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Perfect for fans of John Green, Nicola Yoon and Gayle Forman. If you've managed to survive disaster, what happens when it strikes again? Ezra Faulkner believes everyone has a tragedy waiting for them - a single encounter after which everything that really matters will happen. His own tragedy waited until he had everything to lose. In one night, a reckless driver shatters Ezra's knee, his athletic career, and his perfect life. No longer part of the popular crowd, Ezra finds himself at the table of misfits, where he encounters Cassidy Thorpe. Intelligent, effortless and wonderfully weird, she is unlike anyone Ezra's ever met before. Together they discover flash mobs, buried treasure, secret movie screenings and a poodle with a questionable history. But as Ezra dives into new friendships and new love, he is forced to ask: if you've managed to survive disaster, what happens when it strikes again? "Maybe it's time to expand your list of literary crushes to include someone other than Augustus Waters." MTV.com "I couldn't help but think of John Green's novels - I think his fans will eat this up." Publishers Weekly "Heartbreaking and hilarious. I have no doubt that girls everywhere are going to fall madly, deeply, hopelessly in love with Ezra Faulkner." Sarah Mlynowski, NYT bestselling author. "This is one of the most literary teen books I've read for a long time - up there with John Green - and it's a delight to read… the ending absolutely blew me away, being unpredictable, powerful, and altogether fantastic." The Bookbag Severed Heads, Broken Hearts is a lyrical, witty and heart-wrenching novel about how difficult it is to play the part that people expect, and how new beginnings can stem from abrupt and tragic endings.
Robyn Schneider's The Beginning of Everything is a witty and heart-wrenching teen novel that will appeal to fans of books by John Green and Ned Vizzini, novels such as The Perks of Being a Wallflower, and classics like The Great Gatsby and The Catcher in the Rye. Varsity tennis captain Ezra Faulkner was supposed to be homecoming king, but that was before—before his girlfriend cheated on him, before a car accident shattered his leg, and before he fell in love with unpredictable new girl Cassidy Thorpe. As Kirkus said in a starred review, "Schneider takes familiar stereotypes and infuses them with plenty of depth. Here are teens who could easily trade barbs and double entendres with the characters that fill John Green's novels." Funny, smart, and including everything from flash mobs to blanket forts to a poodle who just might be the reincarnation of Jay Gatsby, The Beginning of Everything is a refreshing contemporary twist on the classic coming-of-age novel—a heart-wrenching story about how difficult it is to play the part that people expect, and how new beginnings can stem from abrupt and tragic endings.
John Green's The Fault in Our Stars meets Rainbow Rowell's Eleanor & Park in this darkly funny novel from the critically acclaimed author of The Beginning of Everything. Up until his diagnosis, Lane lived a fairly predictable life. When he's sent to Latham House, a boarding school for sick teens, Lane thinks his life may as well be over. But when he meets Sadie and her friends - a group of eccentric troublemakers - he realises that maybe getting sick is just the beginning. That illness doesn't have to define you, and that falling in love is its own cure. Robyn Schneider's Extraordinary Means is a heart-wrenching yet ultimately hopeful about true friendships, ill-fated love and the rare miracle of second chances. Praise for Extraordinary Means 'This captivating book about life, death, fear, and second chances will fly off the shelves' VOYA 'Schneider’s subtlety, combined with themes about learning to live life fully, makes this an easy recommendation for those seeking titles similar in premise to John Green’s The Fault in Our Stars' School Library Journal 'The perfect read-next for fans of the sick-lit trend and readers looking for a tear-stained romance' Bulletin of the Center for Children’s Books 'Fans of John Green’s blockbuster The Fault in Our Stars who are eager for more of that kind of story will likely be satisfied.' Booklist
Three completely unique stories that form one cohesive story. Each story is written in a different writing style to capture a new perspective. ""Severed Heads"" is enhanced poetry. It's like you're reading the lyrics to any great hip-hop song. It flows seamlessly with captivating imagery and creative word play. Each story is dark and heavy and covers a wide range of topics like: addiction, depression, vanity, sexual abuse, religion, and revenge. William has been crafting a unique writing style. His love for lyrical hip-hop has lead him to create a genre he calls, "rhyme story." Meaning, it's lush like poetry, but has the technique of any skilled lyricists.
