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BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 8 chronicles the Hindi film music of the decade between 2001 and 2010. This volume catalogues more than 1000 films and 8000 songs, involving more than 2000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic information about each film's cast and crew is provided and detailed music credits are provided. Where available, music credits go beyond information regarding music directors, lyricists and singers, and include the names of session musicians, assistants, programmers, arrangers, mixers, recordists, etc. Where applicable, music related awards are listed. Interesting trivia is listed for most films, more than 1500 in all. This includes information about artist debuts, plagiarised or sampled songs, controversies and stories behind the making of the film and its music. This book is primarily meant as a quick reference for people looking for information related to a Hindi film or a song, but readers can also browse through the book to get an overview of the events that shaped Bollywood music in the decade. Given that Hindi films are a reflection of the Indian society, the reader can also glean insights about the country's socio-political and cultural environment from the book.
I had no specific topic in my mind when I started writing this book. Each time the 'hat' (my brain) initiated its magic, it brought out something new, just like a magician's hat. This book is a collection of random stories which bear no connection with each other. Some are a creation of my weird imagination while others are random thoughts and precious memories. It also comprises some stories from my life. It has something for everyone-from adventure to thriller to horror to everyday life situations- sometimes involving confused thoughts, motivational articles and essays, and some of my childhood stories from the 80s. The 'Ensemble' is my first attempt at creating an anthology and compiling different stories in a single book. It is an attempt to cook a perfect magic potion through various stories by mixing different emotional ingredients. Just say abracadabra and teleport into a world full of stories. See you on the other side!
This is an investigation of arts and aesthetics in their widest senses and experiences, presenting a variety of perspectives which range from the metaphysical to the political. Moving beyond art as an expression of the inner mind and invention of the individual self, the volume bridges the gap between changing perceptions of contemporary art and aesthetics, and maps globalizing currents in a number of contexts and regions.The volume includes an impressive variety of case studies offered by established leaders in the field and original and emerging scholarly talent covering areas in India, Nepal, Indonesia, Iran, Russia, Rwanda, and Germany, as well as providing transnational or diasporic perspectives. From the contradictory demands made on successful artists from the south in the global art world such as Anish Kapoor, to images of war and puppetry created by female political prisoners, the volume compels creative and political interpretations of the ever-changing and globalizing terrain of arts and aesthetics.
Radha has an imaginary Friend-in-Mind. Salman Khan. Err, yes. THE Salman Khan. THE Superstar Salman Khan. If Calvin can have an imaginary playmate Hobbes, what’s stopping Radha from having Salman Khan as her imaginary Friend-in-Mind? So what if he’s the heartthrob of millions? So what if he’s beyond her wildest reach despite living in Mumbai? So Radha leads her ordinary life, sharing her journey with her Friend-in-Mind Salman, through 20 years of a break-up bhari Zindagani. Life becomes very filmy for Radha, when she falls in love with the Friendly Neighborhood RJ. Yes, if she can have Salman Khan as her imaginary friend, she could do something equally filmy, such as falling in love with the voice of a RJ. Will Mr. RJ reciprocate? He’s reluctant, what else? But Radha has already found his favour. Unwittingly, being his favorite listener, Radha has now won a contest, and the prize is… A Date with Salman Khan. Oops! Now what?
At the turn of the nineteenth century, a widespread migration took place as a result of British colonialism. This migration was known as the Indian diaspora. It was a time when millions of East Indians would jump ship and leave India to be taken as indentured laborers to the far corners of the world to Fiji, Mauritius, South Africa, and the West IndiesTrinidad and Tobago, Suriname, and Guyana. The circumstances that surrounded this for many of the migrants were poverty, famine, and hopelessness. In the case of those sailing to Trinidad, it was under the lure of chenee dadthe land where sugar flows. Bombay Kay Dulahin is a story beyond the grasp of the historians. It is one womans journey of overcoming the unthinkable through a vision and a dream. She was the daughter of East Indian immigrants in the emerging cosmopolitan society of Trinidad and Tobago. Cast off into an arranged marriage at the age of sixteen and possessing no more than a first-grade education, her strength, courage, and passion drive her to keep her vision and dream of breaking social and gender norms. The book discusses traditional East Indian arranged marriages, the age-old Hindu caste-system structure and traditions. It is a story that shows there are no boundaries and borders when it comes to the resiliency of human endurance, passion, and a mothers unconditional love, ensuring that her loved ones and family are influenced positively for generations to come. A story about love, faith, and hope.
The divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates. The glitch offers the opportunity for us to perform and transform ourselves in an infinite variety of identities. In Glitch Feminism, Russell makes a series of radical demands through memoir, art and critical theory, and the work of contemporary artists who have travelled through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution.