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This book focuses on sex and sexuality in post-war novels from the Anglophone Caribbean. Countering the critical orthodoxy that literature from this period dealt with sex only tangentially, implicitly transmitting sexist or homophobic messages, the author instead highlights the range and diversity in its representations of sexual life. She draws on gender and sexuality studies, postcolonial theory and cultural history to provide new readings of seminal figures like Samuel Selvon and George Lamming whilst also calling attention to the work of innovative, lesser-studied authors such as Andrew Salkey, Oscar Dathorne and Rosa Guy. Offering a coherent and expansive overview of how post-war Caribbean novelists have treated the persistently controversial topic of sex, this book addresses one of the blind spots in Caribbean literary criticism. It mines a range of little-studied archival materials and texts to argue that fiction of the post-war era exhibits both continuities with the sexual emphases of earlier writing and connections to later trends. The author also presents nationalist ideology as central to the literature of this era. It is in the fictional rendering of sexuality that the contradictions of the nationalist project are most apparent; sex both exceeds and threatens the imagined unity on which the political vision depends.
Sex, Sea, and Self reassesses the place of the French Antilles and French Caribbean literature within current postcolonial thought and visions of the Black Atlantic. Using a feminist lens, this study examines neglected twentieth-century French texts by Black writers from Martinique and Guadeloupe, making the analysis of some of these texts available to readers of English for the first time. This interdisciplinary study of female and male authors reconsiders their political strategies and the critical role of French creoles in the creation of their own history. This approach recalibrates overly simplistic understandings of the victimization and alienation of French Caribbean people. In the systems of cultural production under consideration, sexuality constitutes an instrument of political and cultural consciousness in the chaotic period between 1924 and 1948. Studying sexual imagery constructed around female bodies demonstrates the significance of agency and the legacy of the past in cultural resistance and political awareness. Sex, Sea, and Self particularly highlights Antillean women intellectuals' theoretical contributions to Caribbean critical theory. Therefore, this analysis illuminates debates on the multifaceted and conflicted relationships between France and its overseas departments and expands ideas of nationhood in the Black Atlantic and the Americas.
This book is the first to focus exclusively on issues of gender and sexuality in a range of post-war novels from the Anglophone Caribbean. Concentrating on the 1950s to the mid 1970s, it highlights the period's diversity of sexual concerns. New readings of seminal figures like Samuel Selvon and George Lamming are offered, in tandem with discussion of innovative, lesser-studied authors such as Andrew Salkey, Oscar Dathorne and Rosa Guy. Whereas this body of work has tended to be characterised as minimally engaged with sexuality and overly reliant on patriarchal, heteronormative frameworks, the book takes a different approach. First, it unpacks the motivations behind the masculinist bent of much of this writing, emphasising the anxieties underlying such assertion. It exposes both the gendered and sexual imperatives of the nationalist project and the destabilising effects of migration on masculine performance. Second, it brings to life a range of critically neglected same-sex desires. Framing such longing as both narratively and nationally disruptive, it recovers the marginalised erotic relations that challenge fantasies of national cohesion. As a result, the book opens up existing mappings of Caribbean fiction. Drawing on queer theory, feminism and masculinity studies, it highlights the ways in which sex both exceeds and threatens the imagined unity on which the nationalist vision depends.
Gender Variances and Sexual Diversity in the Caribbean: Perspectives, Histories, Experiences is a collection of critical perspectives on fundamental questions of how sexual orientation and gender in Jamaica and the wider Caribbean are conceived, studied, discoursed and experienced. Bringing together and updating existing and in-progress scholarly work on minority genders and sexualities in the region, this collection seeks to provide a fresh set of lenses through which to examine the issues affecting people in the Caribbean who fall outside the traditional binary categories of heterosexual males or heterosexual females. Opening with a variety of perspectives - from the biological to the religious and historiographical - the volume explores definitions of sex and gender as well as constructions of sexuality among Commonwealth Caribbean scholars, and the ways in which the Judaeo-Christian tradition popular in the region has responded to these. Other chapters examine the socializing forces that reinforce or challenge conventional conceptions of gender and sexuality, and how these result in the constraining forces of social exclusion and discrimination that many members of the LGBTQ community in the region experience. The book ends with chapters that interrogate the normative standards of gender and sexuality that have traditionally underlain Caribbean popular culture. Additionally, there is an exploration of how anti-gay discourse in Jamaican dancehall, embedded in a language linked to the country's vernacular nationalism, has been neutralized by a coalition of local and international LGBTQ activists.
Dangerous Creole Liaisons examines the neglected corpus of white Creole writers from the French Caribbean and how their discourse has been reappropriated to expose the significant role these men played in the construction of blackness, French nationalism and culture.
