Ignorance is truly bliss for recently widowed Maggie Summer, owner of Shadows Antiques, when she arrives at the prestigious Rensselaer County Spring Antiques Fair. Sadly, she won't remain ignorant of the suspiciously high mortality rate among her fellow antiques dealers for long. Rumors are everywhere. The most recent victim, John Smithson, died of poison at a show just last week, and many of the same dealers are here at Rensselaer. They make the identical circuit year after year, so they know each other well. Or do they? Murder is still far from Maggie's mind as she arranges her Shadows booth: some Currier & Ives prints here, Winslow Homer wood engravings on the hack wall, other prints arranged on tables and easels by category. With eleven years' experience, she knows her stock. So far the worst thing that has happened was putting the wrong price tag on a Homer engraving and having to sell it for $170 instead of $1,700. Maggie doesn't intend for that to happen again, and she doesn't intend to worry about murder. This show's security is tight. But she can't help observing her colleagues with fresh eyes. Some, Eke Gussie White in the booth next door, are dear friends, and Gussie's assistant, her twenty-year-old nephew, Ben, who has Down's syndrome, is a delightful new acquaintance. Others, however, even people she's known for years, suddenly seem suspect. The opening night wine has hardly stopped flowing when death claims another victim. Maggie will still sell a few antique prints, but she'll spend most of her time looking for a killer and trying to save a vulnerable young friend. Will Maggie herself become a potential victim? The answer may be in one of Maggie's prints, but she has hundreds in her booth. Where should she begin? With its riveting behind-the-scenes glimpse of antiques shows and its revealing data on antique-print values, Shadows at the Fair introduces a captivating new series that unveils the powerful mysteries of antique prints even as it entertains.
Journalist Maximillian Potter uncovers a fascinating plot to destroy the vines of La Romance-Conti, Burgundy's finest and most expensive wine. In January 2010, Aubert de Villaine, the famed proprietor of the Domaine de la Romance-Conti, the tiny, storied vineyard that produces the most expensive, exquisite wines in the world, received an anonymous note threatening the destruction of his priceless vines by poison—a crime that in the world of high-end wine is akin to murder—unless he paid a one million euro ransom. Villaine believed it to be a sick joke, but that proved a fatal miscalculation and the crime shocked this fabled region of France. The sinister story that Vanity Fair journalist Maximillian Potter uncovered would lead to a sting operation by some of France's top detectives, the primary suspect's suicide, and a dramatic investigation. This botanical crime threatened to destroy the fiercely traditional culture surrounding the world's greatest wine. Shadows in the Vineyard takes us deep into a captivating world full of fascinating characters, small-town French politics, an unforgettable narrative, and a local culture defined by the twinned veins of excess and vitality and the deep reverent attention to the land that runs through it.
Maine. Antiques. August. That's all Maggie Summer requires for a guaranteed fun getaway. But there is an unexplained urgency behind the invitation from her former college roommate, Amy Douglas. The eighteenth-century house Amy and her husband Drew are restoring in tiny Madoc, Maine, is perfect -- or it will be, once Maggie supplies just the right antique prints. But Amy's type A personality is bordering on hysteria: could her desperation to get pregnant explain the sound of the crying infant that haunts her nights? Perhaps the hostile neighbors -- resentful of transplanted New Yorkers Amy and Drew -- have Amy on edge. But when the body of a missing teenaged girl turns up on their land, Maggie knows the threat is authentic. Now everyone, even Maggie's antiques-hunter friend Will Brewer, is cast in a suspicious light -- as she scratches beneath the surface of small-town New England life, and blows the dust off secrets hidden inside a grand Maine home for generations.
It's time! The gates are open, the rides are spinning-come to the fair! Nighttime at the fair is magic with Caldecott Honor-winning author-artist Donald Crews. The sky goes dark and the colored lights begin to flash and sparkle. There are games to play and treats to eat. From the top of the Ferris wheel you can see where you've been-and where you have yet to go. So much to do and see. Hurry!
The one thing Sylvie Townsend wants most is what she feared she was destined never to have--a family of her own. But taking in Polish immigrant Rose Dabrowski to raise and love quells those fears--until seventeen-year-old Rose goes missing at the World's Fair, and Sylvie's world unravels. Brushed off by the authorities, Sylvie turns to her boarder, Kristof Bartok, for help. He is Rose's violin instructor and the concertmaster for the Columbian Exposition Orchestra, and his language skills are vital to helping Sylvie navigate the immigrant communities where their search leads. From the glittering architecture of the fair to the dark houses of Chicago's poorest neighborhoods, they're taken on a search that points to Rose's long-lost family. Is Sylvie willing to let the girl go? And as Kristof and Sylvie grow closer, can she reconcile her craving for control with her yearning to belong?
NATIONAL BESTSELLER • From the national bestselling author of The River and The Dog Stars comes a "carefully composed story about one man’s downward turning life in the American West” (The Boston Globe). After having shot a man in a Santa Fe bar, the famous artist Jim Stegner served his time and has since struggled to manage the dark impulses that sometimes overtake him. Now he lives a quiet life ... until the day that he comes across a hunting guide beating a small horse, and a brutal act of new violence rips his quiet life right open. Pursued by men dead set on retribution, Jim is left with no choice but to return to New Mexico and the high-profile life he left behind, where he’ll reckon with past deeds and the dark shadows in his own heart. Look for Peter Heller's new novel, The Last Ranger, coming soon!
IN THIS FIRST BOOK IN THE HAUNTING YORK TRILOGY, DAN TRIES TO SHED SOME LIGHT UPON THE SHADOWS ON THE WALL... Dan is confused but thrilled when his parents decide to take a family vacation to York, England, right in the middle of the school year. But his excitement turns to dread when he discovers a terrible family secret that threatens to destroy everything. As if Dan doesn't have enough to worry about, the ancient Roman ruins of York are alive with ghosts of Roman soldiers, and they all seem to be reaching out to him. Could they be trying to tell him something? And what d the local gypsies have to do with it all? Do they know something about Dan's future that he doesn't?
Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time four hundred years -- to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life -- in none other than William Shakespeare himself. Does Nat have to remain trapped in the past forever, or give up the friendship he's so longed for in his own time?
Shadows of Power examines public policy and in particular, the communicative processes of policy and decision-making. It explore the important who, how and why issues of policy decisions. Who really takes the decisions? How are they arrived at and why were such processes used? What relations of power may be revealed between the various participants? Using stories from planning practices, this book shows that local planning decisions, particularly those which involve consideration of issues of 'public space' cannot be understood separately from the socially constructed, subjective territorial identities, meanings and values of the local people and the planners concerned. Nor can it be fully represented as a linear planning process concentrating on traditional planning policy-making and decision-making ideas of survey analysis-plan or officer recommendation-council decision-implementation. Such notions assume that policy-and decision-making proceed in a relatively technocratic and value neutral, unidirectional, step-wise process towards a finite end point. In this book Jean Hiller explores ways in which different values and mind-sets may affect planning outcomes and relate to systemic power structures. By unpacking these and bring them together as influences on participants' communication, she reveals influences at work in decision-making processes that were previously invisible. If planning theory is to be of real use to practitioners, it needs to address practice as it is actually encountered in the worlds of planning officers and elected representatives. Hillier shed light on the shadows so that practitioners may be better able to understand the circumstances in which they find themselves and act more effectively in what is in reality a messy, highly politicised decision-making process.