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In Settler Garrison Jodi Kim theorizes how the United States extends its sovereignty across Asia and the Pacific in the post-World War II era through a militarist settler imperialism that is leveraged on debt as a manifold economic and cultural relation undergirded by asymmetries of power. Kim demonstrates that despite being the largest debtor nation in the world, the United States positions itself as an imperial creditor that imposes financial and affective indebtedness alongside a disciplinary payback temporality even as it evades repayment of its own debts. This debt imperialism is violently reproduced in juridically ambiguous spaces Kim calls the “settler garrison”: a colonial archipelago of distinct yet linked military camptowns, bases, POW camps, and unincorporated territories situated across the Pacific from South Korea to Okinawa to Guam. Kim reveals this process through an analysis of how a wide array of transpacific cultural productions creates antimilitarist and decolonial imaginaries that diagnose US militarist settler imperialism while envisioning alternatives to it.
Asian Settler Colonialism is a groundbreaking collection that examines the roles of Asians as settlers in Hawai‘i. Contributors from various fields and disciplines investigate aspects of Asian settler colonialism to illustrate its diverse operations and impact on Native Hawaiians. Essays range from analyses of Japanese, Korean, and Filipino settlement to accounts of Asian settler practices in the legislature, the prison industrial complex, and the U.S. military to critiques of Asian settlers’ claims to Hawai‘i in literature and the visual arts.
John F.
Existing studies of settler colonial genocides explicitly consider the roles of metropolitan and colonial states, and their military forces in the perpetration of exterminatory violence in settler colonial situations, yet rarely pay specific attention to the dynamics around civilian-driven mass violence against indigenous peoples. In many cases, however, civilians were major, if not the main, perpetrators of such violence. The focus of this book is thus on the role of civilians as perpetrators of exterminatory violence and on those elements within settler colonial situations that promoted mass violence on their part.
SIGHTLINES explores Australian drama for its complex negotiations of race, gender, and postcolonialism. Drama scholar Helen Gilbert discusses an exciting variety of plays. Although focused mainly on performance, her insistent interest in historical and political contexts also speaks to the broader concerns of cultural studies. 23 illustrations.
The Place Names of New Mexico is an invaluable guide to the state's geography and history. It explains more than 7,000 names of features large and small throughout the state--towns, mountains, rivers, canyons, counties, post offices, and even abandoned settlements--as well as providing relevant information about location, history, and current status. The revised edition contains more than fifty expanded and updated entries. The accounts are also journeys into New Mexico's past, offering glimpses of the lives and values of the people who named the place. Humor, tragedy, mystery, and daily life--they can all be found in this book.
Welcome to our story, this history. Wherever in the world the bones of your ancestors lie, wherever their ashes may have been dispersed, here you will find traces of them, and of yourself....It is, of course, a story of colonisation and resistance – and a history that has never stopped repeating. Arama Rata The New Zealand Wars of the mid-nineteenth century profoundly shaped the course and direction of our nation's history. This book takes us to the heart of these conflicts with a series of first-hand accounts from Māori and Pākehā who either fought in or witnessed the wars that ravaged New Zealand between 1845 and 1872. From Heni Te Kiri Karamu's narrative of her remarkable exploits as a wahine toa, through to accounts from the field by British soldiers and powerful reports by observers on both sides, we learn about the wars at a human level. The often fragmentary, sometimes hastily written accounts that make up Voices from the New Zealand Wars vividly evoke the extreme emotions – fear, horror, pity and courage – experienced during the most turbulent time in our country's history. Each account is expertly introduced and contextualised, so that the historical record speaks to us vividly through many voices.
References to the Indian Wars, those conflicts that accompanied US continental expansion, suffuse American military history. From Black Hawk helicopters to the exclamation “Geronimo” used by paratroopers jumping from airplanes, words and images referring to Indians have been indelibly linked with warfare. In Indian Wars Everywhere, Stefan Aune shows how these resonances signal a deeper history, one in which the Indian Wars function as a shadow doctrine that influences US military violence. The United States’ formative acts of colonial violence persist in the actions, imaginations, and stories that have facilitated the spread of American empire, from the “savage wars” of the nineteenth century to the counterinsurgencies of the Global War on Terror. Ranging across centuries and continents, Indian Wars Everywhere considers what it means for the conquest of Native peoples to be deemed a success that can be used as a blueprint for modern warfare.
Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Nicholas Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history. Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe.