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For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.
Internationally renowned essayist and cultural commentator Ilan Stavans spent five years traveling from across a dozen countries in Latin America, in search of what defines the Jewish communities in the region, whose roots date back to Christopher Columbus’s arrival. In the tradition of V.S. Naipaul’s explorations of India, the Caribbean, and the Arab World, he came back with an extraordinarily vivid travelogue. Stavans talks to families of the desaparecidos in Buenos Aires, to “Indian Jews,” and to people affiliated with neo-Nazi groups in Patagonia. He also visits Spain to understand the long-term effects of the Inquisition, the American Southwest habitat of “secret Jews,” and Israel, where immigrants from Latin America have reshaped the Jewish state. Along the way, he looks for the proverbial “seventh heaven,” which, according to the Talmud, out of proximity with the divine, the meaning of life in general, and Jewish life in particular, becomes clearer. The Seventh Heaven is a masterful work in Stavans’s ongoing quest to find a convergence between the personal and the historical.
German Hossain?s dreams never seem to leave him in peace. As India?s independence approaches, bringing with it a wrenching partition and the bloodbath of communal riots, German, a resident of Birbhum district in Bengal, sets out for Murshidabad in the hope of curing himself of his dream-sickness and, in his newfound sympathy of the Muslim League, to make his home in a place destined to become part of Pakistan. But when, after a three-day tug-of-war of sorts, the Radcliffe line recommendations deem that Murshidabad be returned to India, German decides to return to his place of birth, still plagued by his dreams and led by them, still in search of his destiny. This is the story of his journeys. Political, personal and surreal landscapes are intricately woven together in this exquisite novel about djinns and fairies, demonology and Sufism, the partition of a country and, above all, the dreams that make men who they are.
Charles William Whipple was born in Creston, Iowa on May 5, 1880. His earliest memories are of his trips to Heaven where he spent many happy hours. In 1931, on his 51st birthday, he received permission to write about these visits which resulted in 7 books and several smaller manuscripts. Seven Heavens is his greatest work. It describes heaven in all its glory and also describes many of his visits to heaven.
This Mini Book compares the various ideas that exist about heaven with the Bible's description of this dimension.
C S Lewis' Narnia books have delighted millions of readers with their captivating otherworld. In this compelling book, Lewis scholar Michael Ward reveals deeper layers of meaning encrypted in the Narnia series, drawing on medieval cosmology and symbolism. - Koorong The Narnia books are mysterious. Millions of people have been captivated by them, but are left with unanswered questions. Why are there seven books? Are they biblical allegories? If so, why do four of them seem to have no biblical basis? Why do they lack uniformity? Why does Father Christmas appear in them? In The Narnia Code Michael Ward attempts to answer this puzzle. Drawing on Lewis' love of Medieval astronomy, Ward breaks the Narnia 'code' and demonstrates the single theme that provides the link between all seven books. The author takes us through each of the seven Chronicles of Narnia and draws from the whole range of Lewis' other works to reveal the secret. Based on a groundbreaking scholarly work (Planet Narnia, OUP) that entered the Sunday Times best seller list, this fascinating book will cause the reader to understand Lewis in a whole new way. It has some important things to say about how we understand the universe and Christian faith today. Documentary DVD also available. # 313627
Explores ancient Jewish beliefs in life after death as well as contemporary spiritual experiences • Reveals clear references to the afterlife, heaven, and spiritual encounters in ancient Hebrew texts, including the Torah, the Zohar, and the Dead Sea Scrolls • Shares profound stories from the author’s clinical therapy practice to show how afterlife beliefs can heal destructive emotional patterns and ancestral trauma • Describes the psychological parameters of trauma resolution, enabling long-term healing and spiritual advancement Exploring afterlife theories from the ancient world as well as contemporary afterlife encounters, Carla Wills-Brandon, Ph.D., reveals references to Jewish mysticism and afterlife encounters in ancient Hebrew texts, including the Torah, the Talmud, the Zohar, the Dead Sea Scrolls, and the writings of the early Kabbalists. She shows how these works describe not only the realms of heaven but also near-death experiences (NDEs), after-death contact, reincarnation, and deathbed visions of crossed-over loved ones. Drawing on her background in psychology and her experience as a licensed therapist, she explains how acknowledging an afterlife as well as spiritual encounters can help you find peace after loss, discover inner spiritual light, and heal from destructive emotional patterns and ancestral trauma, including intergenerational wounds such as those from the Holocaust. Sharing profound accounts of modern-day premonitions, spirit visitations, dream encounters with the dying, NDEs, and other psychic manifestations, the author shows how similar our contemporary mystical experiences are to those of our ancestors. Looking at the strong emotional resonances created by unresolved trauma, she explains how many survivors of World War II developed PTSD, which has been passed down from one generation to the next. She shows how believing in life after death and speaking about spiritual experiences can help heal emotional trauma and release difficult memories stuck psychically in our personal and ancestral past. Revealing how spiritual seekers can benefit not only from a belief in the afterlife but also from expressing their visions of the unseen, the author shows how knowing that physical death is not final fosters a healthier preparation for one’s own death and the deaths of those we cherish as well as a more fulfilling life.
German Hossain’s dreams never seem to leave him in peace. As India’s independence approaches, bringing with it a wrenching partition and the bloodbath of communal riots, German, a resident of Birbhum district in Bengal, sets out for Murshidabad in the hope of curing himself of his dream-sickness and, in his newfound sympathy of the Muslim League, to make his home in a place destined to become part of Pakistan. But when, after a three-day tug-of-war of sorts, the Radcliffe line recommendations deem that Murshidabad be returned to India, German decides to return to his place of birth, still plagued by his dreams and led by them, still in search of his destiny. This is the story of his journeys. Political, personal and surreal landscapes are intricately woven together in this exquisite novel about djinns and fairies, demonology and Sufism, the partition of a country and, above all, the dreams that make men who they are.
When we think of "heaven," we generally conjure up positive, blissful images. Heaven is, after all, where God is and where good people go after death to receive their reward. But how and why did Western cultures come to imagine the heavenly realm in such terms? Why is heaven usually thought to be "up there," far beyond the visible sky? And what is the source of the idea that the post mortem abode of the righteous is in this heavenly realm with God? Seeking to discover the roots of these familiar notions, this volume traces the backgrounds, origin, and development of early Jewish and Christian speculation about the heavenly realm -- where it is, what it looks like, and who its inhabitants are. Wright begins his study with an examination of the beliefs of ancient Israel's neighbors Egypt and Mesopotamia, reconstructing the intellectual context in which the earliest biblical images of heaven arose. A detailed analysis of the Hebrew biblical texts themselves then reveals that the Israelites were deeply influenced by images drawn from the surrounding cultures. Wright goes on to examine Persian and Greco-Roman beliefs, thus setting the stage for his consideration of early Jewish and Christian images, which he shows to have been formed in the struggle to integrate traditional biblical imagery with the newer Hellenistic ideas about the cosmos. In a final chapter Wright offers a brief survey of how later Jewish, Christian, and Islamic traditions envisioned the heavenly realms. Accessible to a wide range of readers, this provocative book will interest anyone who is curious about the origins of this extraordinarily pervasive and influential idea.
An uplifting study of Jesus, his times and his teaching