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A dazzling and moving new collection of poems addressing faith, love, politics, and Islam in the twenty-first century.
From Muhammed to the Ottoman empires and the modern struggle for Palestine, Akbar's story explains how Jihad thrives on complex and shifting notions of persecution, victory and sacrifice and the Muslim control over this phenomenon.
"These poems offer a window onto the sensibility of a modern American Muslim, with unflinching honesty and richly informed compassion. The great humanistic tradition of poetry known in Arabic and other Eastern languages here finds a contemporary English voice, which will be recognized like a lost friend who has unaccountably been rediscovered."—Carl W. Ernst, William R. Kenan Junior Distinguished Professor of Religious Studies, UNC-Chapel Hill This dazzling and moving new collection of poems addresses faith, love, politics, and Islam in the twenty-first century. Ráfey Habib is professor of English at Rutgers University, New Jersey.
Seeks to present Islam's true face and make it known in a summarised form with most of its aspects: its essentials of faith, principles and ways of worshipping God, morality, and rules ordering human life and relations between people.
The acclaimed author of Rubicon and other superb works of popular history now produces a thrillingly panoramic (and incredibly timely) account of the rise of Islam. No less significant than the collapse of the Roman Republic or the Persian invasion of Greece, the evolution of the Arab empire is one of the supreme narratives of ancient history, a story dazzlingly rich in drama, character, and achievement. Just like the Romans, the Arabs came from nowhere to carve out a stupefyingly vast dominion—except that they achieved their conquests not over the course of centuries as the Romans did but in a matter of decades. Just like the Greeks during the Persian wars, they overcame seemingly insuperable odds to emerge triumphant against the greatest empire of the day—not by standing on the defensive, however, but by hurling themselves against all who lay in their path.
How do Muslims who grew up after September 11 balance their love for hip-hop with their devotion to Islam? How do they live the piety and modesty called for by their faith while celebrating an art form defined, in part, by overt sexuality, violence, and profanity? In Representing Islam, Kamaludeen Mohamed Nasir explores the tension between Islam and the global popularity of hip-hop, including attempts by the hip-hop ummah, or community, to draw from the struggles of African Americans in order to articulate the human rights abuses Muslims face. Nasir explores state management of hip-hop culture and how Muslim hip-hoppers are attempting to "Islamize" the genre's performance and jargon to bring the music more in line with religious requirements, which are perhaps even more fraught for female artists who struggle with who has the right to speak for Muslim women. Nasir also investigates the vibrant underground hip-hop culture that exists online. For fans living in conservative countries, social media offers an opportunity to explore and discuss hip-hop when more traditional avenues have been closed. Representing Islam considers the complex and multifaceted rise of hip-hop on a global stage and, in doing so, asks broader questions about how Islam is represented in this global community.
Media coverage of the Danish cartoon crisis and the destruction of the Buddhas of Bamiyan left Westerners with a strong impression that Islam does not countenance depiction of religious imagery. Jamal J. Elias corrects this view by revealing the complexity of Islamic attitudes toward representational religious art. Aisha’s Cushion emphasizes Islam’s perceptual and intellectual modes and in so doing offers the reader both insight into Islamic visual culture and a unique way of seeing the world. Aisha’s Cushion evaluates the controversies surrounding blasphemy and iconoclasm by exploring Islamic societies at the time of Muhammad and the birth of Islam; during early contact between Arab Muslims and Byzantine Christians; in medieval Anatolia and India; and in modern times. Elias’s inquiry then goes further, to situate Islamic religious art in a global context. His comparisons with Christian, Jewish, Buddhist, and Hindu attitudes toward religious art show them to be as contradictory as those of Islam. Contemporary theories about art’s place in society inform Elias’s investigation of how religious objects have been understood across time and in different cultures. Elias contends that Islamic perspectives on representation and perception should be sought not only in theological writings or aesthetic treatises but in a range of Islamic works in areas as diverse as optics, alchemy, dreaming, calligraphy, literature, vehicle and home decoration, and Sufi metaphysics. Unearthing shades of meaning in Islamic thought throughout history, Elias offers fresh insight into the relations among religion, art, and perception across a broad range of cultures.
"The Way of the Strangers is an intimate journey into the minds of the Islamic State's true believers. From the streets of Cairo to the mosques of London, Wood interviews supporters, recruiters, and sympathizers of the group...Wood speaks with non-Islamic State Muslim scholars and jihadists, and explores the group's idiosyncratic, coherent approach to Islam...Through character study and analysis, Wood provides a clear-eyed look at a movement that has inspired so many people to abandon or uproot their families.
Abou El Fadl (Islamic law, UCLA School of Law) wrote the 62 brief essays here over the course of five years. Through a combination of musings and critical reflections on classical Muslim authors, he both traces Muslim intellectual history and also confronts questions of ethics, faith, law, politics, culture, and modern identity. He ranges over many facets of Islam in the contemporary world, exploring censorship, political oppression, terrorism, the veil and the treatment of women, marriage, parental rights, the dynamics between law and morality, the character of the prophet Muhammad, and other topics. About half the essays first appeared in The minaret magazine. c. Book News Inc.
The terrorist attack on the Twin Towers, the Afghan conflict, waves of migration, and the presence of twelve million Muslims in the European Union: these are just a few of the things that have helped contribute to a growing interest in Islam, its culture, and its followers. They awaken old and new questions about a religious, cultural, and political reality that 1,200,000,000 people consider themselves a part of. This book is the result of a series of extended interviews between an internationally acclaimed expert on Islam and two journalists who have dedicated themselves for many years to studying key themes of Islam and analyzing the possibility of coexistence between people of different faiths and cultures. How was Islam born? What does the Qur'an represent for Muslims? What relationships have developed between Islam and violence, between Islamic culture and the West? How can a real integration of Islam take place in European societies? What are the conditions for a constructive encounter between Christians and Muslims? Samir Khalil Samir--one of the world's leading experts on Islam--responds to these questions in an in-depth interview that can help one learn and judge for oneself, without prejudice or naivete. This is a contribution in the spirit of the realism needed in order to build adequate ways of living with those who have become our new neighbors.