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A Lacanian investigation of sexuality and sexual difference.
Lacan and the Formulae of Sexuation provides the first critical reading of Lacan’s formulae of sexuation, examining both their logical consistency and clinical consequences. Are there two different entities named Man and Woman, separated by the gulf of sexual difference? Or is it better to conceive of this difference as something purely relative, each human being situated on a sort of continuum from more or less 'man' to more or less 'woman'? Sigmund Freud established the strange way through which sexuality determines being human: his concept of drive was no longer the heteronormative sexual instinct used by the psychiatrists of his time. With his provocative formula according to which 'there is no sexual relationship', Lacan has reinforced this perspective, combining logic and sexuality through the invention of a new operator, the concept 'not all', which points to a form of incompleteness at stake in his 'formulae of sexuation'. This book examines how these formulae have been constructed, and how we should read them in connection with, on one hand, their own logical consistency (a logical square different from Aristotelian tradition) and, on the other hand, a 'part object' in a very different sense to Melanie Klein’s. The book also investigates the underlying logic of clinical vignettes, so much in favour in psychoanalytical literature today. The book represents essential reading for Lacanian psychoanalysts, as well as researchers at the cross-section of psychoanalysis, philosophy, and gender studies.
Feminine Look shows how the Lacanian concept of sexuation makes possible a new account of the relationship among feminism, psychoanalysis, and spectatorship. Whereas previous studies have tended to ask how spectatorship may be influenced by sexual difference, Jennifer Friedlander asks how particular spectatorial encounters may engender different "sexuated" responses. In so doing, she traces a fresh path through Freud's account of the relationship between visual perception and sexual difference and rereads Freud's fable of castration anxiety, suggesting that sexual identity arises as a response to the symbolic order's indifference to the subject's need for a solid identity. She examines provocative and controversial artistic images by Jamie Wagg, Marcus Harvey, and Sally Mann to demonstrate how images not only create and embody social practices but also precipitate viewer anxieties and pleasures.
This book takes a critical feminist approach to Lacan’s fundamental concepts, merging discourse and sexuation theories in a novel way for both psychoanalysis and feminism, and exploring the possibility of a feminist subject within a non-masculine logic. In Lacan and Critical Feminism, Carusi merges Lacan’s theories of discourse and sexuation, not only from a gender/sexuality angle, but also from a literary, feminist, and women’s studies framework. By drawing examples from literature, film, art, and socio-political movements to focus on discourse and sexuation, the text examines how tropes impact the subject’s positionality within any discourse mode. The book also uses women’s collective experience and action to illustrate ways that women have repositioned dominant narratives discursively. This text represents essential reading for researchers interested in the relationship between Lacan and feminist theory.
This clear and elegant translation reveals how a modern Japanese thinker dared to show the basic flaw of Western epistemology. In unmasking this limitation, Matsuo presents an Eastern view of a unified experience, and provides an epistemological basis for comparative philosophy. Matsuo notes that while early Greek thought began by focusing on the right counsel ("Know thyself"), since then Western thought has been influenced by empiricistic analysis fired by the rise of scientific philosophy. The author thus turns to Eastern epistemology, in particular Buddhist thought, for clues to the unified experience. The seminal idea of emptiness (śūnyatā) plays a distinct role in this discovery. The concept of emptiness encompasses the whole dimension of perception where there is no room for separation into mind and body and/or any other form of dichotomy. Once it is known that the total dimension of perception—the logic of unity—functions in each and every person, then and only then can the field of comparative thought and philosophy be cleared of al preconceptions and move into a more fruitful exchange of ideas. Until such a time, Matsuo claims, we are hopelessly engaged in merely refining the epistemological process without ever being able to understand the very basis of intelligence.
This book uses an interdisciplinary approach to explore the ways in which sexual difference can be understood as an encounter with otherness through the abjected, investigating social discourses and unconscious anxieties around "monstrous" women throughout history and how they may challenge these characterizations. The author expands on Barbara Creed’s notion of the monstrous-feminine to give a specifically Lacanian analysis of different types of feminine monsters, such as Mary Toft, Andrea Yates, Lillith, and Medusa. Drawing on Lacan’s theory of "sexuation," the book interrogates characterizations of pregnant women during the Enlightenment, women who commit filicide, mothers in the psychoanalytic clinic, and women with borderline personality disorder. Chapters explore how encounters with a feminine subject in the Lacanian sense can manifest in misogynistic practices aimed at women, as well as how a Deleuzian notion of becoming-other may pose a challenge to their interpretation in a phallocentric meaning-making system. Creatively engaging the work of both Jacques Lacan and Gilles Deleuze, the text goes beyond simply identifying misogynistic practices by probing the relational, unconscious dynamics between hegemonic groups and those designated as "other." Approaching the concept of the borderline from a critical and transdisciplinary perspective, this text will appeal to postgraduate students and researchers from Lacanian psychoanalysis, gender studies, cultural studies, and critical psychology.
