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"Seven vignettes of seven young boys named Pablo living throughout the world"--
"Pablo learns to deal with the loss of his much-loved pet fish with the help of his friends and family"--
Relates the many ways animal mothers take care of their babies.
This is a true story of a float trip down the Missouri. It compares, in some ways, to the most famous float trip in American literature, the one that Huck Finn took down the Mississippi. At the end of his trip, young Huck says, “…I reckon I got to Light out for the Territory ahead of the rest, because Aunt Sally she’s going to adopt me and civilize me, and I can’t stand it. I been there before.” That young escapee, to extend the comparison, is epitomized in James Willard Schultz. Just expelled from military school, the seventeen-year-old Schultz goes West, stays, grows up and lives among the Indians, marries into the Blackfoot tribe, and lived the kind of life he loved. In the fall of 1901, Apikuni and his Piegan wife, Nataki, took a long float trip down the Missouri. They camped out and lived off the land for the entire trip, from Fort Benton to the juncture off the Missouri and Milk rivers. The account of that trip is presented here in book form for the first time. Like Huck’s adventure, this was something more than a simple float trip. It was a trip through space and time through memories of early experiences along the river, of friends and enemies (Assiniboines, Crees, Sioux, and others), of early white trappers and traders, of carefree days of the buffalo hunt, of a naturalist’s dream world populated with the deer, eagle, antelope, fish, bear, wolf, and animals known only in Indian mythology. This idyll was nostalgic trip that could not be repeated, for the river and world were changing, Apikuni and Nataki knew first-hand the many changes of the past and sensed the momentous changes coming. With the advance of the white man’s world, with the dams and reservoirs, it would be impossible for today’s adventurer to duplicate the trip described here. But, for the armchair adventurer, it is still possible, though the account that has been left for us, to take this remarkable trip.
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
Reminiscent of Scheherazade and One Thousand and One Nights, Gianni Rodari's Telephone Tales is many stories within a story. Every night, a traveling father must finish a bedtime story in the time that a single coin will buy. One night, it's a carousel that adults cannot comprehend, but whose operator must be some sort of magician, the next, it's a land filled with butter men who melt in the sunshine Awarded the Hans Christian Anderson Award in 1970, Gianni Rodari is widely considered to be Italy's most important children's author of the 20th century. Newly re-illustrated by Italian artist Valerio Vidali​ (The Forest)​, Telephone Tales​ entertains, while questioning and imagining other worlds.
In the sixteenth century, the picaresque novel introduced marginal figures (wanderers, beggars and thieves) as the protagonists of elaborate prose narratives, thus appearing to give a voice to hitherto unrepresented social types. This raises several questions as to the referentiality of the picaresque text, pertinent both to historians and literary scholars alike. Microhistory can help investigate this referentiality of the picaresque text, by revealing how particular historical agents perceived marginals and marginality, and juxtaposing these agent perspectives to the literary representation. Microhistory and the Picaresque Novel is the first publication to combine scholarship on the picaresque novel and the practice of microhistory. This innovative volume argues that the approach of microhistorical studies, such as The Cheese and the Worms by Carlo Ginzburg, Inheriting Power: The Story of an Exorcist by Giovanni Levi and The Return of Martin Guerre by Natalie Zemon Davis, can be used to shed new light on classic picaresque novels such as Guzmán de Alfarache, Gil Blas, Grimmelshausen, and their many epigones. The volume brings together expert scholars on the picaresque novel such as Professor Robert Folger, on the one hand, and established microhistorians such as Professor Giovanni Levi, on the other. This exploration is further enriched with contributions by Professor Matti Peltonen, an expert on history theory, and Professor Hans Renders, an expert on biography studies, as well as providing case studies from recent research by the editors Binne de Haan and Dr Konstantin Mierau.
Includes section, "Recent book acquisitions" (varies: Recent United States publications) formerly published separately by the U.S. Army Medical Library.