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With insight and sensitivity, Dr. Holly Hein leads on a voyage of discovery that explores the true meaning behind our sexual detours. She shows us why we do it, how we do it, and what to do about it. Dr. Hein clarifies why an affair reveals more about ourselves than about our sex lives; why it is more about the chemistry of escape thatn about sexual lightning. And, ultimately, she explains why an affair is more about the betrayl of the self than it is about breaking marriage vows. This books is for anyone who has ever been beguiled by the idea of romance, entangled in a clandestine relationship, devastated by betrayl, forced to recover from loss, or even simply hoped to find love and happiness. In short everyone.
This book explains how the short-lived sexual revolution 50 years ago has led to the current evolution of our sexual values and behaviors and social standards among youth culture, examining topics such as communication technologies and sex, teen pregnancy, and divorce rates in the Bible Belt. Is an increase in sexual activity during adolescence a normal part of the transition to adulthood, or evidence of a societal problem? Why would conservative religious youth become sexually active earlier than their peers and be more likely to have an unintended pregnancy or sexually transmitted disease? How are women continuing to lead our society's sexual transformation? Written by an author whose 40-year career in sexology and university administration provides a uniquely qualified perspective upon both sex research and the changing sexual perceptions of American youth, this comprehensive book is must-read for both parents and policy makers. America's Sexual Transformation traces the philosophical, cultural, and scientific developments responsible for the beginning and end of America's sexual revolution that have now spawned a more substantive sexual transformation. It examines traditional theories and attitudes regarding sex, and demonstrates how the findings of sex research provide entirely new paradigms that should replace outmoded and harmful theories. This groundbreaking book also explains who we are as sexual individuals and how we got to be that way.
The Startling Truth Behind Love, Lust, and Infidelity At long last, we have a book about affairs that is not about blame. Sexual Detours offers an illuminating-and powerful-portrait of the human psyche that sheds light on the hidden dark recesses of the world of infidelity. Its striking and metaphorical language unravels the secrets behind affairs. This book is for anyone who has ever been enchanted and beguiled by the idea of a romance; entangled in a clandestine relationship; devastated by betrayal; recovering from loss; or even simply hoping to find love and happiness. In short, everyone. We've all thought about having an affair. Who hasn't wondered what it would be like to have a relationship with that special person . . . right next door . . . in the other office . . . or just around the corner? We all crave ecstasy, obsession, excitement, and romance. And we all find intimacy and elusive chimera slipping from our grasp. Sometimes, we look for solace in the arms of a lover and seek a romantic exit on the highway of our lives as we struggle with our dreams and wishes, fears and realities. With insight and sensitivity, Dr. Holly Hein leads us on a voyage of discovery that explores the true meaning behind our sexual detours. She shows us why we do it. How we do it. And what to do about it. Dr. Hein clarifies that an affair reveals more about our selves than about our sex lives; it is more about the chemistry of escape than about sexual lightening. And, ultimately, an affair is more about the betrayal of the self than it is about breaking marriage vows. Every affair has a cover story and carries a secret message written in code-it is as unique as a fingerprint. Dr. Hein explains how to decipher the hidden code and to interpret the true message behind the cover story, repairing the cables of communication and translating the language of the inner world. Vivid case histories illustrate how unrecognized, unexpressed needs often surface in disguise, leading us to take flight and reject what our partner symbolizes as we seek escape in the fantasy of a tryst. Dr. Hein illustrates how an affair conceals the real issues-showing us how to recognize this-and tells us what steps to take in order to have more rewarding intimate relationships. Sexual Detours is a beacon to all who have been touched by the anguish, denial, resentment, guilt, and shame of an affair, encouraging us to emerge from the pain of infidelity and create a self-awareness that will forge the bonds of a lasting intimacy.
