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Investigating modern art, literature, theory and the law, this book illustrates the different ways in which sex, gender and time intersect. It demonstrates that time offers new critical perspectives on sex and gender and makes problematic reductive understandings of sexual identity as well as straight and queer time
An overview of popular literature from the early nineteenth century to the present day from a historical and comparative perspective.
The first full-length study of transgender representations in art, fiction, film, video, and music In her first book since the critically acclaimed Female Masculinity, Judith Halberstam examines the significance of the transgender body in a provocative collection of essays on queer time and space. She presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms’ especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture. In a Queer Time and Place opens with a probing analysis of the life and death of Brandon Teena, a young transgender man who was brutally murdered in small-town Nebraska. After looking at mainstream representations of the transgender body as exhibited in the media frenzy surrounding this highly visible case and the Oscar-winning film based on Brandon's story, Boys Don’t Cry, Halberstam turns her attention to the cultural and artistic production of queers themselves. She examines the “transgender gaze,” as rendered in small art-house films like By Hook or By Crook, as well as figurations of ambiguous embodiment in the art of Del LaGrace Volcano, Jenny Saville, Eva Hesse, Shirin Neshat, and others. She then exposes the influence of lesbian drag king cultures upon hetero-male comic films, such as Austin Powers and The Full Monty, and, finally, points to dyke subcultures as one site for the development of queer counterpublics and queer temporalities. Considering the sudden visibility of the transgender body in the early twenty-first century against the backdrop of changing conceptions of space and time, In a Queer Time and Place is the first full-length study of transgender representations in art, fiction, film, video, and music. This pioneering book offers both a jumping off point for future analysis of transgenderism and an important new way to understand cultural constructions of time and place.
From NYT bestselling author Gail Carriger comes a witty adventure about a young woman with rare supernatural abilities travels to India for a spot of tea and adventure and finds she's bitten off more than she can chew. When Prudence Alessandra Maccon Akeldama ("Rue" to her friends) is bequeathed an unexpected dirigible, she does what any sensible female under similar circumstances would do -- she christens it the Spotted Custard and floats off to India. Soon, she stumbles upon a plot involving local dissidents, a kidnapped brigadier's wife, and some awfully familiar Scottish werewolves. Faced with a dire crisis (and an embarrassing lack of bloomers), Rue must rely on her good breeding -- and her metanatural abilities -- to get to the bottom of it all. . .
A consideration of the ways in which the past was framed and remembered in the pre-modern world. The training and use of memory was crucial in medieval culture, given the limited literacy at the time, but to date, very little thought has been given to the complex and disparate ways in which the theory and practices of memoryinteracted with the inherently unstable concepts of time and gender at the time. The essays in this volume, drawing on approaches from applied poststructural and queer theory among others, reassess those ideologies, meanings and responses generated by the workings of memory within and over "time". Ultimately, they argue for the inherent instability of the traditional gender-time-memory matrix (within which men are configured as the recorders of "history"and women as the repositories of a more inchoate familial and communal knowledge), showing the Middle Ages as a locus for a far more fluid conceptualization of time and memory than has previously been considered. Elizabeth Cox is Lecturer in Old English at Swansea University; Roberta Magnani is Lecturer in Medieval Literature at Swansea University; Liz Herbert McAvoy is Professor of Medieval Literature at Swansea University. Contributors: Anne E. Bailey, Daisy Black, Elizabeth Cox, Fiona Harris-Stoertz, Ayoush Lazikani, Liz Herbert McAvoy, Pamela E. Morgan, William Rogers, Patricia Skinner, Victoria Turner.
Sex and Sexuality in Modern Screen Remakes examines how sexiness, sexuality and revisited sexual politics are used to modernize film and TV remakes. This exploration provides insight into the ever-evolving—and ever-contested—role of sex in society, and scrutinizes the politics and economics underpinning modern media reproduction. More nudity, kinky sex, and queer content are increasingly deployed in remakes to attract, and to titillate, a new generation of viewers. While sex in this book refers to increased erotic content, this discussion also incorporates an investigation of other uses of sex and gender to help a remake appear woke and abreast of the zeitgeist including feminist reimaginings and ‘girl power’ make-overs, updated gender roles, female cast-swaps, queer retellings, and repositioned gazes. Though increased sex is often considered a sign of modernity, gratuitous displays of female nudity can sometimes be interpreted as sexist and anachronistic, in turn highlighting that progressiveness around sexuality in contemporary media is not a linear story. Also examined therefore, are remakes that reduce the sexual content to appear cutting-edge and cognizant of the demands of today’s audiences.
A species that has no word for murder, has a murderer aboard their spaceship. ALIEN Tristol lives in exile. But he's built a life for himself aboard a human space station. He's even started to understand the complex nuances of human courting rituals. Detective Hastion is finally flirting back! MURDER Except that Tristol's beloved space station is unexpectedly contacted by the galoi - a xenophobic species with five genders, purple skin, and serious attitude. They need the help of a human detective because there's a murderer aboard their spaceship. Murder is so rare, the galoi don't even have a word for it. Tristol knows this because he is galoi. ROMANCE Which means that he and Detective Hastion are on the case¿ together. Delicate Sensibilities? Contains men who love other men in graphic detail, regardless of gender, biology, or skin color... and lots of emotively sexy tentacle hair. New York Times best selling author Gail Carriger (writing as G.L. Carriger) brings you a light-hearted romantic cozy mystery featuring an adorable lavender alien and his human crush.
How do people decide on a path, and find the drive to pursue what they want?Ida struggles more than other twentysomethings to work this out. She can shift between parallel universes, allowing her to follow alternative paths.One day Ida sees a shadowy, see-through doppelganger of herself on the train. She starts to wonder if she's actually in control of her ability, and whether there are effects far beyond what she's considered.How can she know, anyway, whether one universe is ultimately better than another? And what if the continual shifting causes her to lose what is most important to her, just as she's discovering what that is, and she can never find her way back?Ida is an intelligent, diverse and entertaining novel that explores love, loss and longing, and speaks to the condition of an array of overwhelming, and often illusory, choices.
9/11 is not simple a date on the calendar but marks a distinct historical threshold, ushering in the war on terror, various states of emergency, a supposed “clash of civilizations,” and the putative legitimation of counter-democratic procedures ranging from extraordinary renditions to enhanced interrogation. Perhaps no date, since Virginia Woolf declared that “on or about December 1910 human character changed,” has marked such a singular point in the perception of time, identity and nature. Women’s writing has always been something of a counter-canon, offering modes of voice and point of view beyond that of the “man” of reason. This collection of essays explores the two problems of what it means to write as a woman and what it means to write in the twenty-first century.
'Sexual anarchy' - dire predictions, disasters, apocalypse - became the hallmark of the closing decades of the nineteenth century. The New Woman and the Odd Woman threatened male identity and self-esteem; teh emergence of feminism and homosexuality meant the redefining of masculinity and femininity. This is the terrain which Elaine Showalter explores with such consummate originality and wit. Looking at parallels between the ends of the 19th and 20th centuries and their representations in literature, art and film, she ranges over the trial of Oscar Wilde, the public furore over prostitution and syphilis, moral outrage over the breakdown of the family, abortion rights and AIDS. High and low culture - from male quest romances to contemporary male bonding movies (Heart of Darkness reworked into Apocalypse Now), Freud to Fatal Attraction - all are part of this scholarly and entertaining study of the fin de siecle.