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Letters in the mail from his long-dead brother send Leo Nolan on a time-bending journey in this “deceptive novel . . . filled with extraordinary events” (The New York Times). Things have to be settled, or they never go away. Only weeks before she dies in March, 1984, Leo Nolan’s mother shows her son a rose she says was just given to her by her brother, Jack, who disappeared 50 years earlier. After her death, letters from Jack begin to arrive at the family home. They are postmarked 1934. The final one is from Ashland, Kentucky. Leo heads to Ashland, to track down the source of the letters…. And to find out why they are arriving now, after 50 years. Time shifts. Time runs underground, then surfaces. It is 1934, and Leo experiences the Great Depression and the ghosts of the past as no one has in 50 years, in Ashland, where dreams die and are born again. “A love story, time travel epic, ghost story, labor history, road novel and a bank heist, all with the added touch of Steinbeckian metaphysics. For me it was the surprise of the year, a rich evocation of 1934 small-town Kentucky that winds up completely unpredictable.” –The Edmonton Journal, “Top Fiction Pick of the Year” “Green has devised a truly mysterious mystery, he writes with a real and rare sympathy for his characters.” –The Atlanta Constitution “A jewel of a novel” –Booklist WORLD FANTASY AWARD FINALIST
This family saga that travels through time—from modern Toronto to Depression-era Kentucky—and explores how the ghosts of the past shape our history. Every family has its stories: joys and losses, hopes and regrets. For the family that populates these three novels, the secrets forgotten with the passing of years become suddenly accessible, as journeys through time unite loved ones across the decades. Shadow of Ashland: Leo Nolan’s mother shows him a rose just before she dies—and claims it was given to her by her brother, who disappeared fifty years earlier. Leo is sure it’s the delirium talking, the rambling of a sick and elderly woman. But after her death, letters from the same long-lost brother begin to arrive at the family home, postmarked 1934—plunging Leo into a journey that will take him all the way from Canada to Ashland, Kentucky, where he will walk through a window that leads to another time and world. A Witness to Life: This prequel focusing on Leo’s maternal grandfather, Martin Radey, and the chronology of his life “is an emotionally charged experience that will not be soon forgotten” (Dallas Morning News). St. Patrick’s Bed: In the final chapter to the Ashland Trilogy, a son of the next generation asks questions about his biological father and sets off along with Leo on a quest for his heritage and history. A highly acclaimed epic from “a special writer,” The Ashland Trilogy blends the fantastical and the real in a tale that will resonate with anyone who has yearned to know more about the generations who came before (The Globe and Mail).
Thirtysomething Cara Foster is, one might say, eco-anxious—perhaps even eco-neurotic. She eats out of dumpsters (not because she wants to but because it’s the right thing to do), does laundry as seldom as possible, takes navy showers every couple of days, and is reevaluating her boyfriend for killing a spider instead of saving a life. Cara has never met her six (soon to be seven) nephews and nieces because she doesn’t fly domestic (unless it’s an emergency) or international (ever). She longs for a carbon footprint so light you’d hardly know she exists. Then, during a mimosa-soaked Sunday brunch, she meets her boyfriend’s alluring mother, Millie, and Cara finds herself mesmerized. Millie represents everything Cara’s against: She eats meat, has cowhide rugs, drives a car the size of a small yacht, and blithely travels the world by boat, plane, and train—without any guilt whatsoever. In fact, Cara soon admits this may be why she finds herself so drawn to Millie. As they begin spending time together, getting pedicures and drinking sixteen-olive martinis, Cara becomes hooked on Millie and this new freedom from the harsh realities of life in the twenty-first century. Yet before long, Cara risks losing everything to be close to the mundane extravagance of Millie’s world—her career, her best friend, and her identity all hang in the balance as she struggles to disentangle from this intoxicating muse. Irreverent, witty, and provocative, My Days of Dark Green Euphoria is a satirical novel of how a life on the edge of eco-anxiety can spiral wildly out of control, as well as how promising and inspiring a commitment to saving our planet can be.
Een advocaat uit Gibraltar helpt een joodse vriend, die in Marokko wordt beschuldigd van de moord op een jong meisje.
"Eternity is in the present. Eternity is in the palm of the hand." On a streetcar, on Christmas Day, 1950, clutching the chrome rail in front of him, Martin Radey looks at the woman seated beside him, a stranger, and utters his last words: "I can't breathe." Like millions, billions before him, it is his turn to die. But death is not what he expected. The journey has only begun. From 1880 to 1950, time happens to the world around him, not to memory, because memory, he discovers, is beyond time, traveling forward with him, shaping the earth, the sky, the heart.
The New York Times–bestselling author of The Hidden Heart delivers “pure magic from beginning to end” in this unforgettable Victorian romance (Nora Roberts). The Shadow is wealthy, powerful and majestically handsome, he is a man of dark secrets—a master of the ancient martial arts of an exotic distant land. Scarred by a childhood of shocking degradation, he has sworn to love chastely . . . but burns with the fires of unfulfilled passion. The Star is lovely, innocent and nearly destitute, and drawn to him by a fevered yearning she could never deny—following her enigmatic “shadow warrior” into a dangerous world of desire and righteous retribution. Praise for Laura Kinsale “No one—repeat, no one—writes historical romance better.” —Mary Jo Putney, New York Times–bestselling author “Laura Kinsale is one of the romance genre’s brightest stars.” —Loretta Chase, New York Times–bestselling author “Laura Kinsale creates magic.” —Lisa Kleypas, New York Times–bestselling author
With a flash of light, and a crack of thunder, Alex's world is changed forever. With the aid of his friends, and an old spyglass that can reveal the things that lurk in the shadows, he will discover an ancient threat growing within the town of Sundown, and possibly the world. What will he discover in the shadows? Will he stop the spreading curse before it's too late? Find out in Rise of the Shadow Seekers, The First Seeker.
A moving and compelling emotional mystery, by one of the most exciting new talents in Norway Her name is Jane Ashland, and her life has spiralled out of control. Moving between Jane's past and this extraordinary remote landscape, Nicolai Houm weaves a dramatic trail of suspense through one woman's life - via love, grief, and a devastating accident that changes everything. The Gradual Disappearance of Jane Ashland is a compelling, beautifully-written tale of life at its most glorious, and most terrible. Born in 1974, Nicolai Houm has published two novels, a collection of stories and a picture book, all critically acclaimed in Norway. The Gradual Disappearance of Jane Ashland is his first book to be published in English. He works part-time as an editor in the publishing house Cappelen Damm, and lives in Lier with his wife and daughter.
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.
Poison and weddings don't mix, so Jules Capshaw will have to find the killer stalking her before her mom and soon-to-be stepdad tie the knot.