This bold and original book examines in detail a relatively new genre of film--the erotic thriller. Linda Ruth Williams traces the genre's exploitation of pornography and noir, discusses mainstream stars (including Michael Douglas and Sharon Stone) as well as genre-branded direct-to-video stars, charts the work of key producers and directors, and considers home videos as a distinct form of viewing pleasure. She maps the history of the genre, analyzing hundreds of movies from blockbusters such as Basic Instinct, Fatal Attraction, and In the Cut to straight-to-video film titles such as Carnal Crimes, Sins of Desire, and Night Eyes. Williams's witty and illuminating readings tell the story of this sensational genre and contribute to the analysis of mainstream screen sex--and its censorship--at the beginning of the 21st century. She shows that as the erotic thriller plays out the sexual fantasies of contemporary America, it also provides a vehicle for marketing those fantasies globally.
Four writers?the first, an eighteenth-century Frenchman whose works still retain their power to shock, scandalize, and instruct; the others, three twentieth-century Frenchmen, heirs and explicators of their earlier compatriot?form the central cast of characters of this literary-philosophical dialogue which seeks to transcend the barriers of time, space, and sexual identity imposed by traditional approaches to literature. Professor Gallop, acknowledging her debt to such writers as Friedrich Nietzsche and Roland Barthes, cites as the shaping principle of her work the central tenet of intertextuality?that a literary work is not a closed system which can be definitively characterized by reference either to its creator or to its beholder. Rather, reader, writer, and text meet, react, and interact in a performance of "polymorphous per-versity"?a performance which, Professor Gallop points out, finds a parodic analogue in the activities of Sade's distinguished libertines. Professor Gallop observes that Sade and the structuralists display a congruity of purpose, in that both take as their goal the destruction of the classical dichotomy, long enshrined at the heart of the humanist tradition, between the ideal and the material. Working from these peculiar conjunctions of theory, purpose, and enactment?and from a distinctly feminist point of view?Professor Gallop moves freely among the texts of her four subjects. She introduces Bataille's Sade to Blanchot?s Sade, relates Klossowski's Sade to Klossowski's Bataille, and, when necessary extricates Sade himself from the web of what has been written about him. She finds that each of the three later writers constructs his own "fiction," with Sade as chief character: Bataille, caught up in the idea of the "sovereign man," discovers the sovereign man in Sade; Blanchot, for whom the real action is the act of writing itself, describes a Sade confronting the horror of the loss of self in that act; while Klossowski creates several Sades, marking different moments in his intellectual itinerary: psychoanalytic, Catholic, Nietzschean. Professor Gallop demonstrates, however, that Sade is ultimately not appropriable?cannot, in effect, be consumed?and that, thus, an inversion occurs whereby Bataille, Blanchot, and Klossowski become extensions of Sade's characters, subsumed into the Sadian world. And she finds herself likewise a part of that world and her work "an ever reverberating extension of Sade's own writing."
Until the 1970s the history of sexuality was a marginalized practice. Today it is a flourishing field, increasingly integrated into the mainstream and producing innovative insights into the ways in which societies shape and are shaped by sexual values, norms, identities and desires. In this book, Jeffrey Weeks, one of the leading international scholars in the subject, sets out clearly and concisely how sexual history has developed, and its implications for our understanding of the ways we live today. The emergence of a new wave of feminism and lesbian and gay activism in the 1970s transformed the subject, heavily influenced by new trends in social and cultural history, radical sociological insights and the impact of Michel Foucault’s work. The result was an increasing emphasis on the historical shaping of sexuality, and on the existence of many different sexual meanings and cultures on a global scale. With chapters on, amongst others, lesbian, gay and queer history, feminist sexual history, the mainstreaming of sexual history, and the globalization of sexual history, What is Sexual History? is an indispensable guide to these developments.
Can purity survive real-world temptation? "True love waits"--but what exactly are you waiting for? After all, we're constantly bombarded with Hollywood's idea of romance--that sex is no big deal, that everyone is doing it, that it's the only path to a happy ending. Maybe you've even begun to wonder, What am I missing? Is the wait really worth it? Marian Jordan Ellis has been there. She knows the pitfalls of giving in to temptation--but also the blessings of God's best found in waiting after she committed herself to Christ and to sexual purity. Now, from one Christian woman to another, she hopes to spare you from the heartache of sexual sin and instead point you toward God's best. Marian offers lots of practical advice, backed by biblical truth, to equip you with the tools to overcome past mistakes and future temptations. You are cherished. Whether you are happily single, casually dating, or have found "the one," your purity is worth fighting for.
