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In Sex, Drugs, and Creativity: The Search for Magic in a Disenchanted World, Kahoud and Knafo take a close look at omnipotent fantasies in three domains: sex, drugs, and creativity. They demonstrate how these fantasies emerge and how artists draw on them both to create and destroy—sometimes simultaneously – and how understanding this can help psychoanalysts work more effectively with these individuals. Using the personal statements of influential artists and entertainers, in addition to clinical material, the authors examine the omnipotence of self-destruction as it contends with that of creative artists. The authors argue that creative artists use omnipotent fantasies to imagine the world differently - this enables them to produce their art, but also leaves these artists vulnerable to addiction. Chapters devoted to Stephen King and Anne Sexton demonstrate the ways these authors used drugs and alcohol to fuel imagination and inspire creative output while simultaneously doing harm to themselves. A detailed case study also demonstrates successful clinical work with a creative substance user. Sex, Drugs, and Creativity will appeal to anyone interested in the links between creativity and substance use, and will be of great use to psychoanalysts and mental health practitioners working with these challenging clients.
Human sexuality today stands at the crossroads between biological diversity and social conformity, and a battle between the two rages in the media, in social institutions, and in our daily lives. As a sex therapist, Michael Aaron witnesses this struggle each and every day as it plays out on his therapy couch. Modern Sexuality: The Truth about Sex and Relationships examines how biology and society collide head-on in the realm of human sexuality. Here, Aaron carefully and convincingly debunks some of the most commonly held beliefs about sexuality – that it is learned and can be changed; that “abnormal” sexual behavior is pathological; that healthy sexuality involves intimacy; that intimacy is the same to everyone; and that sexuality must have a clearly defined purpose. Using groundbreaking brain-imaging studies and cutting- edge psychological insights,Modern Sexuality presents the overwhelming case for sexual diversity including orientation, non-traditional relationships, and even specific fantasies and kinks. In a world where sexual “outsiders” battle for acceptance, this work helps to explore the variety of sexual expressions from a normative standpoint, helping readers to understand that their own desires and those of others can happily exist on the same continuum.
Among the most commonly argued legal questions are those involving "victimless" crimes--consensual adult sexual relations (including homosexuality and prostitution), the use of drugs, and the right to die. How can they be distinguished from proper crimes, and how can we, as citizens, judge the complex moral and legal issues that such questions entail? David Richards, a teacher of law in the areas of constitutional and criminal law, and a moral and legal philosopher concerned with the investigation of legal concepts, applies an interdisciplinary approach to the question of overcriminalization, he draws on legal and philosophical arguments and links the subject to history, psychology, social science, and literature. To demonstrate how gross and unjust overcriminalization has developed, Professor Richards explores basic assumptions that often underlie the common American sense of proper criminalization.
Transparency is one of the most effective tools we have that can help us heal. It can also help us understand ourselves better as well as other people. What would you do if you believed you only had months to live? How would you feel if your community was stolen from you? Could you survive living on the streets for any length of time? Can you imagine what it's like to try to find a job when you have felonies on your record? Are there any words to describe the heart of a mother as she watches her youngest child die? It’s taken my whole life to realize that the main person I’ve been battling against has been me. As such, my memoir delves into raw detail about my war with my myself. I open up about my crystal meth addiction and how I became a drug dealer in Houston, Tx. The pain of growing up in poverty under the hand of an abusive dad is put on display as well. The time I spent serving in the Air Force during Don’t Ask Don’t Tell and the promiscuity that went along with it is also divulged. I talk about how I received my HIV + diagnosis on a voicemail and my Hep B + diagnosis in the postal mail. My story gets more intense as I share about how I got 3 felonies, the time I spent in jail, and how I ended up homeless after S.W.A.T. kicked my door in. I talk about the biggest heartbreak in my life which happened when I was kicked out of a megachurch, that I had served with my whole soul for years, just because I am a member of the 2SLGBTQIA+ community and refused to accept the conversion therapy package they offered. So often people judge those who have been in similar situations. My hope is that my honesty can offer a glimpse into these issues from the inside, rather than from the outside looking in. I struggled with dividing my memoir into two separate books, but I felt it would be more impactful to tell everything all at once. My memoir is my testament and it’s the greatest form of outreach I have ever offered to the world. I hope that I can earn your trust and attention with the words I have written within these pages.
This authoritative guide to explaining the tragic life of individuals addicted to sex, offers helpful information to their partners who struggle with it.
Hear what God says in His word as you read the startling truth in these real life stories of teenager's encounters with sex, drugs and rock n roll, knowledge is power!
This is a remarkable account of the revolutionary impact of modern dance on European cultural life in the early twentieth century. Edward Ross Dickinson uncovers modern dance's place in the emerging 'mass' culture of the modern metropolis, sufficiently ubiquitous and high-profile to spark media storms, parliamentary debates, and exasperated denunciations even from progressive art critics. He shows how modern dance spoke in multiple registers - as religious and as scientific; as redemptively chaste and scandalously sensual; as elitist and popular. He reveals the connections between modern dance and changing gender relations and family dynamics, imperialism, racism, and cultural exchanges with the wider non-European world, and new conceptions of selfhood. Ultimately the book finds in these complex and often contradictory connections a new way of understanding the power of modernism and modernity and their capacity to revolutionize and transform the modern world in the momentous, creative, violent middle decades of the twentieth century.
Girl Gangs, Biker Boys, and Real Cool Cats is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves. Girl Gangs features approximately 400 full-color covers, many of them never reprinted before. With 70 in-depth author interviews, illustrated biographies, and previously unpublished articles from more than 20 popular culture critics and scholars from the US, UK, and Australia, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and—often overlooked—the actual words they wrote. Books by well-known authors such as Harlan Ellison and Lawrence Block are discussed alongside neglected obscurities and former bestsellers ripe for rediscovery. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture. Contributors include Nicolas Tredell, Alwyn W. Turner, Mike Stax, Clinton Walker, Bill Osgerby, David Rife, J.F. Norris, Stewart Home, James Cockington, Joe Blevins, Brian Coffey, James Doig, David James Foster, Matthew Asprey Gear, Molly Grattan, Brian Greene, John Harrison, David Kiersh, Austin Matthews, and Robert Baker.
In Sex, Drugs, and Creativity: The Search for Magic in a Disenchanted World, Kahoud and Knafo take a close look at omnipotent fantasies in three domains: sex, drugs, and creativity. They demonstrate how these fantasies emerge and how artists draw on them both to create and destroy—sometimes simultaneously – and how understanding this can help psychoanalysts work more effectively with these individuals. Using the personal statements of influential artists and entertainers, in addition to clinical material, the authors examine the omnipotence of self-destruction as it contends with that of creative artists. The authors argue that creative artists use omnipotent fantasies to imagine the world differently - this enables them to produce their art, but also leaves these artists vulnerable to addiction. Chapters devoted to Stephen King and Anne Sexton demonstrate the ways these authors used drugs and alcohol to fuel imagination and inspire creative output while simultaneously doing harm to themselves. A detailed case study also demonstrates successful clinical work with a creative substance user. Sex, Drugs, and Creativity will appeal to anyone interested in the links between creativity and substance use, and will be of great use to psychoanalysts and mental health practitioners working with these challenging clients.