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In this companion to Laurel Snyder’s Bigger than a Bread Box, a leap back in time and an unlikely friendship change the future of one family forever. Annie wants to meet her grandmother. Molly wishes she had a friend. A little magic brings them together in an almost-impossible friendship. When Annie wakes up on her first morning at the Hotel Calvert, she’s in for a big surprise. There’s a girl named Molly in her bed who insists the year is 1937 and that this is her room! Annie’s not sure what happened, but when she learns that Molly’s never been outside the hotel, she knows it’s time for an adventure. Magic, fortune-telling, some roller skates, a rescued kitten, and the best kind of friendship make up the unforgettable story of two girls destined to change each other’s lives. “Like Judy Blume before her, Laurel Snyder writes characters that feel like your best friend.” —Anne Ursu, author of The Real Boy
In this companion to Laurel Snyder’s Bigger than a Bread Box, a leap back in time and an unlikely friendship change the future of one family forever. Annie wants to meet her grandmother. Molly wishes she had a friend. A little magic brings them together in an almost-impossible friendship. When Annie wakes up on her first morning at the Hotel Calvert, she’s in for a big surprise. There’s a girl named Molly in her bed who insists the year is 1937 and that this is her room! Annie’s not sure what happened, but when she learns that Molly’s never been outside the hotel, she knows it’s time for an adventure. Magic, fortune-telling, some roller skates, a rescued kitten, and the best kind of friendship make up the unforgettable story of two girls destined to change each other’s lives. “Like Judy Blume before her, Laurel Snyder writes characters that feel like your best friend.” —Anne Ursu, author of The Real Boy
A girl in a seven-story apartment building has trouble sleeping because of her disruptive neighbors, who all seem to be characters from fairy tales.
Detailing Monroe’s life with unusual depth and empathy, this biography in comics form reexamines one of America’s most familiar icons in a startling and fresh way. Marilyn speaks for herself--to her psychoanalyst, to a reporter, and ultimately, to the reader of this book. Beginning where her unstable mother leaves off, Monroe picks up her dream of fame in early childhood. The reader follows Monroe’s rise to stardom, progressing through the lower depths of Hollywood into the hard realities of fame. Seen through the prism of Marilyn’s own inner world, her achievements and failures take on a new complexity and poignancy. Marilyn: The Story of a Woman is told as a direct narrative in words and dark, compelling images. This biography will appeal to fans of Marilyn, comics, and anyone interested in women’s lives.
They called themselves the Motherfuckers; others called them a ''street gang with an analysis.'' Osha Neumann's thoughtful, funny, and honest account of his part in '60s counterculture is also an unflinching look at what all that rebellion of the past means today. The fast moving story follows the establishment of the Motherfuckers, who influenced the Yippies and members of SDS; makes vivid the art, music, and politics of the era; and reveals the colorful, often deeply strange, personalities that gave the movement its momentum. Abbie Hoffman said the Motherfuckers were ''the middle-class nightmare . . . an antimedia media phenomenon simply because their name could not be printed.'' In the few years of its existence the group forced its way into the Pentagon during a war protest, helped occupy one of the buildings in the Columbia University takeover, and cut the fences at Woodstock to allow thousands in for free, among many other feats of radical derring-do.
Cain, a quixotic anti-hero, navigates the foreign and hostile world of construction as he builds the Twin Towers prison in LA. The novel follows Cain through the seven stories, nine counting the foundation and roof, of this brooding building culminating with the violent LA riots. Whop, Cains personal Virgil, guides Cain through the hell of work-site accidents, deaths, graft, greed, incompetence, and disillusionment. Unlike in Dantes Inferno, Whop does not guide Cain to redemption. Instead, Cains foreman, Nickels, applies pressure to Cains mental state as the steel assaults his body and soul. While Cain sinks deeper into the construction site his hold on reality blurs by the surreal bombardment to his senses. He absorbs the maddening orchestra of noises and sights; the Native American iron worker, Coyote Eye, killing himself for his beloved; the rodbuster who robbed banks to escape the job; the sex addiction of Big Daddy and his crew of looneys; and the merciless steel trying to murder Cain one piercing shard at a time. The rest of the crew: Iron Horse, Tiny, Willie the Elevator Operator, Righteous Eddy Edmond, and the Funky Red Headed Dread Lock Dude notice Cains odd behavior, but they do not recognize his mental instability. As the Rodney King riot takes to the streets nine months later, LA burns in the night sky while Cain, Nickels and the cold steel collide.
The most basic questions everyone faces in life is Why am I here? What is my purpose? Gerard Kelly presents the stories that make up the overall story of God in the world. And here we find our purpose for each of our individual Christian lives. Our purpose is as distinctive as our fingerprint and we will connect with it when we connect with our identity and origin in God. God remembers how he made us and is committed to the fruitfulness and fulfilment of our potential. We discover the importance of finding our place of service and usefulness, knowing that our lives have meaning in the purposes of God.
Poetry. Intimate, tender, at times funny and at others erotically charged, Porter's poems dwell on the subjects that affect us deeply: relationships complicated by circumstance; childbirth; illness; unseasonable death. She reminds us that it is in the everyday entaNglements that we find poetry. Tony Barnstone invites readers to, "[f]ollow her through the 'bourbon-hinged jangling dancing open door' seven floors up to visit the kitchen of the soul. There are madwomen in that attic, but the booze is good, and they really know how to cook." Lyrical and imaginative, SEVEN FLOORS UP asks us to read the signs of life, see what's outside. Cati Porter is founder and editor-in-chief of Poemeleon: A Journal of Poetry (www.poemeleon.org) and associate editor (poetry) for Babel Fruit (www.babelfruit.org), and is the author of a chapbook of prose poems, small fruit songs (Pudding House Publications, 2008).
A remarkable debut mystery from the award-winning author of the 2003 St. Martin's Press/Private Eye Writers of America Prize for Best First Private Eye Novel. Michael Koryta's Tonight I Said Goodbye marks the emergence of a stunning new voice in crime fiction. With its edge-of-your-seat pacing, finely drawn characters, and rock-solid prose, Tonight I Said Goodbye would seem to be the work of a grizzled pro; the fact that the author is just twenty-one years old makes it all the more amazing. Investigator Wayne Weston is found dead of an apparent suicide in his home in an upscale Cleveland suburb, and his wife and six-year-old daughter are missing. Weston's father insists that private investigators Lincoln Perry and Joe Pritchard take the case to exonerate his son and find his granddaughter and daughter-in-law. As they begin to work they discover there is much more to the situation than has been described in the prevalent media reports. There are rumors of gambling debts and extortion, and a group of Russians with ties to organized crime who don't appreciate being investigated--a point they make clear with baseball bats. With some assistance from newspaper reporter Amy Ambrose, Perry and Pritchard believe they are making swift progress. But then they are warned off the investigation by a millionaire real estate tycoon and the FBI. Just when they feel they are closing in on a possible source of answers, another murder forces them to change direction in the case. Perry travels to a resort town in South Carolina and there he finds more than one game being played, and all of them are deadly. The stakes quickly become very personal for Perry, and it's clear that there will be no walking away from this case. In a debut that has already garnered praise from some of today's top writers, Michael Koryta immediately establishes himself as a standard bearer for the next generation of crime writers. Tonight I Said Goodbye is a 2005 Edgar Award Nominee for Best First Novel.