Examines forms of intimate citizenship that have emerged in relation to growing anti-homosexual violence in Kenya. Campaigns calling on police and citizens to purge their countries of homosexuality have taken hold across the world. But the “homosexual threat” they claim to be addressing is not always easy to identify. To make that threat visible, leaders, media, and civil society groups have deployed certain objects as signifiers of queerness. In Kenya, for example, bead necklaces, plastics, and even diapers have come to represent the danger posed by homosexual behavior to an essentially “virile” construction of national masculinity. In Queer Objects tothe Rescue, George Paul Meiu explores objects that have played an important and surprising role in both state-led and popular attempts to rid Kenya of various imagined threats to intimate life. Meiu shows that their use in the political imaginary has been crucial to representing the homosexual body as a societal threat and as a target of outrage, violence, and exclusion, while also crystallizing anxieties over wider political and economic instability. To effectively understand and critique homophobia, Meiu suggests, we must take these objects seriously and recognize them as potential sources for new forms of citizenship, intimacy, resistance, and belonging.
Many people first encounter Hawai‘i through the imagination—a postcard picture of hula girls, lu‘aus, and plenty of sun, surf, and sea. While Hawai‘i is indeed beautiful, Native Hawaiians struggle with the problems brought about by colonialism, military occupation, tourism, food insecurity, high costs of living, and climate change. In this brilliant reinvention of the travel guide, artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i's culture and complex history. The essays, stories, artworks, maps, and tour itineraries in Detours create decolonial narratives in ways that will forever change how readers think about and move throughout Hawai‘i. Contributors. Hōkūlani K. Aikau, Malia Akutagawa, Adele Balderston, Kamanamaikalani Beamer, Ellen-Rae Cachola, Emily Cadiz, Iokepa Casumbal-Salazar, David A. Chang, Lianne Marie Leda Charlie, Greg Chun, Joy Lehuanani Enomoto, S. Joe Estores, Nicholas Kawelakai Farrant, Jessica Ka‘ui Fu, Candace Fujikane, Linda H. L. Furuto, Sonny Ganaden, Cheryl Geslani, Vernadette Vicuña Gonzalez, Noelani Goodyear-Ka‘ōpua, Tina Grandinetti, Craig Howes, Aurora Kagawa-Viviani, Noelle M. K. Y. Kahanu, Haley Kailiehu, Kyle Kajihiro, Halena Kapuni-Reynolds, Terrilee N. Kekoolani-Raymond, Kekuewa Kikiloi, William Kinney, Francesca Koethe, Karen K. Kosasa, N. Trisha Lagaso Goldberg, Kapulani Landgraf, Laura E. Lyons, David Uahikeaikalei‘ohu Maile, Brandy Nālani McDougall, Davianna Pōmaika‘i McGregor, Laurel Mei-Singh, P. Kalawai‘a Moore, Summer Kaimalia Mullins-Ibrahim, Jordan Muratsuchi, Hanohano Naehu, Malia Nobrega-Olivera, Katrina-Ann R. Kapā‘anaokalāokeola Nākoa Oliveira, Jamaica Heolimelekalani Osorio, No‘eau Peralto, No‘u Revilla, Kalaniua Ritte, Maya L. Kawailanaokeawaiki Saffery, Dean Itsuji Saranillio, Noenoe K. Silva, Ty P. Kāwika Tengan, Stephanie Nohelani Teves, Stan Tomita, Mehana Blaich Vaughan, Wendy Mapuana Waipā, Julie Warech
In the most rigorous articulation of his philosophical system to date, Slavoj Žižek provides nothing short of a new definition of dialectical materialism. In forging this new materialism, Žižek critiques and challenges not only the work of Alain Badiou, Robert Brandom, Joan Copjec, Quentin Meillassoux, and Julia Kristeva (to name but a few), but everything from popular science and quantum mechanics to sexual difference and analytic philosophy. Alongside striking images of the Möbius strip, the cross-cap, and the Klein bottle, Žižek brings alive the Hegelian triad of being-essence-notion. Radical new readings of Hegel, and Kant, sit side by side with characteristically lively commentaries on film, politics, and culture. Here is Žižek at his interrogative best.