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From the creator of Godspeed: The Kurt Cobain Graphic and Eminem: In My Skin comes an explosive new graphic novel about the rise and fall of The Sex Pistols. Thanks to Steve Parkhouse’s wonderfully vivid illustrations and Jim McCarthy’s clever distillation of the script that rewrote rock ‘n’ roll and much else besides, the Pistols’ story returns to the rough and tumble of the comic strip from which it derived so much of its initial inspiration. England’s original punks explode from the pages with the same disrespect for authority that had the British establishment up in arms during the Queen’s 25th anniversary jubilee. And no one would have enjoyed this take on the Pistols more than the tale’s real casualty, Sid Vicious, who devoured comics almost as much as he did the destructive stuff.
Glen Matlock was a founding member of the Sex Pistols and co-wrote most of their iconic songs. His story of the Pistols’ rise to global infamy is an honest, insightful account of a group of intelligent malcontents, determined to change the music business and to attack hypocrisy and stale conventions in society at large. Glen brilliantly captures the flavour of seventies Britain and reveals the complexities and personality clashes that made the Pistols so explosive at that time. Also includes true tales of the Pistols reunion tours of 1996 and 2002.Never mind the other bollocks-filled books about the Sex Pistols, here’s the truth.
Without the Sex Pistols there would be no punk. And without Steve Jones there would be no Sex Pistols. It was Steve who, with his schoolmate Paul Cook, formed the band that eventually went on to become the Sex Pistols and who was its original leader. As the world celebrates the 40th anniversary of punk -- the influence and cultural significance of which is felt in music, fashion, and the visual arts to this day--Steve tells his story for the very first time. Steve Jones's modern Dickensian tale began in the street of Hammersmith and Shepherd's Bush, West London, where as a lonely, neglected boy living off his wits and petty thievery he was given purpose by the glam art rock of David Bowie and Roxy Music. He became one of the first generation of ragamuffin punks taken under the wings of Malcolm McLaren and Vivienne Westwood. In Lonely Boy, Steve describes the sadness of never having known his real dad, the abuse he suffered at the hands of his stepfather, and how his interest in music and fashion saved him from a potential life of crime spent in remand centers and prisons. He takes readers on his journey from the Kings Road of the early '70s through the years of the Sex Pistols, punk rock, and the recording of "Anarchy in the UK" and Never Mind the Bollocks. He recounts his infamous confrontation on Bill Grundy's Today program -- the interview that ushered in the "Filth and the Fury" headlines that catapulted punk into the national consciousness. And he delves into the details of his self-imposed exile in New York and Los Angeles, where he battled alcohol, heroin, and sex addiction but eventually emerged to gain fresh acclaim as an actor and radio host. Lonely Boy is the story of an unlikely guitar hero who, with the Sex Pistols, transformed twentieth-century culture and kick-started a social revolution.
The Sex Pistols exploded onto the music scene in 1976, paving the way for the deluge of punk rock that would change the face of modern rock music forever. Their debut album, Never Mind the Bollocks, Here’s The Sex Pistols, proved one of the most important rock albums of all time, fusingslammed rock chords with searing vocals. The Sex Pistols simply, and seemingly effortlessly, blew awayall that had come before them, setting an entirely new bar for rock acts that followed in their wake. In Sex Pistols: The Pride of Punk, Peter Smith explores the impact the band had on launching the punk movement, beginning in 1976 with their debut single and ending in 1978 with their American tour. Despite their brief career, the Sex Pistols illustrate an important set of political and cultural elements of 1970s UK and US culture: disaffected youth, strained international relations, and rapid changes in culture. Peter Smith digs deep to collate the factors that fueled the Sex Pistols and the punk revolution.
