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For many intelligent people, the stuff of history does not consist of the kind of dry-as-dust investigations of diplomatic, economic, or political history that most university historians research and write about, but the famous topics of “history’s mysteries”- who was Jack the Ripper? Was there a conspiracy to kill President Kennedy? Did Richard III murder the Princes in the Tower? What are the mysteries of the ancient Pyramids? Not only have a great many books and articles been written on these and similar topics by so-called “amateur historians,” but they have generated societies, conferences, newsletters, and television programmes. Many people who are not academic historians take a keen interest in these topics, and have in some cases made themselves real experts on them, with interesting theories of their own. Despite all of this, however, these topics are virtually ignored by academic historians and can be treated with contempt. In Shadow Pasts, William D. Rubinstein a well-known and widely published history professor, examines seven of the most famous and interesting topics which have been discussed, debated, examined, and written about by “amateur historians. Each of these mysteries and the theories surrounding them are examined in detail, with Professor Rubinstein presenting his own original and sometimes surprising conclusions about what really happened.
In wartime New York City, budding reporter Jenny Ryan is chasing the biggest story of her life. Everyone said the death of her beloved research scientist father was an accident, but she knows it was her fault. When an anonymous phone call puts the blame on wealthy industrialist Marcus Forrester, Jenny doesn't hesitate to act. Armed with absolution and a tenacious drive for justice, she will stop at nothing to bring him down. She didn't count on falling for the key to her plan ? Forrester's mistress. On the surface, Kathryn Hammond has it all: a successful nightclub singing career, elegant grace, and stunning good looks that draw all eyes to her when she enters a room. No one can see her tragic past, or the demons she battles daily as she toils stateside, carrying out what she considers dead-end missions for the OSS while the real war rages in Europe. She knows nothing short of her death in service to the greater good will redeem her for the lives lost on a mission gone bad. All that changes when Jenny Ryan becomes her latest dead-end mission and awakens long dormant concepts like hope, redemption, and the worst thing that could happen to an agent toward their subject: desire. These two women, on very disparate paths, are caught in a reluctant, slow burn that will save them, but at what cost, and are they willing to pay the price?
In this controversial study of postwar German's children's books, Zohar Shavit reveals a troubling perspective on the German understanding of the Holocaust.
Who were the Native Americans? Where did they come from and how long ago? Did they have a history, and would they have a future? Questions such as these dominated intellectual life in the United States during the nineteenth century. And for many Americans, such questions about the original inhabitants of their homeland inspired a flurry of historical investigation, scientific inquiry, and heated political debate. History's Shadow traces the struggle of Americans trying to understand the people who originally occupied the continent claimed as their own. Steven Conn considers how the question of the Indian compelled Americans to abandon older explanatory frameworks for sovereignty like the Bible and classical literature and instead develop new ones. Through their engagement with Native American language and culture, American intellectuals helped shape and define the emerging fields of archaeology, ethnology, linguistics, and art. But more important, the questions posed by the presence of the Indian in the United States forced Americans to confront the meaning of history itself, both that of Native Americans and their own: how it should be studied, what drove its processes, and where it might ultimately lead. The encounter with Native Americans, Conn argues, helped give rise to a distinctly American historical consciousness. A work of enormous scope and intellect, History's Shadow will speak to anyone interested in Native Americans and their profound influence on our cultural imagination. “History’s Shadow is an intelligent and comprehensive look at the place of Native Americans in Euro-American’s intellectual history. . . . Examining literature, painting, photography, ethnology, and anthropology, Conn mines the written record to discover how non-Native Americans thought about Indians.” —Joy S. Kasson, Los Angeles Times
Postbellum America makes for a haunting backdrop in this historical and supernatural tale of moonlit cemeteries, masked balls, cunning mediums, and terrifying secrets waiting to be unearthed by an intrepid crime reporter. Edward Clark is a successful young crime reporter in comfortable circumstances with a lovely, well-connected fiancée. Then an assignment to write a series of exposés on the city’s mediums places all that in jeopardy. In the Philadelphia of 1869, photographs of Civil War dead adorn dim sitting rooms, and grieving families attempt to contact their lost loved ones. Edward’s investigation of the beautiful young medium Lucy Collins has unintended consequences, however. He uncovers her tricks, but realizes to his dismay that Lucy is more talented at blackmail than she is at a medium’s sleights of hand. And since Edward has a hidden past, he reluctantly agrees that they should collaborate in exposing only her rivals. The mysterious murder of noted medium Lenora Grimes Pastor as Lucy and Edward attend her séance results in a plum story for Edward—and a great deal more. The pair want to clear themselves from suspicion, but a search spanning the houses of the wealthy to the underside of nineteenth-century Philadelphia unearths a buzzing beehive of past murder, current danger, and supernatural occurrences that cannot be explained…
"Based upon Star Trek created by Gene Roddenberry."
