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An illuminating picture book biography of an artist and former slave whose patchwork quilts bring the stories of her family to life. Harriet Powers learned to sew and quilt as a young slave girl on a Georgia plantation. She lived through the Civil War and Reconstruction, and eventually owned a cotton farm with her family, all the while relying on her skills with the needle to clothe and feed her children. Later she began making pictorial quilts, using each square to illustrate Bible stories and local legends. She exhibited her quilts at local cotton fairs, and though she never traveled outside of Georgia, her quilts are now priceless examples of African American folk art. Barbara Herkert’s lyrical narrative and Vanessa Newton’s patchwork illustrations bring this important artist to life in a moving picture-book biography.
An illuminating picture book biography of an artist and former slave whose patchwork quilts bring the stories of her family to life. Harriet Powers learned to sew and quilt as a young slave girl on a Georgia plantation. She lived through the Civil War and Reconstruction, and eventually owned a cotton farm with her family, all the while relying on her skills with the needle to clothe and feed her children. Later she began making pictorial quilts, using each square to illustrate Bible stories and local legends. She exhibited her quilts at local cotton fairs, and though she never traveled outside of Georgia, her quilts are now priceless examples of African American folk art. Barbara Herkert’s lyrical narrative and Vanessa Newton’s patchwork illustrations bring this important artist to life in a moving picture-book biography.
Based on the true story of Harriet Ann Jacobs, Letters from a Slave Girl reveals in poignant detail what thousands of African American women had to endure not long ago, sure to enlighten, anger, and never be forgotten. Harriet Jacobs was born into slavery; it's the only life she has ever known. Now, with the death of her mistress, there is a chance she will be given her freedom, and for the first time Harriet feels hopeful. But hoping can be dangerous, because disappointment is devastating. Harriet has one last hope, though: escape to the North. And as she faces numerous ordeals, this hope gives her the strength she needs to survive.
The powerful quilts of Harriet Powers (1837-1910), a Georgia slave, continue to capture our imagination. Her two-known creations, the Bible Quilt and the Pictorial Quilt, have independently survived since stitched more than a century ago. Thousands of visitors to the Smithsonian National Museum of American History in Washington, D.C. and the Museum of Fine Arts, Boston have stood transfixed viewing her quilts. Until today, no one has told the entire, dramatic story of how her quilts, one initially sold for $5, were cherished for decades in private homes before emerging as priceless, national treasures. This I Accomplish: Harriet Powers¿ Bible Quilts and Other Pieces brings to light new, exciting facts ¿ many never before published: proof Powers was a literate, award-winning quilter, who stitched at least five quilts and promoted her own artwork; complete exhibition history for both quilts; profiles of the two nineteenth century women who sought to purchase the Bible Quilt; profiles of the three men who once owned the Pictorial Quilt; unveiling of a young artist who embellished the Pictorial Quilt and more! This I Accomplish is the most comprehensive resource guide on Powers and includes nearly 200 bibliographic annotative references. This I Accomplish is written by Kyra E. Hicks, a quilter whose works have appeared in over forty group exhibitions in places such as the Fenimore Art Museum in Cooperstown, NY and the Renwick Gallery in Washington, D.C. She lives in Arlington, Virginia.
This collection of poems that tell the story of the quilt-making community in Gee’s Bend, Alabama, is now available as a Dragonfly paperback. For generations, the women of Gee’s Bend have made quilts to keep a family warm, as a pastime accompanied by sharing and singing, or to memorialize loved ones. Today, the same quilts hang on museum walls as modern masterpieces of color and design. Inspired by these quilts and the women who made them, award-winning author Patricia C. McKissack traveled to Alabama to learn their stories. The lyrical rite-of-passage narrative that is the result of her journey seamlessly weaves together the familial, cultural, spiritual, and historical strands of life in this community.
A New York Times Best Illustrated Book From highly acclaimed author Jenkins and Caldecott Medal–winning illustrator Blackall comes a fascinating picture book in which four families, in four different cities, over four centuries, make the same delicious dessert: blackberry fool. This richly detailed book ingeniously shows how food, technology, and even families have changed throughout American history. In 1710, a girl and her mother in Lyme, England, prepare a blackberry fool, picking wild blackberries and beating cream from their cow with a bundle of twigs. The same dessert is prepared by an enslaved girl and her mother in 1810 in Charleston, South Carolina; by a mother and daughter in 1910 in Boston; and finally by a boy and his father in present-day San Diego. Kids and parents alike will delight in discovering the differences in daily life over the course of four centuries. Includes a recipe for blackberry fool and notes from the author and illustrator about their research.
In this heartwarming story of love and family, a community comes together to help a young girl find the courage to lift her mighty voice. Sundays are June’s favorite days because she gets to spend it with Mommy, Daddy, and her brother, Troy. Next Sunday is more special than most, because she will be leading the youth choir in front of her entire church. June loves to sing. She sings loud, silly songs with Daddy, she sings to herself in front of the bedroom mirror, but performing in front of the entire congregation is another thing altogether. As her special moment approaches, June leans on the support of her whole community to conquer her fear of singing in front of the congregation.
A picture book biography of the remarkable folk artist Clementine Hunter. Can you imagine being an artist who isn't allowed into your own show? That's what happened to folk artist Clementine Hunter. Her paintings went from hanging on her clothesline to hanging in museums, yet because of the color of her skin, a friend had to sneak her in when the gallery was closed. With lyrical writing and striking illustrations, this picture book biography introduces kids to a self-taught artist whose paintings captured scenes of backbreaking work and joyous celebrations of southern farm life. They preserve a part of American history we rarely see and prove that art can help keep the spirit alive.
A beautiful picture book about Ann Cole Lowe, a little-known African-American fashion designer who battled personal and social adversity in order to pursue her passion of making beautiful gowns and went on to become one of society's top designers. Wisps of cloth would fall from their worktables like confetti, and Ann would scoop them up and turn them into flowers as bright as roses in the garden. Ann's family came from Alabama. Her great grandma had been a slave, so her family knew about working hard just to get by. As soon as Ann Cole Lowe could walk, her momma and grandma taught her to sew. She worked near her momma in their Alabama family shop in the early 1900s, making glorious dresses for women who went to fancy parties. When Ann was 16, her momma died, and Ann continued sewing dresses. It wasn't easy, especially when she went to design school and had to learn alone, segregated from the rest of the class. But the work she did set her spirit soaring, as evidenced in the clothes she made, including Jackie Kennedy's wedding dress and Olivia de Havilland's dress at the Oscars when she won for Best Actress in To Each His Own. Rarely credited, Ann Cole Lowe became "society's best kept secret." This beautiful picture book shines the spotlight on a little-known visionary who persevered in times of hardship, always doing what she was passionate about: making elegant gowns for the women who loved to wear them.
Mary Cassatt was a headstrong, determined girl. She wanted to be an artist in 1860, a time when proper girls certainly weren't artists. It wasn't polite. But Mary herself wasn't polite. She pursued art with a passion, moving to Paris to study, painting what she saw. Her work was rejected by the Salon judges time and time again. One day, the great painter Edgar Degas invited her to join him and his group of independent artists, those who flouted the rules and painted as they pleased-the Impressionists. Mary was on her way. "I began to live," said Mary. Today, her paintings hang in museums around the world and she is recognized as one of the most celebrated female artists of all time.