Robyn Schneider, author of Extraordinary Means and The Beginning of Everything, delivers a sharply funny, romantic girl-meets-boy novel with a twist: boy-also-meets-girl’s-ghost-brother. When one girl’s best friend is her dead brother’s ghost, romance can be tricky. Perfect for fans of John Green and Nicola Yoon. Rose Asher believes in ghosts. She should, since she has one for a best friend: Logan, her annoying, Netflix-addicted brother, who is forever stuck at fifteen. But Rose is growing up, and when an old friend moves back to Laguna Canyon and appears in her drama class, things get complicated. Jamie Aldridge is charming, confident, and a painful reminder of the life Rose has been missing out on since her brother’s death. She watches as Jamie easily rejoins their former friends—a group of magnificently silly theater nerds—while avoiding her so intensely that it must be deliberate. Yet when the two of them unexpectedly cross paths, Rose learns that Jamie has a secret of his own, one that changes everything. Rose finds herself drawn back into her old life—and to Jamie. But she quickly starts to suspect that he isn’t telling her the whole truth. All Rose knows is that it’s becoming harder to choose between the boy who makes her feel alive and the brother she isn’t ready to lose.
Murder behind the gates of Fremont Place was unusual; two children and a nanny slaughtered in the home of a rich young lawyer and his beautiful wife was unheard of. Shunned cop, detective Finn O'Brien, and his partner, Cori Anderson, follow a trail of bodies and shattered relationships as they connect the dots between the L.A. ladies-who-lunch, lawyers who skate on the edge of the law, pornographers, and Hollywood freaks. When they uncover the horrific truth behind the murders, it will either bind them together for eternity or severe their relationship in the cruelest cut of all.
Renowned philosopher and cultural theorist Kristeva (Powers of Horror: An Essay on Abjection) offers an extended consideration of artistic figurations of the severed head, the organizing theme to an exhibition she coordinated at the Louvre in 1998. Though she follows a single historical trajectory, moving from Paleolithic skull cults to antique Greek sculpture to the Surrealist drawings, Kristeva eschews the disciplinary constraints of art history, instead employing psychoanalysis to explore the intertwined problems of representation and mortality posed by the severed head. For Kristeva, the capacity to figure the life of the mind first requires a confrontation with this horrific object that stands at the boundary between life and death, registering not only the loss of corporeal form but also subjective interiority. Though this book does not engage with recent images of decapitation, it is not without contemporary political-cultural import; for Kristeva, these cruel artistic figurations offer us the capacity to contemplate the sacred within a technology-driven contemporary visual culture. Verdict While a challenging text, this beautifully written and richly layered meditation on mortality and representation will undoubtedly appeal to those readers interested in semiotic and psychoanalytically informed readings of art.-Jonathan Patkowski, CUNY Graduate Ctr.(c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
In an alien-invaded post-apocalyptic world, the children forge deeper into the most dangerous lands in search of The Severed Tower, an infamous location in the middle of the world's most dangerous landscape: The Strange Lands, a place where the laws of physics have completely broken down. But the closer they get to the Tower, the more precarious things become.
William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions – shock, sadness, fear – that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? In the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theatre were high. It was also a time of important scientific progress. Shakespeare kept pace with anatomical and medical advances, and he included the latest scientific discoveries in his work, from blood circulation to treatments for syphilis. He certainly didn't shy away from portraying the reality of death on stage, from the brutal to the mundane, and the spectacular to the silly. Elizabethan London provides the backdrop for Death by Shakespeare, as Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die. Was death by snakebite as serene as Shakespeare makes out? Could lack of sleep have killed Lady Macbeth? Can you really murder someone by pouring poison in their ear? Kathryn investigates what actual events may have inspired Shakespeare, what the accepted scientific knowledge of the time was, and how Elizabethan audiences would have responded to these death scenes. Death by Shakespeare will tell you all this and more in a rollercoaster of Elizabethan carnage, poison, swordplay and bloodshed, with an occasional death by bear-mauling for good measure.