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There's a hardnosed new training officer in town, and that's bad news for the Bachelor Firemen of San Gabriel . . . But great news for firefighter Sabina Jones . . . maybe. The toughest captain on the East Coast, single father Rick Roman has come thousands of miles to San Gabriel to put an end to the "Bachelor Firemen" media hype. But when a stunning woman he nearly hooked up with in Reno turns out to be a firefighter from his new station, Roman realizes it's going to be tough keeping the tabloids at bay. But there's even more Sabina isn't telling him. Before dedicating herself to battling blazes, Sabina led a very different life, one that made her famous. The last thing she wants is to have her secret exposed. The papers, bloggers, and TV gossips will have a field day with that—expecially when they sense the obvious sexual heat between Sabina and Chief Roman, who's torn between firing her . . . and falling in love with her!
Arriving in San Gabriel to put an end to the "Bachelor Firemen" media hype, single father Rick Roman, the toughest captain on the East Coast, is unable to keep the tabloids at bay when he discovers that Sabina, a woman with whom he almost had a one-night stand, is a firefighter at his new station.
Looking for your next great romantic escape? This contemporary sampler from Harlequin™ and Avon™ has you covered! Whether you're in the mood for something sweet or something edgy, this collection of excerpts from nine of today's hottest authors mixes #1 New York Times bestsellers with the freshest voices in romance: Wildest Dreams by Robyn Carr Thrill Me by Susan Mallery Only In My Dreams by Darcy Burke Redemption Bay by RaeAnne Thayne The Hotter You Burn by Gena Showalter All of Me by Jennifer Bernard Bad News Cowboy by Maisey Yates Hard to Let Go by Laura Kaye Exit Strategy by Lena Diaz
Jackie Holmes, That Man from C.A.M.P., lays it on the line (with the help of chronicler Victor J. Banis)...to provide those seeking male gay partners and relationships with some basic advice on human psychology, sexuality, and social interaction. Jackie teaches the art of cruising while his dear friends swish through the nearby pages. Under the C.A.M.P. agent's ever-scrutinizing eyes, the belles and the aunties become instantly recognizable, and the Love Nest is seen for what it really is. We experience the still-recognizable world of Witches and Bitches, "private" seductions, large cocktail parties, and balls. This is the definitive tongue-in-cheek guide to making (and sustaining) gay connections, now available for the first time in over four decades!
Though central to the social, political, and cultural life of the nineteenth-century city, the urban volunteer fire department has nevertheless been largely ignored by historians. Redressing this neglect, Amy Greenberg reveals the meaning of this central institution by comparing the fire departments of Baltimore, St. Louis, and San Francisco from the late eighteenth to the mid-nineteenth century. Volunteer fire companies protected highly flammable cities from fire and provided many men with friendship, brotherhood, and a way to prove their civic virtue. While other scholars have claimed that fire companies were primarily working class, Greenberg shows that they were actually mixed social groups: merchants and working men, immigrants and native-born--all found a common identity as firemen. Cause for Alarm presents a new vision of urban culture, one defined not by class but by gender. Volunteer firefighting united men in a shared masculine celebration of strength and bravery, skill and appearance. In an otherwise alienating environment, fire companies provided men from all walks of life with status, community, and an outlet for competition, which sometimes even led to elaborate brawls. While this culture was fully respected in the early nineteenth century, changing social norms eventually demonized the firemen's vision of masculinity. Greenberg assesses the legitimacy of accusations of violence and political corruption against the firemen in each city, and places the municipalization of firefighting in the context of urban social change, new ideals of citizenship, the rapid spread of fire insurance, and new firefighting technologies. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
At the heart of any history of controversial films is a strange paradox: while films, especially popular and mainstream films, are often portrayed as meaningless products of popular culture, those popular films involved in public controversies become the focal point of enormous cultural energy, political attention, and profoundly conflicting sets of principles. The ongoing culture wars continue to shape the American political landscape, and controversial films continue to be a major point of conflict. Controversial Cinema: The Films that Outraged America traces the history of controversial films and offers insights into why it is that certain films spark controversies, and how Americans typically react to controversial moviemaking. Since the widespread banning of DW Griffith's The Birth of a Nation, the American film industry has found itself embroiled in one political controversy after another. These controversies have centered on everything from the portrayal of the past, as in Griffith's film, to depictions of sex and sexuality, to the use of graphic violence, and issues of race, religion, and politics. In turn, segments of the American public have been driven to boycott, picket, and even censor those films they felt challenged their sense of decency. At the heart of this history of controversial films is a strange paradox: while films, especially popular and mainstream films, are often portrayed as meaningless products of popular culture, popular films involved in public controversies become the focal point of enormous cultural energy and political attention. The ongoing culture wars thus continue to shape the American political landscape, and controversial films continue to be a major point of conflict. In the course of this wide-ranging work, Kendall Phillips offers insights into the kinds of films that spark controversies, and the ways that Americans typically react to them. Organized around broad controversial themes and with particular attention to mainstream films since the dissolution of the Motion Picture Production Code in the mid-1960s, Controversial Cinema explores why films spark broad cultural controversies, how these controversies play out, and the long-term results. The four broad areas of controversy examined in the work are: Sex and Sexuality, Violence, Race, and Religion. Each chapter offers a broad overview of the history of these topics in controversial American films as well as more in-depth examinations of recent examples, including The Silence of the Lambs, Natural Born Killers, Do the Right Thing, and The Passion of the Christ. A final section of the book considers the broader issues of cultural politics in light of the long history of controversial cinema.