Shadows of the Past are the Wings of the Future" is a compilation of poetries, quotes, and micro-tales written by a noteworthy group of writers. They have learned to embrace the future with the passage of time, despite life’s emotional turbulence. This book is a treasure of sentiments that captures the heartfelt raw emotions and experiences these co-authors have penned down throughout their journey of self-love. These inspiring pieces scrupulously tells the tales of the hardships the survivors endured, whilst gathering up the courage to march on from their haunting and bitter past. Hopefully, the reader will find the relevance of this book in their own lives recognizing the beauty it possesses at every phase.
The New Orleans mayor who removed the Confederate statues confronts the racism that shapes us and argues for white America to reckon with its past. A passionate, personal, urgent book from the man who sparked a national debate. "There is a difference between remembrance of history and reverence for it." When Mitch Landrieu addressed the people of New Orleans in May 2017 about his decision to take down four Confederate monuments, including the statue of Robert E. Lee, he struck a nerve nationally, and his speech has now been heard or seen by millions across the country. In his first book, Mayor Landrieu discusses his personal journey on race as well as the path he took to making the decision to remove the monuments, tackles the broader history of slavery, race and institutional inequities that still bedevil America, and traces his personal relationship to this history. His father, as state legislator and mayor, was a huge force in the integration of New Orleans in the 1960s and 19070s. Landrieu grew up with a progressive education in one of the nation's most racially divided cities, but even he had to relearn Southern history as it really happened. Equal parts unblinking memoir, history, and prescription for finally confronting America's most painful legacy, In the Shadow of Statues contributes strongly to the national conversation about race in the age of Donald Trump, at a time when racism is resurgent with seemingly tacit approval from the highest levels of government and when too many Americans have a misplaced nostalgia for a time and place that never existed.
What spam is, how it works, and how it has shaped online communities and the Internet itself. The vast majority of all email sent every day is spam, a variety of idiosyncratically spelled requests to provide account information, invitations to spend money on dubious products, and pleas to send cash overseas. Most of it is caught by filters before ever reaching an in-box. Where does it come from? As Finn Brunton explains in Spam, it is produced and shaped by many different populations around the world: programmers, con artists, bots and their botmasters, pharmaceutical merchants, marketers, identity thieves, crooked bankers and their victims, cops, lawyers, network security professionals, vigilantes, and hackers. Every time we go online, we participate in the system of spam, with choices, refusals, and purchases the consequences of which we may not understand. This is a book about what spam is, how it works, and what it means. Brunton provides a cultural history that stretches from pranks on early computer networks to the construction of a global criminal infrastructure. The history of spam, Brunton shows us, is a shadow history of the Internet itself, with spam emerging as the mirror image of the online communities it targets. Brunton traces spam through three epochs: the 1970s to 1995, and the early, noncommercial computer networks that became the Internet; 1995 to 2003, with the dot-com boom, the rise of spam's entrepreneurs, and the first efforts at regulating spam; and 2003 to the present, with the war of algorithms—spam versus anti-spam. Spam shows us how technologies, from email to search engines, are transformed by unintended consequences and adaptations, and how online communities develop and invent governance for themselves.