Pink Herrings engages in a re-examination of six of Freud's cases via Lacan's account of sexuation. Specifically, the book outlines a theoretical framework in which sexuation is understood as a 'choice' made in response to the fact of the sexual non relationship. In making this choice, unconscious fantasy allows for the circulation of object a, which bear traces of jouissance. Drawing upon Lacan's distinction between phallic and other jouissance, Pink Herrings examines the four positions outlined in Lacan's formula of sexuation, and maps these onto the six case studies. In so doing, Pink Herrings not only brings new life and insights to the cases, but also clears a path to what is referred to as a 'clinic of sexuation'. Such a clinic would not replace existing Lacanian psychoanalytic practice (with its focus on the structures of neurosis, perversion and psychosis), but instead provide additional avenues through which to explore the operations of fantasy.
A philosophical examination of the treatment of logic and God in Lacan's later psychoanalytic theory. In The Not-Two, Lorenzo Chiesa examines the treatment of logic and God in Lacan's later work. Chiesa draws for the most part from Lacan's Seminars of the early 1970s, as they revolve around the axiom “There is no sexual relationship.” Chiesa provides both a close reading of Lacan's effort to formalize sexual difference as incompleteness and an assessment of its broader implications for philosophical realism and materialism. Chiesa argues that “There is no sexual relationship” is for Lacan empirically and historically circumscribed by psychoanalysis, yet self-evident in our everyday lives. Lacan believed that we have sex because we love, and that love is a desire to be One in face of the absence of the sexual relationship. Love presupposes a real “not-two.” The not-two condenses the idea that our love and sex lives are dictated by the impossibility of fusing man's contradictory being with the heteros of woman as a fundamentally uncountable Other. Sexual liaisons are sustained by a transcendental logic, the so-called phallic function that attempts to overcome this impossibility. Chiesa also focuses on Lacan's critical dialogue with modern science and formal logic, as well as his dismantling of sexuality as considered by mainstream biological discourse. Developing a new logic of sexuation based on incompleteness requires the relinquishing of any alleged logos of life and any teleological evolution. For Lacan, the truth of incompleteness as approached psychoanalytically through sexuality would allow us to go further in debunking traditional onto-theology and replace it with a “para-ontology” yet to be developed. Given the truth of incompleteness, Chiesa asks, can we think such a truth in itself without turning incompleteness into another truth about truth, that is, into yet another figure of God as absolute being?
This collection presents geography’s most in-depth and sustained engagements with the void to date, demonstrating the extent to which related themes such as gaps, cracks, lacks, and emptiness perforate geography’s fundamental concepts, practices, and passions.
The “formidably brilliant” Žižek considers sexuality, ontology, subjectivity, and Marxian critiques of political economy by way of Lacanian psychoanalysis. If the most interesting theoretical interventions emerge today from the interspaces between fields, then the foremost interspaceman is Slavoj Žižek. In Incontinence of the Void (the title is inspired by a sentence in Samuel Beckett's late masterpiece Ill Seen Ill Said), Žižek explores the empty spaces between philosophy, psychoanalysis, and the critique of political economy. He proceeds from the universal dimension of philosophy to the particular dimension of sexuality to the singular dimension of the critique of political economy. The passage from one dimension to another is immanent: the ontological void is accessible only through the impasses of sexuation and the ongoing prospect of the abolition of sexuality, which is itself opened up by the technoscientific progress of global capitalism, in turn leading to the critique of political economy. Responding to his colleague and fellow Short Circuits author Alenka Zupančič's What Is Sex?, Žižek examines the notion of an excessive element in ontology that gives body to radical negativity, which becomes the antagonism of sexual difference. From the economico-philosophical perspective, Žižek extrapolates from ontological excess to Marxian surplus value to Lacan's surplus enjoyment. In true Žižekian fashion, Incontinence of the Void focuses on eternal topics while detouring freely into contemporary issuesfrom the Internet of Things to Danish TV series.