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Shadow Migration recounts Suzanne Ohlmann’s boomerang travels away from her Nebraska home, until a haunted basement forces her to confront the truth of her biological past.
Before he becomes dinner for a stray cat, the orphaned chick Shadow gets rescued by members of the International Crane Foundation in Baraboo, Wisconsin. When the little crane heals, it's time for him to return to the wild. So Shadow comes to live with the Joneses. Every year Sandhill cranes nest and feed in the marsh out back of their dairy farm. Told in the voice of a young daughter in the Jones family, this true story will appeal to children and adults interested in learning more about Sandhill cranes, the work of the International Crane foundation, and farm life in Wisconsin. Shadow is based on a real rescue bird from the International Crane Foundation.
A wide-ranging collection of fiction, essays, poetry and more by the acclaimed Native American author of Bearheart and Interior Landscapes. Gerald Vizenor is one of our era’s most important and prolific Native American writers. Drawing on the best work of an acclaimed career, Shadow Distance: A Gerald Vizenor Reader reveals the wide range of his imagination and the evolution of his central themes. This compelling collection includes not only selections from Vizenor’s innovative fiction, but also poetry, autobiography, essays, journalism, and the previously unpublished screenplay “Harold of Orange,” winner of the Film-in-the-Cities national screenwriting competition. Whether focusing on Native American tricksters or legal and financial claims of tribal sovereignty, Vizenor continually underscores the diversities of modern traditions, the mixed ethnicity that characterizes those who claim Native American origin, and cultural permeability of an increasingly commercial, global world.
After forming an intense bond with Natasha, a wolf cub she raised as part of her undergraduate research, Renée Askins was inspired to found the Wolf Fund. As head of this grassroots organization, she made it her goal to restore wolves to Yellowstone National Park, where they had been eradicated by man over seventy years before. In this intimate account, Askins recounts her courageous fifteen-year campaign, wrangling along the way with Western ranchers and their political allies in Washington, enduring death threats, and surviving the anguish of illegal wolf slayings to ensure that her dream of restoring Yellowstone’s ecological balance would one day be realized. Told in powerful, first-person narrative, Shadow Mountain is the awe-inspiring story of her mission and her impassioned meditation on our connection to the wild.
These poems sing the body’s fierce desire to live forever and the mind’s almost-sacred wonder that it was ever here at all. But free of what Whitman called the fear of knowing, they can hear the hum of time’s seamless disappearance, riding the spinning tendrils of the mystery of silence that, like brief flowering seasons on high mountain meadows, try to make less seem more, for “surely there are men who’ve made their art out of no tragic war, lovers of life, impulsive men who look for happiness and sing when they’ve found it.” They search for covenants of faith without borders, gods without omniscience, and unbloody sacraments that seek protection from nature’s deadly indifference.
In western culture, the separation of humans from nature has contributed to a schism between the conscious reason and the unconscious dreaming psyche, or internal human "nature." Our increasing lack of intimacy with the land has led to a decreased capacity to access parts of the psyche not normally valued in a capitalist culture. In Out of the Shadow: Ecopsychology, Story, and Encounters with the Land, Rinda West uses Jung's idea of the shadow to explore how this divorce results in alienation, projection, and often breakdown. Bringing together ideas from analytical psychology, environmental thought, and literary studies, West explores a variety of literary texts--including several by contemporary American Indian writers--to show, through a sort of geography of the psyche, how alienation from nature reflects a parallel separation from the "nature" that constitutes the unconscious. Through her analysis of narratives that offer images of people confronting shadow, reconnecting with nature, and growing psychologically and ethically, West reveals that when characters enter into relationship with the natural world, they are better able to confront and reclaim shadow. By writing "from the shadows," West argues that contemporary writers are exploring ways of being human that have the potential for creating more just and honorable relationships with nature, and more sustainable communities. For ecocritics, conservation activists, scholars and students of environmental studies and American Indian studies, and ecopsychologists, Out of the Shadow offers hope for humans wishing to reconcile with themselves, with nature, and with community.
In addition, the enormous spans of cranes' migrations have encouraged international conservation efforts.".
Alice Lindsay Price, a devoted naturalist, has for the past twenty years joined the scientific pursuit of avian scholarship to her lifelong passions of painting, writing, and literature. In her new work,Cranes--The Noblest Flyers, she brings into focus the wealth of human lore, both scientific and cultural, to portray the survival into the twenty-first century of the two North American Crane species, the Sandhill and the Whooping Crane. Her comprehensive display of facts and lore interwoven into her own observations in the field--as well as those of scientists and naturalists working to save the species from extinction--remind us how essential is our awareness of the natural world. Cranes--The Noblest Flyersis illuminated with illustrations and photographs by the author, and with a wide assortment of historical images from Cretan bird goddess to petroglyphs to Audubon. >br> "I think of all the hope these birds represent and of the many scientists and birders who gave so much to their survival. 'Hope,' in the words of poet Emily Dickinson, 'is the thing with feathers.'"