* Previously unpublished photographs of the Sex Pistols' final UK gig* Taken by Kevin Cummins, preeminent photographer of British bands over the last four decades* Introduction by writer and broadcaster Paul MorleyOn Christmas Day 1977, the Sex Pistols played their final UK gig. Kevin Cummins was the only professional photographer to document the event. He stood with the band onstage, captured the raw energy of the Sex Pistols at the top of their game. Just three weeks later, after a brief US tour, the band imploded. By the end of 1977, the Sex Pistols had been banned from virtually every town in Britain. But at Ivanho's nightclub in Huddersfield they found a receptive audience. They played two charity gigs on Christmas Day, raising money for the families of striking firemen. The afternoon shift was for the kids, with expletives removed from lyrics and Christmas presents and cake given out - and paid for by the band. In the evening, with Kevin Cummins in their midst, the Sex Pistols thundered through their setlist. Forget the lurid headlines, the righteous outrage, this was the real Sex Pistols, playing from the heart. "You've had the Queen's speech. Now you're going to get the Sex Pistols at Christmas. Enjoy." - John Lydon
'...short, sharp, to the point, minimal. 'Never Mind the Bollocks' is a blackmail note - and we got you all to pay up!' - JOHN LYDON 'When we first went in Wessex [recording studios] we went in through this side door. Freddie Mercury was there doing a vocal take and we walked right through with our guitars. He threw a wobbler.' - STEVE JONES 'God Save The Queen' was definitely the pinnacle. It all went sour after that.' - PAUL COOK 'Malcolm was a s***-stirrer. I think he's got a short attention span. He played this game of pitching me against John. Now we realise there was a lot of false information going between us.' - GLEN MATLOCK On the 40th anniversary of the release of 'Never Mind the Bollocks, Here's the Sex Pistols', The Sex Pistols - 1977: The Bollocks Diaries is the official, inside story of the whirlwind year of 1977- the recording and release of 'Never Mind the Bollocks...' and the year the Sex Pistols changed everything. From 'God Save the Queen' to 'Holidays in the Sun' and everything in between, it was a year of chaos and creation. Straight from the mouths of the Sex Pistols and their collaborators, with first-hand stories of secret gigs, recording sessions, fights, record label meltdowns and a media storm like nothing ever seen before, The Sex Pistols - 1977: The Bollocks Diaries is the inside line, told by the people who were there. Packed with photography and rare items from the Sex Pistols archives - from gig posters and early album art to master tapes
The nearest the band got to telling their side of the story, 'The Sex Pistols' was first put together at the height of the punk rock explosion of the late 1970s. Allowed unique and continuous access to the band, Fred and Judy Vermorel tell the story of a band at the peak of their powers.
The explosive story of the Sex Pistols is now so familiar that the essence of what they represented has been lost in a fog of nostalgia and rock ’n’ roll cliché. In 1976 the rise of the Sex Pistols was regarded in apocalyptic terms, and the punks as visitors from an unwanted future bringing chaos and confusion. In this book, John Scanlan considers the Sex Pistols as the first successful art project of their manager, Malcolm McLaren, a vision born out of radical politics, boredom, and his deep and unrelenting talent for perverse opportunism. As Scanlan shows, McLaren deliberately set a collision course with establishments, both conservative and counter-cultural, and succeeded beyond his highest expectations. Scanlan tells the story of how McLaren’s project—designed, in any case, to fail—foundered on the development of the Pistols into a great rock band and the inconvenient artistic emergence of John Lydon. Moving between London and New York, and with a fascinating cast of delinquents, petty criminals, and misfits, Sex Pistols: Poison in the Machine is not just a book about a band, it is about the times, the ideas, the coincidences, and the characters that made punk; that ended with the Sex Pistols—beaten, bloody, and overdosed—sensationally self-destructing on stage in San Francisco in January 1978; and that transformed popular culture throughout the world.
The Sex Pistols file is an updated collection featuring masses of newspaper reports and stories about the infamous Sex Pistols. From their formation by Malcolm McClaren in 1975 to their demise in 1978, this book has it all. It charts their rise to fame and notoriety right up to Sid's murder charge and overdose in New York. Includes hundreds of photographs of the band who shocked the world.
When the late great Sean Body, founder of Helter Skelter, commissioned this book he wanted the style to be that of 'two mates having a chat over a pint'. Parker, with O'Shea, has captured that brief brilliantly in a book that features many unique anecdotes about the Sex Pistols from inception to (numerous) comeback gigs. Parker's close relationship to Malcolm McLaren, Glenn Matlock and Anne Ritchie gives him a privileged inside view of the band and both authors have grown up the Sex Pistols providing the soundtrack to their lives. The book has to cover the obvious ground, such as the infamous Grundy interview or the death of Sid Vicious in New York, but it is the new anecdotes that will appeal to fans -- anecdotes supplied by people who were there, such as the roadie Roadent who quit working for the Clash for the Pistols and therefore is well placed to comment on the feud between the two bands. The many re-formations are also covered. Soundcheck Books is proud to have licensed this never before published work from Helter Skelter. First mooted in 2005, Parker's stock has since risen by his film work -- particularly as the director of Who Killed Nancy. He has fully updated the work, including a touching tribute to McLaren who died in 2010. There hasn't really been much of note written about the band since Jon Savage's England's Dreaming, making Young Flesh Required timely and relevant. The book has an 8 page plate section of colour and b/w images as well as 35 b/w images of memorabilia in with the text - many have never been seen in a book before.