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Ever since my three visits to Iran in the years 1973, 1976, and 1978, I fell in love with Persian poetry. Poetry was everywhere in Iran in those years; one could simply walk into a bookstore and buy a copy of a poem of a favorite poet or the work of a new entry which are sometimes illustrated and displayed on walls. Poetry was always an important expression of life in Persia (Iran) beginning with Hakim Ferdowsi's great historical/ mythological epic, Shahnahmeh (The Book of Kings) to the well-known Rubaiyat (Odes) of Omar Khayyam and the magnificent love poems of the three Sufi poets, Jalaluddin Rumi, Muhammad Hafiz, and Saadi Shirazi. This book includes the five poets above as well as two relatively modern poets Forough Farrokhzad and Ahmad Shamloo.
The definitive translation by Dick Davis of the great national epic of Iran—now newly revised and expanded to be the most complete English-language edition A Penguin Classic Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern readers. Originally composed for the Samanid princes of Khorasan in the tenth century, the Shahnameh is among the greatest works of world literature. This prodigious narrative tells the story of pre-Islamic Persia, from the mythical creation of the world and the dawn of Persian civilization through the seventh-century Arab conquest. The stories of the Shahnameh are deeply embedded in Persian culture and beyond, as attested by their appearance in such works as The Kite Runner and the love poems of Rumi and Hafez. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
"It was a refreshing, old-fashioned pleasure to read Julie Scott Meisami’s verse translation of, and introduction and notes to, this twelfth-century Persian allegorical romance." —Orhan Pahmuk, in the Times Literary Supplement
Hand of Poetry offers entrance into the world of beauty and truth. Five lectures on Persian poetry given by Pir-o-Murshid Inayat Khan in the United States in 1923 and 1926 are followed by fresh translations by the poet Coleman Barks of some of the poetry Inayat Khan discusses, including pieces from Sanai, Attar, Rumi, Saadi and Hafiz. Coleman Barks is a renowned poet and the bestselling author of The Essential Rumi.
SEVEN 'SHAHS' OF SUFI POETRY Selected Poems Mas'ud Shah, Shah Ni'mat'ullah, Shah Da'i, Qutub Shah, Shah Latif, Bulleh Shah & Nur 'Ali Shah Translation & Introduction Paul Smith Mas'ud Shah (1048-1122) originally came from Hamadan. In the beginning he was at the court of the prince of Ghazneh and governor of India Sayfu'-daula Mahmud and quickly progressed in wealth and honour. When he was forty he was thrown into prison after being wrongfully accused along with his patron of treachery by Sultan Ibrahim. He became a 'Servant of God' or a Sufi and a bit of a hermit. His famous Habsiyyat, (prison-songs) are among the most interesting poems in the Persian language. Shah Ni'mat'ullah (1330-1431) was the founder of an order of Sufis that is today the largest in Iran. As well as a Sufi Master he was a poet who at times used 'Sayyid' as his takhallus or pen-name. He was influenced by Ibn 'Arabi and Hafiz.. He composed many prose works on Sufism and his Divan contains over 13,000 couplets, mostly ghazals and ruba'is. Shah Da'i (1406-1464) was born and passed away in Shiraz. He was initiated into Sufism by Abu Ishaq Bahrami known as 'The Shaikh of Four Books', a leader or representative of Shah Ni'mat'ullah. Among Shah Dai's works are a number of risalahs (Essays) including interpretations of Koranic verses, a translation of a short work of Ibn 'Arabi. Qutub Shah (1565-1611) was the fifth sultan of the Qutub Shahi dynasty of Golconda in South India. He founded the city of Hyderabad. Qutub Shah was a scholar of Arabic and Persian. He wrote poetry in Urdu and Persian. Qutub Shah had the distinction of being the first Urdu poet and is credited with introducing a new sensibility into prevailing genres of Persian/Urdu poetry. He was also a mystic or Sufi poet. Shah Latif (1689-1752) was a Sufi Master and is considered by many to be the greatest poet of the Sindhi language. His book of poetry is called the Risalo. His shrine is located in Bhit and attracts hundreds of pilgrims every day. He is the most famous Sindhi poet and Sufi. Bulleh Shah (1680-1758) was a Sufi poet who composed in Punjabi and settled in Kasur, now in Pakistan. His Spiritual Master was Shah Inayat. The poetic form Bulleh Shah used is called the Kafi, a style of Punjabi poetry used not only by the Sufis of Sindh and Punjab, but also by Sikh gurus. Nur 'Ali Shah (1760-1796). The 36th Qutub or Perfect Master or 'Pole' of the Ni'matullah Sufi Order was born in Isfahan. The Ulama of Kirmansh 'Ali Bihbahani who was nick-named 'the Sufi killer' saw the Sufi Poet Nur 'Ali Shah as a threat and he was poisoned. The correct rhyme-structure for the first time has been achieved in all poems. Biographies of all poets and essays on Sufi Poetry & its Forms, Selected Bibliographies. Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Iqbal, Ghalib, Makhfi, Lalla Ded, Nazir, Iqbal, Seemab, Jigar and many others and his own poetry, fiction, plays, biographies, children's books. memoir and a dozen screenplays. amazon.com/author/smithpa
Commissioned by Prince Sultan Ibrahim Mirza in 1556, five Iranian court calligraphers devoted nine years to transcribing the poetic text of the great Persian classic, the Haft awrang (Seven Thrones), by the mystical poet Abdul-Rahman Jami. Then a team of gifted artists undertook the illumination and illustration of the manuscript. The masterpiece they created—housed today in the Freer Gallery of Art, Washington, D.C., and known as the Freer Jami—is a sumptuous volume of some three hundred folios of elegant cursive script with richly decorated margins, thousands of multicolored section dividers, nine illuminated headings and nine colophons that begin and end the main divisions of the text, and twenty-nine full-scale paintings. This gorgeous book reproduces to scale the Freer Jami paintings, discusses each in detail, and introduces the manuscript’s patron and the artist’s painting style and meaning. Marianna Shreve Simpson describes the cultural and artistic milieu in which Sultan Ibrahim Mirza’s great manuscript was created and explores the special style and imagery of the illustrations. She then considers the poetic content and mystical significance of the related passages, how the paintings interpret the passages, and the unique and innovative aspects of each painting. In the themes and images of the paintings, Simpson finds, are clues to the message of the manuscript as a whole. This book also includes a timeline of milestones in the prince’s life and in the production of his Haft awrang. Copublished with the Freer Gallery of Art, Smithsonian Institution, Washington, D.C.
Reprint of the original, first published in 1872.