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This book explores a series of powerful artifacts associated with King Solomon via legendary or extracanonical textual sources. Tracing their cultural resonance throughout history, art historian Allegra Iafrate delivers exciting insights into these objects and interrogates the ways in which magic manifests itself at a material level. Each chapter focuses on a different Solomonic object: a ring used to control demons; a mysterious set of bottles that constrain evil forces; an endless knot or seal with similar properties; the shamir, known for its supernatural ability to cut through stone; and a flying carpet that can bring the sitter anywhere he desires. Taken together, these chapters constitute a study on the reception of the figure of Solomon, but they are also cultural biographies of these magical objects and their inherent aesthetic, morphological, and technical qualities. Thought-provoking and engaging, Iafrate’s study shows how ancient magic artifacts live on in our imagination, in items such as Sauron’s ring of power, Aladdin’s lamp, and the magic carpet. It will appeal to historians of art, religion, folklore, and literature.
The richness of Near Eastern art is epitomized by sixteenth- and seventeenth-century Persian carpets. Among the finest ever produced, the two Ardabil carpets are believed to have been made as offerings for the Shrine of Sheikh Safi at Ardabil during the Safavid dynasty in sixteenth-century Persia. In this text Rexford Stead, deputy director of the Los Angeles County Museum of Art, explores the intricacies of the Ardabil carpets—one formerly in the Getty Museum and now in the Los Angeles County Museum of Art, and the other in the Victoria and Albert Museum, London. A bibliography and exhibition history are included.
A team of 16 experts underline the binds and exchanges between different contexts and artistic techniques that copies established in the Renaissance, and how the history of taste is sophisticated and complex.