This book provides a unique social science reading on the construction of nation, gender and sexuality and on the interactions among them. It includes international case studies from Indonesia, Ireland, former Yugoslavia, Liberia, Sri Lanka, Australia, the USA, Turkey, China, India and the Caribbean. The contributors offer both the masculine and feminine perspective, exposing how nations are comprised of sexed bodies, and exploring the gender ironies of nationalism and how sexuality plays a key role in nation building and in sustaining national identity. The contributors conclude that control over access to the benefits of belonging to the nation is invariably gendered; nationalism becomes the language through which sexual control and repression is justified masculine prowess is expressed and exercised. Whilst it is men who claim the prerogatives of nation and nation building it is, for the most part, women who actually accept the obligation of nation and nation building.
Sex and the Citizen is a multidisciplinary collection of essays that draws on current anxieties about "legitimate" sexual identities and practices across the Caribbean to explore both the impact of globalization and the legacy of the region's history of sexual exploitation during colonialism, slavery, and indentureship. Speaking from within but also challenging the assumptions of feminism, literary and cultural studies, and queer studies, this volume questions prevailing oppositions between the backward, homophobic nation-state and the laid-back, service-with-a-smile paradise or between giving in ignominiously to the autocratic demands of the global north and equating postcolonial sovereignty with a "wholesome" heterosexual citizenry. The contributors use parliamentary legislation, novels, film, and other texts to examine Martinique's relationship to France; the diasporic relationships between the Dominican Republic and New York City, between India and Trinidad, and between Mexico's capital city and its Caribbean coast; "indigenous" names for sexual practices and desires in Suriname and the Eastern Caribbean; and other topics. This volume will appeal to readers interested in how sex has become an important register for considerations of citizenship, personal and political autonomy, and identity in the Caribbean and the global south. ContributorsVanessa Agard-Jones * Odile Cazenave * Michelle Cliff * Susan Dayal * Alison Donnell * Donette Francis * Carmen Gillespie* Rosamond S. King * Antonia MacDonald-Smythe * Tejaswini Niranjana * Evelyn O'Callaghan * Tracy Robinson * Patricia Saunders * Yasmin Tambiah * Omise'eke Natasha Tinsley * Rinaldo Walcott * M. S. Worrell
A historiography of Caribbean literary history and criticism, the author explores different critical approaches and textual peepholes to re-examine the way twentieth-century Caribbean literature in English may be read and understood.
This book tells the story of how intellectuals in the English-speaking Caribbean first created a distinctly Caribbean and national literature. As traditionally told, this story begins in the 1950s with the arrival and triumph of V.S. Naipaul, George Lamming, and their peers in the London literary scene. However, Afro-Caribbeans were writing literature already in the 1840s as part of larger movements for political rights, economic opportunity, and social status. Rosenberg offers a history of this first one hundred years of anglophone Caribbean literature and a critique of Caribbean literary studies that explains its neglect. A historically contextualized study of both canonical and noncanonical writers, this book makes the case that the few well-known Caribbean writers from this earlier period, Claude McKay, Jean Rhys, and C.L.R. James, participated in a larger Caribbean literary movement that directly contributed to the rise of nationalism in the region. This movement reveals the prominence of Indian and other immigrant groups, of feminism, and of homosexuality in the formation of national literatures.
Offering a thorough introduction to notions of gender in contemporary global literature, Global Literature and Gender uses postcolonial theories alongside theories of space and place, theories of globalization, and reference to the Posthuman and the Anthropocene as competing narratives of the contemporary. This book argues for the ongoing but very current significance of gender as an organizing category, while also revealing the fluidity and boundary defying nature of gender in twenty-first-century literature. Divided into three sections, looking at femininity, masculinity, and transgender, Jenni Ramone: Examines globalization’s uneasy relationship with theories which foreground gender and considers gender as a challenge to globalization; Analyses embodied labour, global travel, trade, and tourism; Discusses the ways in which globalization and masculinity are likewise at odds; Considers a diverse range of themes and genres, including pearl-diving, taxi driving, space travel, authorship, surrogacy, modern-day slavery, Afrofuturism, Objectophilia, Stigma, Dehumanisation, Passing, and romance tourism; Engages with a vast range of innovative contemporary works, including those by Akwaeke Emezi, Alain Mabanckou, Mieko Kawakami, Meera Syal, Helen Heath, Kei Miller, Deji Bryce Olukotun, jaye simpson, Hideki Noda, Dany Laferrière, Zadie Smith, Hanan Al-Shaykh, Teju Cole, Sherley Anne Williams, Helen Oyeyemi, and Arundhati Roy. Global Literature and Gender is an essential intervention for researchers and students of globalization, twenty-first-century literature, and gender.