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From the creator of Godspeed: The Kurt Cobain Graphic and Eminem: In My Skin comes an explosive new graphic novel about the rise and fall of The Sex Pistols. Thanks to Steve Parkhouse’s wonderfully vivid illustrations and Jim McCarthy’s clever distillation of the script that rewrote rock ‘n’ roll and much else besides, the Pistols’ story returns to the rough and tumble of the comic strip from which it derived so much of its initial inspiration. England’s original punks explode from the pages with the same disrespect for authority that had the British establishment up in arms during the Queen’s 25th anniversary jubilee. And no one would have enjoyed this take on the Pistols more than the tale’s real casualty, Sid Vicious, who devoured comics almost as much as he did the destructive stuff.
"Tunes is an eclectic anthology of work by celebrated graphic artists that together present a definitive history of rock and roll through that most rebellious of illustrated media, the comic strip."--Back cover flap.
Jillian Tamaki, co-author of This One Summer, picks the best graphic pieces of the year. "The pieces I chose were those that stuck with me, represented something important about comics in this moment, and exemplified excellence of the craft. Surveying the final collection, I'm moved by the variety of individual approaches. There are so many ways to make us care about little marks on a page."--Jillian Tamaki, from the introduction The Best American Comics 2019 showcases the work of established and up-and-coming artists, collecting work found in the pages of graphic novels, comic books, periodicals, zines, online, in galleries, and more, highlighting the kaleidoscopic diversity of the comics form today. Featuring Vera Brosgol, Eleanor Davis, Nick Drnaso, Margot Ferrick, Ben Passmore, John Porcellino, Joe Sacco, Lauren Weinstein, Lale Westvind, and others.
From the writer of Gabba Gabba Hey! The Graphic Story of The Ramones and Metallica: Nothing Else Matters comes an explosive new graphic novel about The Most Dangerous Band in the World: Guns N' Roses.

Having sold over 100 million albums, recorded the most expensive album ever, endlessly courted controversy with their lyrics and a full-on hedonistic lifestyle, Guns N' Roses are well acquainted with rock 'n' roll excess. And it's all here in Reckless Life: the feud between Axl Rose and Kurt Cobain, the riots during concerts, Rose's interest in Charles Manson, the acrimonious departure of Slash, the drugs, the groupies and, of course, the music.

Marc Olivent's stunning artwork and Jim McCarthy's incisive script perfectly capture the rollercoaster tale of Axl Rose, Slash, Izzy Stradlin, Duff McKagan, Steve Adler and the many others who have passed through the Guns N' Roses story.
From the creators of The Sex Pistols Graphic Novel, Godspeed: The Kurt Cobain Graphic and Eminem: In My Skin comes an explosive new graphic novel about the King of Pop.Featuring stunning drawings of iconic periods from Michael Jackson's life and career from his early success at Motown with the Jackson 5 to the moonwalk and Thriller as well as his marriage to Lisa Marie Presley, his Neverland ranch and his elaborate costumes.
By far the most successful of thrash metal’s original big four, incredibly Metallica have now been performing for well over 20 years. Beginning with their initial underground success, The Metallica Graphic Novel takes in all the highs (the amazing commercial success of The Black Album, the nine Grammys, the over 100 million albums sold worldwide), the tragic lows (Cliff Burton’s death in a bus crash, the rehab for alcohol and substance abuse) and the controversies (the Napster lawsuit). Brian Williamson’s stunning artwork and Jim McCarthy’s incisive script perfectly capture the rollercoaster tale of Lars Ulrich, James Hetfield, Cliff Burton, Kirk Hammett, Robert Trujillo and the many others who have passed through the Metallica story.
Listening to popular music and watching television have become the two most common activities for postwar generations in Britain. From the experiences of programmes like Oh Boy! and Juke Box Jury, to the introduction of 24 hour music video channels, the number and variety of television outputs that consistently make use of popular music, and the importance of the small screen as a principal point of contact between audiences and performers are familiar components of contemporary media operation. Yet there have been few attempts to examine the two activities in tandem, to chart their parallel evolution, to explore the associations that unite them, or to consider the increasingly frequent ways in which the production and consumption of TV and music are linked in theory and in practice. This volume provides an invaluable critical analysis of these, and other, topics in newly-written contributions from some of Britain's leading scholars in the disciplines of television and/or popular music studies. Through a concentration on four main areas in which TV organises and presents popular music - history and heritage; performers and performances; comedy and drama; audiences and territories - the book investigates a diverse range of musical genres and styles, factual and fictional programming, historical and geographical demographics, and the constraints of commerce and technology to provide the first systematic account of the place of popular music on British television.
This collection of essays gathers innovative and compelling research on intermedial forms of life writing by an international and interdisciplinary group of scholars. Among their subjects of scrutiny are biographies, memoirs, graphic novels, performances, paratheatricals, musicals, silent films, movies, documentary films, and social media. The volume covers a time frame ranging from the nineteenth century to the immediate present. In addition to a shared focus on theories of intermediality and life writing, the authors apply to their subjects both firmly established and cutting-edge theoretical approaches from Cultural Narratology, Cultural History, Biographical Studies, Social Media Studies, Performance Studies, and Visual Culture Studies. The collection also features interviews with practitioners in biography who have produced monographs, films, and novels.